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The Rise of Skywalker: Ascendant (Released) — Page 403

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Jar Jar Bricks said:

LesPaul32 said:

I just find the notion of selling your kid into endless slavery as a means of protection to be a really problematic concept to take seriously, especially when it’s so quickly brushed over with just a single line and a rushed flashback.

I don’t believe that was ever meant to be a permanent arrangement. Pretty sure their intentions were to leave her there for a year to a couple years until this Sith assassin stops chasing them down so aggressively. At that point they would have come back for her, but of course they got murdered.

Yeah, that’s totally fair, even if a touch contrived, although… what isn’t in TROS? lol

I suppose if nothing else the whole sequence just seems like a huge reach on the part of Abrams and Terrio to try and quickly retcon away why we saw her as a kid with Unkar Plutt in TFA, while still also somehow making her bloodline important following TLJ.

JEDIT: Although I do like the general concept of her parents being between a rock and a hard place, it feels kinda bland to have Kylo’s “… To protect you.” line completely close the door on any sort of moral wrestling that may still be attached to Rey’s parents and their ultimate decision. It all feels like something the individual viewer should have the final say on per viewing, instead of it just being outright explained with little ambiguity.

JEDIT2: And just for clarity - I absolutely love TLJ and the way it seemingly sets things up for IX. So some (but not all) of the retcon-y moments in TROS really bum me out, evidently lol

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LesPaul32 said:

Also, if I could add my own input regarding any additional line alterations: the line that still lands with a painful thud for me is the “They sold you, to protect you” moment.

To be clear, I have no major issue with the film portraying Rey’s parents as being vaguely noble in their intentions… despite how crowbarred into the story it can feel at times. I just find the notion of selling your kid into endless slavery as a means of protection to be a really problematic concept to take seriously, especially when it’s so quickly brushed over with just a single line and a rushed flashback.

To me, this line attempts to sloppily reaffirm TROS’s newly proposed concept that Rey’s parents were completely innocent and did everything they possibly could for her, while still trying to somewhat gel with the retroactively jarring Simon Pegg slave trade moment in the TFA forceback.

I feel that in trying to achieve both goals at once, the film ends up severely missing the mark on each. My proposed fix for this is to trim the line to a simple “They sold you” with Rey promptly cutting Kylo off with “Stop talking!”

This change would instead make Kylo’s part of dialogue exist as more of a crushing taunt to Rey. It highlights the pain of her abandonment, a decision made by her parents which inadvertently went on to define her entire adult life (and character arc), a topic to which she’s more than understandably sensitive to. The actual payoff of this sequence (her parent’s intended nobility in selling her) would then have better punch, in that their “noble” intentions would now be revealed in the later flashback, instead of being deflated and spoiled in Kylo’s already redundant expositional line.

This change could also very mildly gel better with TLJ’s “drinking money” reveal, in that her parent’s intentions now have just a few clicks more ambiguity without such a concrete explanation given, leaving room for why supposedly “good” parents may have handed Rey over to Unkar Plutt, of all people.

Perhaps they were indeed good people forced into a tough situation, but did they truly do everything they possibly could to save their daughter from a miserable life? For me, having this question remain even vaguely open gives Rey’s arc in TROS so much more dramatic complexity, instead of just having her parents be flat out good people with no shades of grey at all.

Would it be feasible to trim the line like this without it disrupting anything else, or being too jarring? Less jarring than the line already is, I mean!

I don’t disagree with your points, but personally, I don’t think it matters so much with the Rey Palpatine version. We’re already committing a massive ret-con by making her heritage important; to me, making her parents good people is just kinda icing on that cake, rather than a new problem unto itself.

To put it another way, I’m just cutting my losses on the “Rey parents” stuff, which is why I’m holding out for Rey Nobody. But I definitely agree that her parents shouldn’t be good people in that version. Feel free to voice your thoughts on the matter on the Rey Nobody thread.

(… sorry for the essay. Oops! I guess I dislike the implications of the original line even more than I initially thought… lol)

I’ve written a few essays myself! I don’t think any of us would be contributing towards a fan edit if we weren’t passionate about Star Wars. As long as it’s respectful, I don’t think there’s an issue.

Shaddy Zaphod really hit the nail on the head, I think: “it’s becoming more and more impressive to me just how knotted-up the problems with this movie’s writing are…man this is a real fixer upper of a film.”

