logo Sign In

Gaffer Tape

User Group
Members
Join date
2-Jun-2005
Last activity
13-Nov-2019
Posts
7,996

Post History

Post
#385073
Topic
G.I. Joe: Worst Movie Ever Made? OR... No, Really, It's the Worst Movie Ever Made
Time

Oh, yeah, and you're certainly entitled to your opinion to like it.  I'm not criticizing you for liking it.  While I think there is an overabundance of non-thinking popcorn fluff, I can find popcorn fluff enjoyable.  But for some reason, I just found this movie completely devoid of any intellectual processes to the point that I just couldn't enjoy it.

Post
#385055
Topic
Gaffer Tape's YouTube Reviews of Awesome Candy-Creating Goodness! (The Facts of Life/Star Trek III Conspiracy!)
Time

My use of Scarborough Fair in the intro was called out a few months ago, but, unlike Warner Music, Sony was pretty cool with it.  They just added an advertisement for the song in my video, which I thought was really nice of them, but apparently Germany wasn't having it.  At least, that's what it seems to me to be.

Post
#385038
Topic
G.I. Joe: Worst Movie Ever Made? OR... No, Really, It's the Worst Movie Ever Made
Time

Johnboy3434 said:

To me, a good movie is something that keeps me entertained for the ~2 hours you invest in it. Nothing more, nothing less. Make a film with as much symbolism and underlying themes as you want. Congratulations, you've made "art". I don't pay 10 bucks a head for art. In that respect, I immensely enjoyed both Transformers 2 and G.I. Joe.

Well, that was my problem.  I simply didn't enjoy G.I. Joe.  I agree with you that movies don't have to be art to be enjoyable, but I didn't find this at all enjoyable.  I was squirming in my seat the entire time hoping it would end soon and wondering why I had let my friends talk me into seeing it.  It's been, what, three months now, and I'm still scarred over that!

Post
#384894
Topic
OT: Favorite Special Effects
Time

I'd never heard that about Jedi before.  Honestly, I never noticed any difference between the lightsabers in the two sequels (other than Luke's being green).  Care to elaborate on this?  Obviously the first film's problem lay in the fact that they weren't sure whether they were going to be a later visual effect or an on-camera reflective effect, but by the sequels they had settled on rotoscoping (since the reflecting didn't work).

Post
#384765
Topic
Special Edition Restoration
Time

zombie84 said:

In photography, when you copy a negative you get a positive. When you copy a positive, you get a negative.

So you have an original negative. You make a copy, which is a positive; this is the IP. But you can't make prints off of this, because they will be negative. You copy it, making the IN, and then from this negative you can now make positive prints for projection. The result is that they are copies of a copy (IN) of a copy (IP) of the original.

Does this make sense? It is indeed a bit convoluted.

Yeah, that makes sense.  I knew that negatives go to positives and to negatives.  Haha, for some reason it all seems clearer now, and I'm having a harder time understanding what it was I didn't understand, especially since, as I said, I've learned all this before!  Perhaps my confusion was answered further on in the article where it states that you don't want to use the Oneg to make prints because you want to limit your interaction with it, hence the copies of copies.  But I think it was just the wording, the "you can't make a copy of the interpositive (to make prints)" immediately followed by, "make a copy of the interpositive (to get the internegative)."  The seeming paradox in the wording was what threw me, I think.  So, yes, thank you for explaining further.  I'm back in the loop.

Post
#384754
Topic
Special Edition Restoration
Time

Like I said in the other thread, it was a great read, and I really appreciate you putting this all together.  I learned about interpositives and internegatives in college, but, unfortunately, it's not part of my everyday vocabulary anymore, so the terms sometimes get muddied to me.  For that, I am thankful for the quick recap.  That said, there was one part that I found to be a little muddied: 

"This is called an Interpositive (IP), and is the second-highest-quality source of the film. Copying this will give us another negative image, however, so it cannot be used to make theatrical prints (the colors will be reversed). So it is copied, resulting in an Internegative (IN), which theatrical prints can then be made from (copies of a copy of a copy of the original negative)."

For some reason, I'm having a little bit of trouble deciphering that.  I think it has something to do with the uses of the word "copy."