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The grappling hook thing is ridiculous. All you have to do to confirm that it is Apocryphal of the worst kind is listen to the music cue for this scene. The way it is composed fits the film perfectly--there is no break or edit anywhere that would indicate it had been trimmed to fit a shortened version of the scene. There are other places in the film where the music is edited to accommodate picture changes, and listening to them as compared to the score alone the cuts can be spotted easily enough, but the chasm scene never needed to be subjected to this.
Given that the stereo and 70mm mixes are said to have been completed with little time to spare, I find it highly unlikely that there would have been time to rescore it. I can only surmise that 'memories' of this come from reading the novelisation and confusing the two. It is telling that people also 'remember' seeing fighters crash into the Death Star shield in Return of the Jedi, which only occurs in the novelisation also.
And the 70mm version never had 'close the blast doors'. This was only dubbed in for the mono version, made after the first two mixes were already playing in theatres. Aside from much greater dynamics and the addition of powerful bass, the only differences in content between the 70mm and the stereo mix are some explosive sounds added to the battle at the end. Personally I prefer 'close the blast doors' to be absent, because it makes the stormtroopers appear to be incompetent buffoons, not to mention it is dubbed in a voice entirely different than the one that says to open the doors a few seconds later, which I find jarringly discordant.
For what it's worth, my dad says he never saw any garbage boxes when the film played in theatres originally. Given the lovely and deep contrast evident on the Technicolor print, I'm inclined to believe that even if they were visible, they would be very hard to spot. The home video transfers were often very washed out, making them stand out a lot more than they should when projected properly.