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Chewielewis

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3-Jan-2017
Last activity
24-Apr-2024
Posts
267

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Post
#1224204
Topic
Harmy's STAR WARS Despecialized Edition HD - V2.7 - MKV (Released)
Time

Replace them all?

Im searching and I cant find this exact information.

I understand that matte lines and transparent cockpits are going back in. But some of the recomposites are so similar you wouldn’t know it. On one hand it’s revisionist to use any sort of digital technology to recreate these shots. But on the other hand it’s not that much different to the process of scanning a negative and recoloring it to match the Interpostive.

Post
#1223702
Topic
The Simpsons: Embiggened Edition (* on hiatus *)
Time

Hi all

This projects still bubbling on the back burner. Ive had a lot of time to think about how I want to achieve this. Reassessing the goals and the scope of the programme.

While the scripting that I’ve worked on is great, its not quite as reliable enough to capture all the bad frames without some manual direction first. What I’m going to do is start a system where anyone can easily contibute by watching an episode on Adobe Premiere and identifying problem areas and other anomalies, marking up the timeline and returning it to me, where I can create a file that will be read by avisynth for further processing.

So to start this process I’ve created a workflow document, this is subject to change but shows some of the processes that are unique to this project. Blue is DGIndex, yellow is AVisynth, Pink is Premiere Pro, Green is Resolve.

Imgur

A few things to explain here. Most of the work will be done in two frame rates. 60fps which captures every frame that makes up the NTSC 60fps stream. And secondly a variable frame rate created by deduping the corrected 60fps master. Basically any frame that is duplicated, either through the 2:3 pulldown or simply the same video frame held twice, is removed. We’ll look at making a distinction between frames that are duplicated because of pulldown and frames that are simply cells photographed twice. Basically this is to protect the integrity of each frame by not creating slight differences between frames during the post processing phase. If I am to stabilize a shot, I want to avoid smoothing that stabilization over frames that are otherwise duplicates. Of course using that timecode file we can restore those frames.

Final deliverables will be in both 60fps and a decimated 23.976fps. Possibly keep 60fps for myself and 23.976 could be for wider release.

I’m looking at doing final processing in davinci resolve but could also consider other applications. There are some avisynth plugins that can do some pretty neat stuff with cartoons but I don’t want to push it too far like the FXX remasters do.

Happy to take any questions and if you would like to volunteer to help with the manual quality checking please give me a PM.

Post
#1222697
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

What if Holdo WAS a just feminist manhater who withheld information from Poe simply because she personally didn’t like him. Does this make it a bad film?

Because this is EXACTLY how the audience is supposed to feel in this situation. Angry that we aren’t being given the information by someone who appears to be the wrong person for the job. Everything about her character design and introduction is supposed to illicit that response.

Post
#1222603
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

I have no problem with people disliking the film, but a lot of these negative critical analyses simply rely on taking the worst possible read of the source material and disregarding the true intentions of the creators. Thats not how you analyse film.

Dislike it all you want but a film is not “bad” or “poorly written” simply because you choose to interpret it a certain way. For every negative analysis of a plot point or character moment, there’s a totally rational read that works in the context of the narrative, the character arcs and the thematic elements of the story.

I just want to bring up one example of bad interpretation: Finn’s sacrifice.

Many of the critics read it as Finn is making a grand heroic sacrifice, a great way to end his character arc, to save the rebels and become a true hero of the republic, its his moment of glory, before having this taken away from him for no other reason that Rose selfishly just wanting a kiss, dooming the rebels in the process.

And thats one read of the scene which does sound like bad writing. But that is NOT what the scene is ACUTALLY trying to say.

Finn is acting out of hate, he hates the first order, what they did to him, what they’ve done to those he cares about (Rose, Rey), he has all the reason in the world to. And this is not a grand heroic action. The way the scene is shot, lit, scripted, scored, all shows this to be a futile suicide mission, the music is not heroic, his ship is literally melting as he flies towards this thing which cant possibly be taken down by what is basically a microlight. Poe knows it, Rose knows it, Finn should know it but hes blinded by hate.