The Rise of Skywalker: Untold - A “Rey Nobody” edit of Ep. IX - Coming Soon

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Nev sent me what he described as about the best he can get the Ach To scene to look. Here is a version tweaked a little by me, to see how it plays. I lowered the opacity by 20% so that just a little of the original scene comes in. The reason for this is to obscure the feathered mask around Luke that is still noticeable for a few shots in Nev’s version. (I did not make use of skenera’s de-blued Luke clip because it won’t be usable once we have jonh’s finished haircut footage. But, the normal LUT is applied and this could be how it can look in the final product, haircut aside.)

https://drive.google.com/file/d/1V-2nw2VagJLKllVthbGrPL5eYb9KUjiq/view?usp=sharing

I know I’ve made some very poor decisions recently.

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That looks amazing, Nev! Seriously fantastic work.

Seeing the full scene like that, I do really wish we could have him say, “Leia told me that her Jedi path would end with the birth of her son” - there’s so much relevance to that, and it gives a better explanation why she would just stop her training - but if we can’ t find the audio to support it, it’s a moot point.

The Rise of Skywalker: Untold - A “Rey Nobody” edit of Ep. IX - Coming Soon

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I still think a little of the coloring looks off. It’s really dark at the beginning, then the sky has a green hue in the right corner behind Rey, then goes back to being dark. The shot of the burning TIE has it almost looking pitch black around it but Rey and the Porgs are lit up. I love the idea and the hard work but I don’t think it 100% there just yet.

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I · II · III · IV · V · VI · VII · VIII · IX | Rogue One · Solo
What was first just a dream has become a frightening reality…

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I can try adjusting the opacity further for more consistency in that regard, I think.

I know I’ve made some very poor decisions recently.

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Having no ability or skill, I am simply critiquing for the motivation to “make this work.” Kudos to Nev of course, awesome work and we know all the work that it’s taking.

I think what’s tough is the beginning scene at the Tie fighter. The initial shot, and TIE shot actually, shows its dark out. However, behind Ray at some shots with Luke, you see the sky is light. Also, the background cliffs are a bit light. If it is supposed to be darker at this time, then those mountain/cliffs shouldn’t be lit up.

So with that being said, is it doable to put some kind of mask or something to “darken” the cliffs and mini hills outside the vicinity of Rey and the fire? Also, can there be a mask of sorts in some of the spots of sky you see with Rey?

After Luke says “what are you doing here” we get a great establishing shot with the sky being lighter, so then the rest is fine. I won’t comment on color since Im color blind and all, but the main stuff that stuck out to me was the light sky and the lit up mountains BEFORE “What are you doing here” doesn’t match up with the previous establishing shot AND the TIE shot.

If that can be tweaked, it would be great. Also, the touch up on Luke’s “glow” is much improved!

“Because you are a PalpaWalker?”

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I’ve got a handful of very specific nitpicks that I think are very accomplishable (though not necessarily “easy”) if Nev is game. Looking fantastic (that first shot - wow).

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I’ve gone ahead and masked around Rey as she burns the TIE, so the cliffs and sky behind her should now be consistently dark. Hal, I’d recommend just applying the 20% overlay only to the quiet log time if that’s the problem area.

As far as more tweaks and changes, I’m honestly ready to let this one go, so if anyone wants to use the full renders to make further adjustments I will send the link. 😃

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Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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DominicCobb said:

Looking fantastic (that first shot - wow).

😃

Allow me to also join in the chorus: This sequence is turning out fantastic.

Other than the quibbles DZ and jarbear have color wise, the only nitpick I could possibly have is that the Porg shot looks out of place. However, that could easily just be something I could change for a personal edit.

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NeverarGreat said:

As far as more tweaks and changes, I’m honestly ready to let this one go, so if anyone wants to use the full renders to make further adjustments I will send the link. 😃

I’d like one!

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Thanks, all! I will incorporate a yet newer version from Nev and eyeball it. It sounds like that’ll ensure a consistent environment for the first part of the scene, being nighttime until the establishing shot after Luke catches the saber. It’ll be just a little brighter for that part of the sequence, again in order to ease the burden of the feather mask around Luke.

I think with this context it is now unmistakable that Rey arrives at night and the dawn arrives during her time there. This ties in well thematically, obscures the less-than-stellar soundstage set for Ach-To, and gives a visceral sense of the passage of time even if the sequence is still characteristically rushed.

