ImperialFighter said:
adywan said:
Here is a new clip. It's just under 9 minutes long and about 260MB.
First chance I've had to offer some thoughts on your recent extended clip adywan. Some incredible work throughout once again, whether it be big enhancements or teensy-weensy tweaks since your last previews of these scenes. It's truly amazing just how much has been altered and improved during this 9 minute segment alone, compared to the SE version! :)
But I happened to notice a couple of small issues which stood out a little for me during all this goodness, so I'll describe them for the sake of 'feedback'/'observations' for yourself and everyone else (and will number/embolden them for easier viewing amongst my other comments, as this post will be lengthy! Those of a nervous 'who cares?, just release the edit dammit!' disposition may wish to just scroll past...)
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'Vane/Gantry Duel' Section
This whole section of your clip now has many terrific enhancements and fixes throughout (and I especially love all your improvements to the shot at 00:34 where the tiny figures of Luke and Vader exit the opening of the enormous 'Vane'). It's great to see the addition of the 'piece of tubing' on the end structure where Luke ends up, which was missing in certain shots - it may be a minor fix since your 'Xmas 2011 clip' version of this scene, but it's a very welcome one to see for consistency's sake. (I also note that you slightly amended the 'airflow' of the steam/smoke coming from your 'Carbon Chamber' pipes, by the way - to allow for the windy conditions in the chasm I presume? A nice subtle touch)
1. I was also pleased that you ended up adding a touch of RED to the majority of the many 'missing' (black) chasm 'exhaust ports', as they help improve the background mattes no end. But I see the ones during the shot where Vader slices the columns at 01:04 in your clip are *still* black (no biggie of course, and l imagine the earlier ones seen when Luke fights Vader at the window before crashing through it are difficult to re-colour too, due to movement unfortunately)
2. Also, in the shot of the chasm at 02:40 in your clip (which we see immediately after Luke first looks down), the row of vertical lights on the strip that the 'Vane' is attached to, are *still* WHITE...which unfortunately mis-matches with the all the other shots where you've made them RED now. These new red vertical lights look great, by the way.
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'Underneath Cloud City/Falcon Rescuing Luke' Section
The numerous new cloud shots are all superb, and the re-colouring of the them along with the city's underside really ties everything together better now. All your time-consuming 'rotoscoping' really paid off here.
3. It's interesting to see how you've re-structured things where the Falcon approaches Luke now...but I'm a little sorry to lose one of the shots of Luke, as I liked the flow of all the original shots of his precarious situation at this point - and I'll go into this a bit more shortly. (But first, for the benefit of anyone who didn't notice, I'll summarise your changes - I'll ignore the SE version which crudely chopped things up with various 'shuttle' shots, and only describe the difference between the original (GOUT) version shots and the latest clip) -
In the original (GOUT) version, the Falcon turns around and immediately after Vader says "Bring my shuttle!" there was an initial wide shot of Luke still hanging upside down at the top of the stem he's on (on the left of the frame), before we cut to the distant shot of the small Falcon nearing Cloud City. Lando then spots the tiny figure of Luke hanging upside-down through the cockpit as they get nearer, and we eventually see another wide shot of Luke making a risky movement onto a lower part of the strut he's on (in the middle of the frame), while the Falcon approaches towards us in the distance (in the left of the frame). After a couple of close-up shots showing Chewie growling and Leia watching, we then see the small figure of Luke through the cockpit again, where he is now sitting on the lower part of the strut and kicking one of his legs forward, as Leia's voice says "Okay, easy Chewie". Finally, we see a wide shot where we now see the back of Luke as he sits and kicks his leg out, as the Falcon looms large directly below him.
In the latest clip however, the Falcon turns around and immediately after Vader says "Bring my shuttle!" we now lose the shot of Luke hanging upside down (on the left of the frame) - it's been replaced with the shot of Luke making a risky movement onto a lower part of the strut, which originally came several shots later (except he's now positioned on the left of the frame, and there's no Falcon approaching in the distance anymore). We then cut to the distant shot of the small Falcon nearing Cloud City, but when Lando first spots the tiny figure of Luke through the cockpit, it's now a re-use of him sitting on the lower part of the strut, which wasn't seen until several shots later in the original version - although his position still matches with the earlier 'replacement' shot in the clip, where he now continues to sit and kick his leg out until the Falcon looms large directly below him. Additionally, a shot of Chewie growling has also been removed as the Falcon gets nearer to Luke now.