So it seems pretty reasonable that Rose, who already lost a sister to the first order, would want to stop Finn from doing something stupid in the name of hate when she knows it wont help. And then she basically spouts off what is arguably the main message of the film “Don’t fight what you hate, save what you love”. Goofy as it sounds its pretty much the through line for the whole dang movie. Finn learns it, Rose learns it, Luke learns it, Poe learns it, Rey learns it sort of. You don’t have to like the film because of it, but you got to understand this is GOOD writing.

Yes films are always up for interpretation. But when you analyse a scene contrary to how the scene is actually play out, its a very disingenuous way to criticise. Sure there is a question on how effectively the true intentions of a scene are shown and some of that is up for debate, but I don’t think that this particular scene was ambiguous at all.

Id admit that RJ puts a little too much faith in the audiences ability to interpret his movie. I myself found this scene a little conflicting. RJ puts a lot of its stock in thematic elements and character arcs that are a lot less transparent than those in the OT. You don’t expect to have to consider themes and interpretations in what are supposed to be children’s movies.

And before you comment, yes I understand that THIS is NOT the reason you hated this film or you entirely understand what RJ is trying to say in the TLJ you just didn’t like what it was or you hated how he was saying it or just thought it was totally wrong for a star wars film to include themes like love and hate. Or you hate the idea that I’m insulting your ability to analyse film or that my method of film criticism is some how the only right way. I understand you might think that good themes and consistent messaging don’t make a well written film and i would disagree because thats what ALL well written films have to some extent, every good script has some larger meaning to justify its existence past simply telling a story, and if you disagree that the film had good themes and consistent messaging well thats up for debate but you’re going against some strong evidence. I know you might have found this scene to be just fine and found other scenes to be much much worse in which case I ask you to simply, as I have, consider what the best possible interpretation of that scene is and how that could positively integrate with the larger story.

Post
#1220077
Topic
Phantom Menace '99 - HD Theatrical Version by Chewielewis (a WIP)
Time

Yep its frustrating to see that in so much detail. I think Poitas scans are a year away at best.

Ive recreated the subtitles in photoshop, matching as close as possible to the AOTC subs. Its not perfect, the longer ones definitly do not match, But it will do for now. Ive also thrown on a bit of grain and a teeny bit of gate weave. Although I’m reconsidering adding grain and weave as they are sort of against my restoration philosophy.

Post
#1219552
Topic
DESPECIALIZED EDITION <em>QUALITY CONTROL</em> THREAD - REPORT ISSUES HERE
Time

I found a new 2004 change.

Imgur

In Star Wars, Just after Ben is cut down @ 01:30:16:00

There is a close shot of the door being closed in front of Vader, then it cuts to the xtreme wide of the door. On the SE and the GOUT its a clean cut, two clean frames then two frames of pink flash. On the Bluray where it should cut to the wide it goes to two super blown out frames of the same shot then one frame of 100% white then back to match the gout on the last frame of the pink flash.

This has not been changed on the DE 2.7

Ive made a gif to describe this. https://gfycat.com/IdealDemandingFairyfly

Post
#1218833
Topic
Phantom Menace '99 - HD Theatrical Version by Chewielewis (a WIP)
Time

ScruffyNerfHerder said:
If you’re interested, send me a Private Message. I can either tell you how to run the filter, or since I’m a CC subscriber, I can do the process for you. Just a thought; you don’t have to take me up on it. Either way, keep up the good work. 😃

Ok will be in touch.

Smithers said:

This looks awesome, just wondering if the alien subtitles are burned into the frames?

Yes, it’s whats giving me hangups at the moment, getting it perfect is very important.

Post
#1218159
Topic
Phantom Menace '99 - HD Theatrical Version by Chewielewis (a WIP)
Time

trillary dump said:

Amazing progress! I imagine those shots will blend in nicely with the rest of the movie. Did you end up doing something similar with the bridge shot/Senate scene?