I know I’ve made some very poor decisions recently.

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The lighting change on Ahch-To is perfect, the look really feels like something else which is personally what I enjoy the most from these sort of edits.

Filmic Crossroads, Daniel L. Isidore

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Glad everyone is working so hard on this. Cannot wait for the finished copy. Any progress on the Skywalker Puppet Pals scene?

The Star Wars Saga:
I · II · III · IV · V · VI · VII · VIII · IX | Rogue One · Solo
What was first just a dream has become a frightening reality…

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Holy sh!t!!! Nev you knocked out of the park.

Since I saw the movie i wanted the ach-to sequence to be changed. It was a non issue, simply preference.

Nev didnt have to give it a try, but I’m so grateful he did, because he turned it into something special.

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Impressive… Most impressive! Nev

Really great job on the ghostly glow and tone of this shot now. I also liked the shorter “You have everything you need” cut. Your hard work is extremely appreciated, dude.

If anyone is wanting to tweak this further. Here are Luke’s haircut clips we have so far. They’re not 100% but they’re better than what is in the original. https://drive.google.com/drive/folders/1U92OXNv86v5SfQkJrLbg7nNYTwNwjaA-?usp=sharing

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Hal 9000 said:

Nev sent me what he described as about the best he can get the Ach To scene to look. Here is a version tweaked a little by me, to see how it plays. I lowered the opacity by 20% so that just a little of the original scene comes in. The reason for this is to obscure the feathered mask around Luke that is still noticeable for a few shots in Nev’s version. (I did not make use of skenera’s de-blued Luke clip because it won’t be usable once we have jonh’s finished haircut footage. But, the normal LUT is applied and this could be how it can look in the final product, haircut aside.)

https://drive.google.com/file/d/1V-2nw2VagJLKllVthbGrPL5eYb9KUjiq/view?usp=sharing

Would it be possible to insert a sun shot between her first discussion with Luke by the Silencer and her going to the hutt / finding Leia’s saber. I think it could help slow down the scene a bit as towards the end of the sequence, Luke lifting X-Wing, Rey rushing to find Wayfinder; pacing wise moves very fast.

https://cdn.discordapp.com/attachments/702816288342278207/819229333146173470/Screen_Shot_2021-03-10_at_15.24.36.png

Seeing whats been done with Ahch-To makes me wonder if it would be possible to make Mustafar opening sequence look more like Revenge Of The Sith

Filmic Crossroads, Daniel L. Isidore

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Eh, I think we’d almost need a sunrise shot, and I’m not sure it’d be really necessary. Might actually be a little on the nose to say “LOOK IT’S DAWN NOW, like the sun is RISING.”

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I think with the way Nev has the light change several times in the sequence helps double down on the fact that some time has passed, I dont think a sunrise is needed. Plus with the new colour grade the sun appearing next to Luke as he raises the X-Wing sells it even more.

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I agree! I just feel those few early shots of Rey’s close-up need to be a little darker in the corners, and the Porg white light changed to a more orange tone to indicate the light coming from the fire and not the Sun.

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I’m not good with colour correction, someone else would need to test it but, I think Mustafar could look a lot better with a bit more of a Orange / hellish tint, I know Mustafar is rejuvenating itself but I think it looking a little more like Revenge Of The Sith colour wise would be a lot better.

(Bad Concept) https://cdn.discordapp.com/attachments/501825149469851659/819252581212749864/image0.jpg
The tint should be a lot more subtle, just not a job for me.

Filmic Crossroads, Daniel L. Isidore

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DZ-330 said:

I still think a little of the coloring looks off. It’s really dark at the beginning, then the sky has a green hue in the right corner behind Rey, then goes back to being dark. The shot of the burning TIE has it almost looking pitch black around it but Rey and the Porgs are lit up. I love the idea and the hard work but I don’t think it 100% there just yet.

I also feel like there are some strange visuals around Luke specifically at this point below:

Some of it appears when he is laying on the log as well.

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I don’t imagine a red/orange cast making that scene feel better overall. It’s a different part of Mustafar we haven’t seen before, over in the forest area. And with the title crawl namedrop and Vader’s Castle added, there’s no room for confusion.

^ And Jar Jar, that’s the sort of thing I was trying to mitigate by lowering the opacity. It was more obvious where the feathered mask was in the clip straight from Nev.

I know I’ve made some very poor decisions recently.