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Darth Editous

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Join date
23-Mar-2005
Last activity
5-Apr-2024
Posts
844

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Post
#381164
Topic
STAR WARS: EP V &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>12GB 1080p MP4 VERSION AVAILABLE NOW</strong>
Time

Can you not get away with shooting ships against black? It shouldn't be too hard to matte around the outline since you're not (I assume) going for any kind of ultra-stark lighting, and this will mean you can avoid any green glow from the cloth. Or are these fly-bys not in space? Sorry, I haven't caught up on the whole thread yet.

Oh, and keep your shutter speed at 1/50 ;)

DE

Post
#381143
Topic
STAR WARS: EP V &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>12GB 1080p MP4 VERSION AVAILABLE NOW</strong>
Time

Adywan,

I saw something on a project website some time ago which was basically a cheap way of achieving a tracking shot. Instead of a big set of tracks, you make a mini track and mini dolly, then mount it between two tripods. Don't know if that'll help with whatever you're planning. And never forget you can always move the set instead of the camera...

Also bear in mind that green screen isn't going to be easy to achieve without high-end camera equipment. As I found out to my cost, you really want to be capturing in 4:4:4 (i.e., pro equipment) for a good matte. DV was good enough for my purposes, and you might be alright if you're shooting in HD, because the subsampling will be compensated for by the increased number of pixels.

DE

Post
#381121
Topic
***The &quot;Darth Editous&quot; Episode IV DVD Info and Feedback Thread*** - a partially &quot;de-specialed&quot; DVD
Time

Things like colour correction (though I'm not going to be as technically aggressive as Adywan), lasers that need repainting, all that stuff. Plus I want to try and fix some of the things that were too hard the first time around, like getting rid of rontos (if anyone can point me to some high-quality caps of the OUT for those scenes, that'd be a big help).

For audio I may go back to the SE LD mix, which is "proper" AC3, not the downmix-friendly AC3 found on the DVDs.

DE

Post
#380720
Topic
***The &quot;Darth Editous&quot; Episode V DVD Info and Feedback Thread*** - a work in progress
Time

Aww, you guys!

But seriously, has anyone got any input before I get started? For one thing, I was thinking of using the 1997 LD SE soundtrack instead of the 2004 DVD, as I understand it's a "proper" DD mix rather than an "optimised for downconversion" one like the DVD.

As for actual release (however many months away that is), it's likely there will be one Xvid or x264 release rather than separate DVDs. With the proliferation of flat TVs (and the fact that mine plays Xvid/x264 straight off USB keys, woo) DVDs are becoming soooo last century.

DE

Post
#380616
Topic
***The &quot;Darth Editous&quot; Episode V DVD Info and Feedback Thread*** - a work in progress
Time

Hey guys,

I'm sorry for disappearing like that, it wasn't by choice but real life really knocked me down for a while. But, I'm back, and I'm rewriting my image library so I can redo a lot of ANH edits with AviSynth plugins and save on some disk space (and maybe do some nicer colour adjustment).

Assuming that all goes well, I don't see why I won't be going back to ESB.

DE

Post
#311207
Topic
Help Wanted: PAL/NTSC hybrid transfer query
Time
(1) The film transfer on the PAL DVD is stored natively as 720x576 pixels. During playback, this information is stretched horizontally to 1024x576 resolution, which gives us the following corrected image on a 16:9 display:

(2) The film transfer for the NTSC DVD is stored natively as 720x480 pixels. During playback, this information is stretched horizontally to 854x480 resolution, which gives us the following corrected image on a 16:9 display:


It's not that simple - for a correct AR (if I remember correctly), a PAL 720x576 image should first be cropped to 702 pixels, and THEN stretched to a 16x9 frame (best not to talk about pixels at this point). An NTSC image should first be cropped to 704 pixels, then stretched to a 16x9 frame.

In short, if your final MPEG has 8 (or 9 for PAL) pixels of black on either side, these should never be visible on any display.

DE
Post
#299890
Topic
***The &quot;Darth Editous&quot; Episode V DVD Info and Feedback Thread*** - a work in progress
Time
Not that I've checked, but I'm not sure it wasn't there all along - it's just been ramped up in the over-saturated 2004 DVDs. Anyway, my badblue plugin (written to remove some horrible blue garbage in some post-escape Death Star scenes) removes it beautifully:

http://img527.imageshack.us/img527/3512/sdpn1.jpg

This should all be in my Episode IV thread, where it has previously been discussed, btw...

DE
Post
#299403
Topic
Info Wanted: 2 Ch Dolby Audio 2004 DVD ANH Question
Time
It was my impression that that was a choice by Ben Burtt to all but remove the fanfare in that sequence to replace it with new audio... not an error.


If that's true, then a) it was a stupid decision because that fanfare bit rocks, and b) why is the fanfare music still in the rear channels? That's how I lined up the audio from the CD in the front channels.

DE
Post
#299231
Topic
***The &quot;Darth Editous&quot; Episode IV DVD Info and Feedback Thread*** - a partially &quot;de-specialed&quot; DVD
Time
Originally posted by: endlessmug
get this in premiere with that plugin...

Badblue: input must be RGB32!

what should i do? i'm new at writing avisynth scripts.


You probably just need to add converttorgb32 before you call badblue (or any other of my plugins). If Premier doesn't like the result, it may require a converttorgb24 or converttoyuy2 after the plugin call.

I export any frames that need to be repaired to TGA, or TGA sequence. Then I either encode to MJPEG to save space, or just reinsert the TGAs with AviSynth.

I doubt I'll do a DL version - the SL is fine quality for me, and it eliminates the layer change.

DE

Post
#298162
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>1080p HD VERSION NOW IN PRODUCTION</em>
Time
Originally posted by: marvolo
I skip the crawls most of the time.


<Princess Leia>What!?</Princess Leia> Will you eventually skip the whole film when you know it off by heart?

Adywan, if you don't want to recreate the whole crawl (it requires a lot more than picking the right shade of yellow to look right) I've made an Avisynth plugin that stretches out the bottom left corner of the existing video, slowly enough that you can't tell at normal speed.

David
Post
#297692
Topic
Info: GOUT Anti-aliasing
Time
It stands to reason that the above line should help in most cases as it processes along both the horizontal and vertical axis, therefore jagged lines that are too steep for the first part should be easily handled by the second one.


There's nothing "missing" in a vertical sense, so that won't work. It's not that the jagged lines are too steep, and wouldn't be after rotation, but that they're the wrong kind of jagged lines

DE
Post
#296373
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>1080p HD VERSION NOW IN PRODUCTION</em>
Time
By the way, Darth Editous, as you are one of the other resident editing masters in these parts, would you mind expanding on your mention about the scale of the stars in the shot. I am techno-curious about this and, as a former filmmaker, would like to learn more.


It's similar to the problem with the view out of the escape pod window at the beginning of ANH. The Star Destroyer is receding into the distance, but so are the stars - but they should be effectively infinitely distant and shouldn't recede.

The effect in the trench shot is done by zooming into a static image (and very effectively, too, both originally and now). This zooms in on the stars as well, but they should stay at a constant scale.

DE