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Matt.F

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26-Feb-2012
Last activity
28-Oct-2019
Posts
225

Post History

Post
#1301059
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>720p HD VERSION NOW IN PRODUCTION</em>
Time

If it was completed first then perhaps it wasn’t great (the Spaceballs shot) and the FX guys took another try at it (the SW shot)? Or perhaps the Spaceballs footage being from SW is urban myth I don’t know either way, but I remember a mock up earlier in the thread that showed quite a similar suggestion to filling the blackness around the circular pod tube with greeblies - which the Spaceballs shot does do in fairness so maybe it’s useful?

Post
#1301046
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>720p HD VERSION NOW IN PRODUCTION</em>
Time

I’ve seen it online in a few places, here on IMDB (https://www.imdb.com/title/tt0094012/trivia)…

The Millennium Falcon from the Star Wars saga makes a cameo appearance in this movie. Given a close look at the exterior shot of the Space Diner, and it can be spotted parked there among the other space vehicles. George Lucas got a chance to read the screenplay before production began, and loved it so much that he decided to have his special effects company, Industrial Light & Magic, help make this movie.

The escape pod launch sequence is an unused clip from Star Wars: Episode IV - A New Hope (1977), provided to Mel Brooks by Lucasfilm.

In a 2013 television interview (shorty before receiving the AFI Lifetime Achievement Award), Mel Brooks stated that he personally obtained George Lucas’ full permission to parody any and all things Star Wars-related but, on one condition, that absolutely no merchandise of any kind be produced from this movie. This is the reason why all Yogurt and the Dinks do is merchandising (it is also why none of the merchandise seen in this movie was ever mass produced or publicly sold in any way).

Post
#1300981
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>720p HD VERSION NOW IN PRODUCTION</em>
Time

I suspect this is probably well known, but something I just read today that the escape pod shot used several times in Spaceballs is actually unused footage shot for Star Wars.

I know there was a bit of talk about the escape pod shot earlier in the thread so thought perhaps this might be worth sharing.

https://www.youtube.com/watch?time_continue=1&v=EfkNvOOiZ_8

Post
#1299854
Topic
STAR WARS: EP VI -RETURN OF THE JEDI &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>NOW IN PRODUCTION</strong>
Time

I didnt think British or American accents for the Imperial Officers was a continuity issue but just thought that the British accent suited them better. With that blond officer being the first proper talking role we see in ROTJ I think it might be nice to redub him as British (as SomethingStarWarsRelated said, it’s not the best line delivery as is).

Are there any American accents for Imperial / First Order Officers in Rogue One, Solo, TFA or TLJ? I’m remembering them all as being British, but could be wrong?

(We’ve also got the brilliant Richard E Grant on the way in Rise Of Skywalker, which will add another classic British accented baddie to the Imperial ranks…)

Post
#1299746
Topic
Rogue One without CGI Peter Cushing test footage
Time

“We weren’t doing anything that I think Peter Cushing would’ve objected to. I think this work was done with a great deal of affection and care. We know that Peter Cushing was very proud of his involvement in Star Wars and had said as much, and that he regretted that he never got a chance to be in another Star Wars film because George [Lucas] had killed off his character. This was done in consultation and cooperation with his estate. So we wouldn’t do this if the estate had objected or didn’t feel comfortable with this idea.” John Knoll, VFX Supervisor.

Please feel free to go ahead and be outraged anyway, and create an ‘ethical’ cut of the movie!

Post
#1299737
Topic
STAR WARS: EP VI -RETURN OF THE JEDI &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>NOW IN PRODUCTION</strong>
Time

Actually talking of voices, and from the same opening scene with the ‘ungloved hand’, the blond Imperial Officer who says “Inform the Commander that Lord Vader’s shuttle has arrived” speaks with a very noticeably American accent.

If you watch ESB and ROTJ back-to-back its actually quite jarring to hear the US accent from an Imperial officer right at the start of the film - in ESB the British accent was the voice of the Empire’s officer class and it gave the Empire a certain haughty aristocracy that worked very well.

Hardly a game changer but I think redubbing a British accent for that officer would be a nice little improvement to the movie.

Post
#1293668
Topic
The Mandalorian - Star Wars Live action TV series : <strong>NO SPOILERS</strong>
Time

Is anyone else curious as to how each episode of The Mandalorian will start?