Not quite, the technique really only works to extend HD frames over SD frames. Not quite applicable here.

Working this close to the film really gives me an appreciation of how hard people worked on it. Also how not hard people worked on it. There are a heck of a lot of silly mistakes dotted all through this. CGI errors, sound errors, background talent, art department, you name it.

Post
#1217965
Topic
Phantom Menace '99 - HD Theatrical Version by Chewielewis (a WIP)
Time

ZigZig said:
Actually, I didn’t use this datamoshing method at all. In fact, I had never heard of it. My method is more based on modeling. Indeed, it can probably give better results than yours, but it takes a lot longer than your method because I have not managed to automate the whole process. So my method can be useful only for short scenes (like the missing ones in TPM), but I guess that your method is more “universal” since it can be used for longer scenes, even if the final result is maybe a little less good.

This is really only good for a handful of frames too, I suspect it will be useful for replacing missing single frames from 35mm prints, hdtv streams ect. Its something I’ve had in my mind for a long time, surprised to see it actually worked to an extent.

Chewielewis said:

And in an unrelated note, I’ve started working on a new project that may be of use for star wars restoration. Imagine, if you will, being able to create whatever version of star wars you want, all with a simple formula.

Is it something similar to this idea posted a few hours ago: https://originaltrilogy.com/topic/Fan-Editor-Script-File-Universal-Project-File/id/61376 ?

Oh Goddamn it. I swear this has been invading my mind for the last two nights now, keeping me awake. Yeah similar but like most things, different approaches.

Post
#1217956
Topic
Phantom Menace '99 - HD Theatrical Version by Chewielewis (a WIP)
Time

As for the coruscant Scene, Ive used a technique known as datamoshing. Its how you get trippy music videos like this one https://www.youtube.com/watch?v=mvqakws0CeU.

The jist of it is that you remove the I frames from a mpeg video causing a video glitch. What I’ve done is rendered out the last frame of the HD source, a frame of black, then the SD portion of the source with the first frame being identical to that last HD frame. Then using Avidemux I remove the frame of black and the first frame of the SD source so that the following P and B frames reference the HD frame. What you get is basically the SD video wearing the HD video’s skin, not sure the best way to explain it.

Its not perfect and a lot more work could be put into tweaking it, it will only last a second of so but its enough to blend the frames over the gaps. Ive done it for the quigot shot and before and after the tower shot (playing the wipe transition in reverse to get the tower side of it, since the glitches only work one way).

Here are some comparison shots from the SD sources (4 sources blended together: two LD scans, Canal+ TB and ORF1 DVB) Compared with the datamoshed results. Also I did this multiple times with different combinations of sources and add blended several together to make the best looking image. Note the missing or garbled information on the edges, this will all be cropped out or filled in somehow.

Quigon Shot http://www.framecompare.com/image-compare/screenshotcomparison/K7KLNNNX
Tower shot (last frame before cut) http://www.framecompare.com/image-compare/screenshotcomparison/F9CCNNNU

I suspect that this is pretty close to the method that ZigZig is using. His look a bit better and he’s used a bit of edge fill in as well. Apologies if I stole your thunder… again.

Right now im working on redoing the subtitles, another pass at them might get them looking more accurate. I swear this release is comming out soon.

And in an unrelated note, I’ve started working on a new project that may be of use for star wars restoration. Imagine, if you will, being able to create whatever version of star wars you want, all with a simple formula.

Post
#1217347
Topic
1997 Star Wars Special Edition 35mm Project (a WIP)
Time

RU.08 said:
Right, the dirt is something I noted to poita, in fact the very first thing I noticed and I gave him quite a few examples. It’s not on the print it’s in the print. Not just black dirt, but white dirt also (i.e. dirt on the positives). And yes it would still be in both because it’s a composite shot and the dirt is on the film used to make the composite.

Black dirt is dirt on the positive, white dirt is on the negative. So this dirt can’t have been on the original photography element else it would be white. It’s also not on the grindhouse version of 4K77.