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jedi_bendu

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Join date
4-Jul-2020
Last activity
18-May-2025
Posts
1,057

Post History

Post
#1406730
Topic
If you need to compliment or praise something... this is the place
Time

Rodney-2187 said:

I love all of Star Wars.

Come on. Everyone knows, if you don’t hate most star wars content, you’re not a real star wars fan…

In all seriousness, although I think the ball was dropped on the sequel trilogy with the lack of a pre-planned trilogy outline, I’ve been very satisfied with most of the new Disney content. Rogue One is great, Solo is pretty great, I love Rebels, the Clone Wars final arc is phenomenal, The Mandalorian is phenomenal. A lot of the new EU books and comics are astoundingly good and I can’t wait to get into the High Republic. I would praise all of that.

Post
#1406708
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

SandMTV, I’ve a nice surprise for you. Rosario Dawson’s been sharing timelapse videos of her Ahsoka make-up process, it’s so fast it’s sometimes hard to catch what’s going on but they’re still very interesting.

Video 1
https://www.instagram.com/p/CKpoDo6J90o/

Video 2
https://www.instagram.com/p/CKptNbRpBgx/

Video 3, where everything is removed and Rosario finally gets to go home
https://www.instagram.com/p/CKpuRZnpM8G/

Post
#1405805
Topic
Anyone else dislike Rogue One? I feel like the only person.
Time

Chase Adams said:

Anyone else like Rogue One? I feel like the only person.

Possibly my third favourite Star Wars film, beating Return of the Jedi - although I might revise that. I saw R1 8 times in the cinema.

The breakneck pacing for the first two acts is a complaint, but somehow by the end the amazing third act has made it all feel absolutely fine. I massively appreciate how the film acts as a much-needed bridge between the prequels and the OT, as the whole aesthetic of the prequels was incongruous with what had come before them.

Post
#1405514
Topic
Favorite novelization adaption of one of the original Star Wars movies?
Time

WookieeWarrior77 said:

To be honest, I love anything that talks about the events of the prequels before the prequels existed.

Me too. I’ve read what backstory is hinted at in Kahn’s Return of the Jedi but I don’t think I know many other pre-prequel sources that talk about the events before the original trilogy. Could you recommend me some?

Post
#1405494
Topic
If you need to B*tch about something... this is the place
Time

Anakin Starkiller said:

tend to be liberals who care more about the rhetoric of social inclusion than actual equality, and not far leftists.

What’s the difference?

Partly thinking of this image.

I have in mind people who want women, LGBTQ people and all races to be treated equally (which obviously, I want too) but who stop there, not caring as much for vast wealth inequality in their own country. Like, people who think America is fixed now that Biden is president. Also possibly people who think the solution is just about changing people’s hearts, and not about fixing systemic issues as well.

Post
#1405484
Topic
If you need to B*tch about something... this is the place
Time

Spuffure said:

I mean Political Correctness as in SJW far left politics; hating straight white men, forced diversity/inclusion, and nitpicking movies and hating them just for not having a strong female lead.

I recognise that you don’t want an argument, I don’t either - so please don’t feel you have to reply to this if you don’t want to - but surely this isn’t what far-left means. The amount of people I’ve ever seen or heard of who automatically hate straight white men is extremely small - that’s more often used as an insult against genuine feminists or people like poor Krystina Arielle who are strongly anti-racist. What’s more, the people who make up representation problems - the kind of people who complained that there weren’t enough woman in Dunkirk - tend to be liberals who care more about the rhetoric of social inclusion than actual equality, and not far leftists.

Post
#1405133
Topic
The Last Jedi: Official Review and Opinions Thread ** SPOILERS **
Time

I’m not really here to contribute anything, just applaud the last 3 posts for making such good points.

NeverarGreat said:

But TLJ is fascinating to me personally, because whereas the failings of TFA and TROS are fairly transparent, this middle chapter seems to have issues which are unusual, and no single explanation seems to fit. I think this is why there are so many essays and videos and complaints about it - a lot of people feel like something’s off, but nobody can quite articulate why in a way that’s satisfying.

This was exactly my thought after seeing The Last Jedi for the first time. It almost seemed like too much packed into one film, but that’s a more fitting description for TROS. I knew there was SOMETHING I didn’t like, but no idea what it was. I have a few ideas now what the flaws are.

Post
#1404821
Topic
Can we get some love for Yub Nub?
Time

I really shouldn’t be helping to kick off this thread by NOT giving love to Yub Nub, but so sue me, I have never liked it. It always felt annoying and strangely anti-climactic for me, the closing feeling for a film I really love. Victory Celebration, on the other hand… I love bittersweet-sounding music, and the piece is that and so much more. For me, it feels joyful, relieved, hopeful, all the rest. I would gladly do without the SE changes and watch the original version of ROTJ, if it weren’t for Victory Celebration. For that track alone, I choose the 2004 version every single time.