George Lucas famously paid a fine and resigned from the Directors Guild of America rather than accept convention and place the cast/crew names at Star Wars’ opening.

When it comes to The Mandalorian are you anticipating an opening credits sequence for each ep?

Post
#1288411
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>720p HD VERSION NOW IN PRODUCTION</em>
Time

Thanks for all the additional info Adrian, especially regarding 4K, good to hear considered responses and the rationale behind your decision makes perfect sense. It also sounds like the upcoming 25GB version might go a little way towards improving the image and upscaling potential on a big screen, so I’ll look out for that.

Regarding 4K in general, I think anyone in doubt should watch the newly released 4K edition of ALIEN, a contemporary of Star Wars, to see how remarkable ‘old’ movies can look.

Post
#1288142
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>720p HD VERSION NOW IN PRODUCTION</em>
Time

Good replies guys, and I fully realise that doing SW Revisited 720p is a lot of work for Adywan. There will be many challenges and a long job list. What I am asking is what are the ‘additional’ challenges to making it 4K - what is on that list that wouldn’t be on the 720p version list?

doubleofive mentions requiring significantly more storage space, so that would be an additional challenge. What other challenges to a 4K version are there?

Mala mentions that Adywan is already having to redo everything from scratch for the 720p version. Surely this is more like an opportunity than a problem. If Ady had already done months of work in 720p that would have to be binned then that would be a big problem - is that the case? Because otherwise ‘starting from scratch’ would seem to be the ideal time to move to 4K.

Hal, you make the point that these edits take so long that the next ‘tech’ will outpace you, so why bother. I follow AV geeky tech stuff a fair bit and I truly believe that 4K will be with us for many years to come. 8K TV sets suffer massively from ‘diminishing marginal returns’ and by all accounts the gain between 4K to 8K is barely visible to the eye unless you have a 100" plus screen. The direction that consumers are going is streaming and that allies itself to lower res not higher. Suffice to say that if Revisited were released in 4K, the current high standard, it would have a better chance of longevity than if it were 720p.

I have read the piece, written in 2012 which sets out the reasons for 720p. This was 7 years ago, a lot has changed. There is now a 4K source and furthermore Adywan has dropped the PT Revisited. The original reasons for 720p in the article no longer seem to apply (but perhaps new reasons / challenges have arisen). Here is the article:

"People have been asking why i am not doing the HD versions of the edits in 1080p, but instead opting for 720p. Well it’s down to a few factors; One being that I am having to use the 2006 bonus DVD’s to return some Special Edition shots back to their original state and , as we know, the quality of the Bonus discs is pretty low. Upscaling them and cleaning them up can give some pretty useable results when going to 720p but not so good when going up to 1080p. Another reason is rendering times. The layers of FX / Video i am having to use on many shots slowed my old PC to a crawl when rendering at 720p and just wouldn’t have coped at 1080p. My new PC can handle things a lot better now, but that would mean starting from scratch, which i am not prepared to do.
Another reason is that, when i get around to the prequels, i want to be able to play about with the framing of a lot of the shots. So, for example, i can frame a shot tighter into one of the actors, but keep the quality of the image. Very handy if i want to replace a line of dialogue from one of the actors.

The final reason is the actual quality of the Blu-Rays. Many people don’t realise that these are old transfer scans done in 2003 and the detail levels, especially after the grain removal done by Lucasfilm/ Lowry, isn’t anywhere near as high as they would have been if they had done a fresh scan using todays technology. "

I’d be very interested to hear from Adywan how he feels about potential 4K Revisited now in 2019?

Post
#1288094
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>720p HD VERSION NOW IN PRODUCTION</em>
Time

I showed ESB Revisited to a friend a few days ago, and noticed the resolution more so this time than when I first watched it nearly two years back.

I have a 75" 4K screen and so it is pushing the image harder than most but I think the more our eyes become accustomed to watching 4K content the more you notice when the presentation is lower def. Just like the moment came to most of us who’d amassed an old VHS collection, where you’d take it to the charity shop because you realised you’d stopped putting the tapes in the player after becoming used to clarity of DVD.