(For anyone curious, the replaced shot of 'Luke making a risky movement onto a lower part of the strut as the Falcon approaches' can be seen at 1:50:09 on the SE dvd - and is on the original (GOUT) version too, of course)
I just happen to like the additional, delayed lead-up to Luke making his risky movement onto the lower part of the strut, I guess - I think what jars a little for me is the fact that we now see Luke constantly slowly kicking his leg out in the exact same way during this scene (and I think it's the fact that this Luke element looks strangely like a 'stop-motion puppet' compared to the other shots of him, which is why I preferred to see it used just once like it was the original sequence of shots) - however, if that re-used Luke element could have been made to 'kick out' *less* in one or two of the shots, it would work a lot better I reckon.
I realise that the small approaching Falcon is *too far away* from Luke when we see it approaching him in that particular original shot you removed/exchanged - as it doesn't match with the previous *closer* viewpoint of Luke we see through it's cockpit...but I'd have liked to have seen it retained in it's original place, except with a *closer* Falcon approaching Luke instead, at that point...so that the earlier wide shot of Luke upside-down could have remained.
However, your new version is very cleverly done adywan, and certainly still works fine - and it's always fascinating to see how you re-arrange the order of some shots altogether.
4. Unfortunately, the detailing on the close-up of the Falcon's 'radar dish' looks all wrong during the shot where Luke falls downwards (seen at 05:43 in the clip) It seems you've had to leave it as it is though.
(but nice to see that you've now removed the titchy 'widget' from the top of the Falcon's guns when it hovers below Luke)
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'Vader On Executor Bridge' Section
Although each of the Original Trilogy movies had very high production values overall, where design work, set construction, costumes, etc. are concerned...the sheer amount of 'continuity errors' throughout this particular section of ESB always amazes me - I know that 'shortcuts' are part of the 'magic of the movies', and things go unnoticed on a single 'Theatrical' viewing or two...but there sure were are an awful *lot* of confusing 'positioning' issues and set mis-matches during these bridge shots, when scrutinized a little. Any kind of 'continuity control' seemingly went out the window when these shots were filmed and put together...and they never gave a good indication of where the hell Vader was mean to be positioned.
Until now. :)
It's been fascinating to see your continuous refining of various shots these past years, adywan. And the final re-structuring you've come up with for these 'Executor bridge' scenes are a marvel - the new shot of Vader walking towards the front windows, along with the various new backgrounds you came up with, make complete sense of his movements on the bridge now, and look terrific compared to the original sequence. (the re-used 'wide bridge' shot is a great establishing replacement for the original shot of 'Vader looking out the window' you removed...and while I liked your earlier 'composite' bridge shot, I reckon you made the right call to *exclude* it at this point, due to the likes of the mis-matching crewmembers in it. What you've done now works perfectly! In addition, your new 'walking Vader' figure has turned out much better than the 'workprint' version too)
5. However, while the flashing 'panel' lights are nice to see in the new wide bridge shot at 07:44, I found that additional amount of times the BLUE strips flashed on and off distracted from taking in all the other goodness overall. They are certainly a welcome touch as they now tie-in with a couple of other bridge shots where they are briefly seen...but I reckon they would have been less disracting if they had been made to flash on and off a bit *less often* in this particular shot.
I know you'll be adding these flashing blue strips to a couple of your other shots too...so that gives me an excuse to re-show another of your new wide bridge shots which shows off heaps of improvements when compared to the original versions (and I like that you improved some of those small ceiling lights either side of the large 'pipes' to make them symmetrical) - http://s2.postimg.org/a2m5p0qp5/officer.jpg
At the end of the day, none of the things I've brought up are biggies whatsoever in the scheme of things...especially considering the sheer amount of brilliance overall.
(Finally, I noticed you changed the single green 'panel' light to white when Vader first approaches Piette on the bridge - so checked to see if there was one on the other side of the 'shaking stardestroyer' bridge from earlier in the movie. There was...and I see that you've removed it from your 'workprint' too, heh. Now I really must get on with some work!...)
LOL Wow, It must of taken you as much time to analyze these shots and write up your thoughts as it took ADYWAN to create it..
Good post though never the less...