Post
#1404810
Topic
Favorite Steven Spielberg directed movie?
Time

I’ll always have nostalgia for E.T., but Close Encounters of the Third Kind reminds my favourite out of the films of his I’ve seen. It’s an enchanting film, and I’ve glad I first saw it in a cinema because of its visuals, but it’s bloody terrifying as well. I don’t think Spielberg knew his own strength when making this movie. The child abduction/home invasion scene was really the one that made me paranoid of UFOs for months when I was around 11 or 12. There was one night I spent half an hour staring worriedly at a mysterious hovering orange light seen from my bedroom window, which turned out to be a streetlamp.

Then again, E.T. freaked me out too when I was young, so maybe I’m just easily scared…

Post
#1404740
Topic
Star Wars Video Games - a general discussion thread
Time

oojason said:

Old Star Wars games from the SNES era are coming to PC’:-

https://www.pcgamesn.com/super-star-wars-snes-antstream
 

Titles featured in the article are all 3 of the SNES ‘Super Star Wars’ games - and also ‘Star Wars Arcade’ 👍

Other non-Star Wars games mentioned are Grim Fandango and games from the Monkey Island series…
 

Post
#1404739
Topic
The Last Jedi: Official Review and Opinions Thread ** SPOILERS **
Time

Hal 9000 said:

Yeah. I nearly had the opposite thought. It felt like “wow why is the scene treating Luke like he’s this angelic figure?”
But then it all made sense when I remembered… “hypocrisy, hubris.” This is the Luke that island Luke looked back on and felt embarrassed by. Not because he was altogether wrong, but because of his pride.

Agreed absolutely. Why would Luke bother to force crush a dark trooper instead of easily cutting it up, if not to demonstrate his own power? (And yes, I know the actual explanation for that is ‘It looks cool’) The Mandalorian’s Luke also compliments TLJ Luke by showing Luke’s effort to find students, and his saying “I will give my life to protect the child” - when he ultimately, indirectly, caused the deaths of his own students by mishandling Ben’s training - makes his self-hatred over that more powerful. I only wish Dave Filoni would talk about TLJ Luke in relation to his appearance in The Mandalorian, that might shut up a lot of people.

Post
#1404737
Topic
A few reviews . . (film or TV)
Time

I also rewatched Wong Kar-Wai’s 1994 film Chungking Express (a more accurate translation of the Chinese title is Chungking Jungle, apparently) and enjoyed it even more than on my first watch. It’s an odd but lovable film, bursting with fresh energy and spontaneity - partly because Kar-Wai pieced several script ideas together to make it and shot it when he was on a production break from another movie. Chungking Express is neatly divided into two halves, around 40 minutes each: one following Hong Kong cop #223 as he copes with a breakup, and spends a night with a mysterious woman in sunglasses, who (unbeknownst to him) is a drug dealer fearing for her life, the other follows Hong Kong cop #663 as he copes with HIS breakup, while a free-spirited young woman named Faye falls for him and attempts to improve his life - but without his knowing. The neon colours of the film make for a surreal but vibrantly beautiful experience, and it offers a considered commentary on love and life, one which still feels relevant in today’s world.

I found it interesting how Chungking Express plays with genre also. Although the second love story is pure eccentric rom-com, the first toys with the criminal underworld and night life in a city quite a bit. It’s no full-on crime drama though, and the memorable stretch-printing techniques Kar-Wai likes deprive action-flick-lovers of an otherwise exciting shootout scene. The film is also better in context: it’s filled with motifs of expiry dates and plane travel, at a time when many were leaving Hong Kong in worried anticipation of the transfer of sovereignty from Britain to China on 1 July 1997. This movie wouldn’t be at the top of my recommendation list to everyone: I must say all the characters seemed a little insane on a first watch (and maybe they are), and the film doesn’t have a conventional structure of sorts - it’ll either work for you or it won’t. But Chungking Express has very much warmed on me, and anyone either interested in art films or how to deal with change in their own lives should absolutely check it out.

Post
#1404736
Topic
A few reviews . . (film or TV)
Time

I know this seems to have become the Vultural review thread, but I too enjoy writing short reviews and this is the proper place for them. I watched Sorry to Bother You a few days ago, written and directed by a communist activist - and you can tell. Boots Riley made a biting satire that’s funny most of the time, disturbing some of the time, and enjoyably weird all of the time. The story follows likeable working man Cassius Green, as he lands a job as a telemarketer, and miraculously climbs up the corporate ladder with his apparent natural talent. The film seems to start off grounded in reality, but as Cassius gets richer, it gets more and more surreal as he is estranged from his own identity (shown cleverly by the hilariously fake ‘white voice’ that he puts on for customers). Many have criticised the film for going off the rails in its final act, with a new dystopian/sci-fi element added. However, I thought it was simply an extension of the film’s theme, that valuing people by their labour value only can de-humanise them (hint hint) and alienate them from themselves; besides, it’s an all-too-effective way of warning viewers about the profit motive spiralling out of control in a capitalist society. The third act freaked me out though - horror elements are brought in, and the music is particularly great at adapting to the sudden change of genre.

For all its absurd satire and ‘what if’ concepts, as with all great dystopias, Sorry to Bother You is the logical next step of an existing political system. But I’m already a democratic socialist, so I didn’t need convincing - my main takeaway from this film was, don’t do drugs or you might turn into a horse. It’s mad.