Adywan, I don’t know if you’ve gone too far down the road with 720p to change direction now, but if there is the potential to use the 4K source for either SW:R or ROTJ:R then I think that would be really wise - as the ‘last gen’ feel of 720p is a gulf that is only going to increase in the coming months and years. I don’t think keeping them consistent with ESB:R is a good reason not to as has been suggested, as intentionally hobbling something to bring it ‘down’ to a lower quality would be self-defeating. Technology is moving on and the longevity of the Revisited project would be better served with 4K. At the time of their release fans may have to choose between watching the best edited version (Revisited) or the best looking version (4K), and it will be a compromise. Star Wars fans have long had to compromise on owning the version they really want, and it would be nice to have one that is finally perfection!

Adywan, I know you prize presentation and always have good reasoning, I’d be interested to hear your thoughts and the challenges around Revisited 4K?

Post
#1283642
Topic
Admiral Ackbar deleted scenes - new Tim Rose interview
Time

In a video interview published today by Jamie Stangroom, Tim Rose talks about shooting extra material for TFA that wasn’t used, and a proper death scene for TLJ. Source: https://www.fanthatracks.com/news/film-music-tv/admiral-ackbars-spectacular-unseen-death-scene-details/?fbclid=IwAR17vDbXVJ2rnN4V_d-_dEiX0166nsIUuDfxG8pWiqDDEIeMkZnNm_IvLsE

Interviewer: In the last Jedi, did you know that he died? Before you saw the film, as obviously we don’t see it.

Tim Rose: We filmed it all.

Interviewer: You filmed a death scene?

Tim Rose: Oh yes. Even in this day of CG, we finished all our dialogue and they brought in these stuntmen in their flame proof costumes, and it was so dangerous – my death scene – that everybody had to leave set. And they blew them right across the set and with the glass broken in the capsule they get sucked out into the void of space. So the explosion happened which blew them all towards camera, and they were on snap lines and they got sucked to the top of the stage. So it was totally spectacular. Now im not privy to the editing side of things but having seen it for real I suspect they looked at it and said what have we just done.

Interviewer: I like The Last Jedi a lot, but for me I would have gone for the epic Ackbar death. Were you a little disappointed just to have a verbal exit from the saga?

Tim Rose: Yeah, very much so. After The Force Awakens, for whatever reason, length of picture, whatever, it all got cut out. So after waiting 30 years to reprise Ackbar I was a little disappointed with Ackbar’s role in that picture. So in The Last Jedi I was quite looking forward to maybe them giving him something more toothy. We were only given the script on the day we were shooting that piece of script. So each day I would come to work going is this the day that Ackbar gets something more involving. And I looked at my script and said Ackbar’s going out the window, so that’s that then.

Post
#1277688
Topic
The Mandalorian - Star Wars Live action TV series : <strong>NO SPOILERS</strong>
Time

Very impressed by what I saw from the sizzle reel and the extended Werner Herzog sequences. When I first heard about potential live action Star Wars for TV back in the Lucas era I was anticipating heavy use of green screen and a teen cast. Thankfully (from my POV at least) this looks like it skews older and is far grittier and more practical based than I could have hoped.

Pedro Pascal looks great as the lead, and said all the right things in the panel. One curiosity is how much he physically resembles Diego Luna as Cassian Andor (who has his own series in the works too), it looked on set like he was rocking the little tache that they both have too!

Post
#1277311
Topic
Your thoughts on the Episode IX title - <strong>'The Rise Of Skywalker'</strong> - a NON-SPOILER thread
Time

“It’s time for the Jedi to end…” maybe the title means that a force sensitive person will no longer be called a Jedi, they’ll be called a Skywalker?

The previous film opened the door to the galaxy being filled with a new generation of force sensitive, perhaps Rey and the Resistance choose the title ‘Skywalker’ to denote them as a homage to Luke?

Post
#1277146
Topic
Episode IX: The Rise Of Skywalker - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

Speculation…

Shmi “There was no father. I carried him, I gave birth, I raised him. I can’t explain what happened.”

Palpatine using abilities “some consider to be unnatural” conjured this child of the force within Shmi (a random slave of no importance). Palpatine is secretly Anakin Skywalker’s father (and acts like it throughout the PT).

Palpatine - having survived his fall down the Death Star chasm (much like Luke survived the Cloud City chasm - it rhymes!) used those same abilities to create Rey, again within a random junker of no importance. Palpatine is Rey father, she’s of the same line.

Seems at least possible?

Post
#1237333
Topic
Star Wars A New Hope Special Edition Jabba Scene
Time

The larger problem with the deleted scene is that it pre-empts and diminishes the already perfect introduction to the Falcon. The music swells Ben and Luke enter the Falcon hangar, then the music drops for Luke to deliver his classic “What a piece of junk!”.

Plus, I don’t think the deleted Jabba scene gives us anything we didn’t already have as viewers. It doesn’t show us a new environment, the extra plot about Han’s debt is extraneous and covered more efficiently in other scenes, the CGI execution is very poor, and Han’s dialogue “you’re a wonderful human being” doesn’t make sense with the eventual non-human rendition of Jabba.

I think the scene is an interesting extra curio but the film is better without it.

Post
#1234945
Topic
Is <em>Revenge of the Sith</em> the Best or Worst Prequel?
Time

The Phantom Menace is comfortably the best imho, and actually has a lot of great stuff in it (and a few not so great things too!).

Attack Of The Clones and Revenge Of The Sith both fall a distant second - really there isn’t much to separate the two. They have the feel of being shot ‘back to back’ in The Hobbit tradition. Actually the final Tatooine shot in ROTS when Obi hands over the twins was captured during AOTCs production. Sadly, that one brief moment is the only location shot in the whole of ROTS - the entire film was made within the greenscreen environs of the Sydney studio and ILMs computers - and that safe, sterile, deadness permeates it.

Hal, you made a valiant effort with the films and when I watched your edit I objectively think you have improved them. However there is only so much that can be done, and I think Adywan made a very wise choice to drop what would have been many years toil trying to polish them further with his planned PT Revisited.

Post
#1234944
Topic
STAR WARS: EP VI -RETURN OF THE JEDI &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>NOW IN PRODUCTION</strong>
Time

adywan said:

Introducing Blue Squadron: our ROTJ:R B-Wing pilots.

A great collection of faces…

Guy in the top left looks a lot like Rimmer from Red Dwarf. Please place an H on his forehead and make him contemptuously declare “Oh smeg…” as his B Wing explodes around him.

Red Dwarf Of The Jedi Revisited - the crossover! Make it so.

Post
#1228530
Topic
SOLO: A Star Wars Story: Fan Edit Ideas - ** SPOILERS &amp; MAGIC INSIDE **
Time

Home release bonus materials - including some interesting sounding Deleted Scenes details… https://www.starwars.com/news/solo-in-home

The new home release is packed with bonus content that takes fans behind the scenes to experience compelling discussions with the star-studded cast and screenwriters Jonathan Kasdan and Lawrence Kasdan, a revealing feature on Chewie and his enduring friendship with Han, and several never-before-seen deleted and extended scenes. The full list includes*:

Solo: The Director & Cast Roundtable — Sit down with director Ron Howard and the stars for an intimate and entertaining discussion of the film’s making.

Team Chewie — See what it takes to bring your favorite Wookiee to life in this lighthearted look behind the scenes.

Kasdan on Kasdan — Iconic Star Wars screenwriter Lawrence Kasdan and son Jonathan share what it was like to write the movie’s script together.

Remaking the Millennium Falcon –Track the transformation of the most famous ship in the galaxy, from Lando’s swank and impeccable pride and joy to Han’s stripped-down hot-rod freighter with “special modifications.”

Escape from Corellia — Get behind the wheel for the making of this high-octane chase through the streets of Corellia.
The Train Heist — Explore the challenges and thrills of creating this action-packed sequence, including its remote location and spectacular effects.

Becoming a Droid: L3-37 — Meet the newest droid—and the talented actor who helps bring her to life.

Scoundrels, Droids, Creatures and Cards: Welcome to Fort Ypso –Take an in-depth tour of the rough-and-tumble bar where strangers mix and gamblers risk all in the legendary card game, Sabaac.

Into the Maelstrom: The Kessel Run –Join Han and Chewie at the controls of the Millennium Falcon to see how this legendary moment in Star Wars history unfolds.

The Millennium Falcon: From Page to Park — In an exclusive bonus feature available as a digital code with the Target release, you can get a look at the history of the most famous ship in the galaxy, its origin and development, and how it will translate in one of the most anticipated expansions in Disneyland’s history.

And Deleted Scenes:
Proxima’s Den
Corellian Foot Chase
Han Solo: Imperial Cadet
The Battle of Mimban: Extended
Han Versus Chewie: Extended
Snowball Fight!
Meet Dryden: Extended
Coaxium Double-Cross

Digital bonus offerings may vary by retailer. Click here for more information.
This is an adventure you won’t want to miss.

Post
#1228522
Topic
<em>Solo: A Star Wars Story</em> — Official Review and Opinions Thread — <strong>SPOILERS</strong>
Time

Home release bonus materials - including some interesting sounding Deleted Scenes details… https://www.starwars.com/news/solo-in-home

The new home release is packed with bonus content that takes fans behind the scenes to experience compelling discussions with the star-studded cast and screenwriters Jonathan Kasdan and Lawrence Kasdan, a revealing feature on Chewie and his enduring friendship with Han, and several never-before-seen deleted and extended scenes. The full list includes*:

Solo: The Director & Cast Roundtable — Sit down with director Ron Howard and the stars for an intimate and entertaining discussion of the film’s making.

Team Chewie — See what it takes to bring your favorite Wookiee to life in this lighthearted look behind the scenes.
Kasdan on Kasdan — Iconic Star Wars screenwriter Lawrence Kasdan and son Jonathan share what it was like to write the movie’s script together.

Remaking the Millennium Falcon –Track the transformation of the most famous ship in the galaxy, from Lando’s swank and impeccable pride and joy to Han’s stripped-down hot-rod freighter with “special modifications.”

Escape from Corellia — Get behind the wheel for the making of this high-octane chase through the streets of Corellia.

The Train Heist — Explore the challenges and thrills of creating this action-packed sequence, including its remote location and spectacular effects.

Becoming a Droid: L3-37 — Meet the newest droid—and the talented actor who helps bring her to life.

Scoundrels, Droids, Creatures and Cards: Welcome to Fort Ypso –Take an in-depth tour of the rough-and-tumble bar where strangers mix and gamblers risk all in the legendary card game, Sabaac.

Into the Maelstrom: The Kessel Run –Join Han and Chewie at the controls of the Millennium Falcon to see how this legendary moment in Star Wars history unfolds.

The Millennium Falcon: From Page to Park — In an exclusive bonus feature available as a digital code with the Target release, you can get a look at the history of the most famous ship in the galaxy, its origin and development, and how it will translate in one of the most anticipated expansions in Disneyland’s history.

And Deleted Scenes:
Proxima’s Den
Corellian Foot Chase
Han Solo: Imperial Cadet
The Battle of Mimban: Extended
Han Versus Chewie: Extended
Snowball Fight!
Meet Dryden: Extended
Coaxium Double-Cross

  • Digital bonus offerings may vary by retailer. Click here for more information.
    This is an adventure you won’t want to miss.
Post
#1220787
Topic
George Lucas' comments re his Sequel Trilogy
Time

Tangential to the comment above… I just watched the deleted scenes and making of documentary on THE LAST JEDI blu ray.

The number of stunning practical creatures created for the Canto Bight sequence is incredible, and it seems only around half of these marvellous creations are actually shown in the finished movie.

And yet… the on-screen Canto Bight sequence does heavily feature a CGI leprechaun character putting the coins into BB-8. It’s shockingly fake, and never remotely convinces as belonging to the tangible environment we see around it.

So what was a problem in 2004 - whether George admitted it or not - remains a problem even in 2018.

Post
#1220126
Topic
STAR WARS: EP VI -RETURN OF THE JEDI &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>NOW IN PRODUCTION</strong>
Time

Ady, was trying to add a pic but here is a link… some new images of the extremely detailed Bandai B-Wing model in Tamiya magazine.

https://www.facebook.com/photo.php?fbid=10216691897156393&set=pcb.2073750446231668&type=3&theater&ifg=1

Post
#1217141
Topic
George Lucas' comments re his Sequel Trilogy
Time

In Chris Taylor’s book “How Star Wars conquered the universe” he says this about Lucas’ very earliest attempt to formalise the story in 1973:

Lucas saw an ancient order of galactic guardians called Whills. We wouldn’t get to see them; they would be chroniclers in the background. The whole movie would be drawn from a book we never see, a book he could keep fleshing out for years if this little space thing worked. “Journal Of The Whills,” he wrote “Part 1. This is the story of Mace Windy, a revered Jedi-bendu of Ophuchi…”