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Teeceezy

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Members
Join date
11-Dec-2011
Last activity
3-Jan-2023
Posts
56

Post History

Post
#633708
Topic
Digital Source for the '77 Stereo Mix
Time

Just to update, the final release of this will likely be packed in a synced collection of the theatrical, 85, 93 and commentary mixes for each film in the OT. After enacting the changes suggested by CatBus, I am fairly happy with the theatrical mix of ESB, and will be moving on to ROTJ. Out of curiosity are there any mixes of the PAL GOUT for ROTJ floating around? Despite being in a PAL territory, my GOUT DVDs are NTSC not PAL, so I don't have the PAL ROTJ mix, which I imagine is the best reference for syncing to PAL ROTJ-based projects.

Post
#633705
Topic
Info Wanted: Editdroid and the Isolated Score Mixes
Time

Yeah I have seen the Imperial Edition, which by the way is the most completely kick-ass orchestral movie experience I have ever encountered. I'm not suprised there aren't lossless or uncompressed sources for the EditDroid set. I have been working on collating lossless sound mixes for the OT and syncing them for the many great projects here, and everything except for the Isolated scores (Theatrical, 85, 93 and commentary mixes) is available in non-lossy formats. If there were ever Imperial versions done for SW and ROTJ I would be amazed, as the quality of the ESB one is mind-blowing (although ESB also has the best score IMO).

Post
#632881
Topic
Digital Source for the '77 Stereo Mix
Time

Yeah I'll happily confirm mysycamore's point about missing frames. I have been using ACID, and going through the whole film matching waveforms of the laserdisc rips against the 80 and 93 mixes contained in both DJ v3 and Despecialized Edition 1.0. Where waveforms don't match up is where frames are missing. I resync these parts then crossfade/patch the gaps. This is why it is not entirely ready, as some of the patches I am really not happy with.

Post
#632206
Topic
Digital Source for the '77 Stereo Mix
Time

Okay, so while I haven't gotten to giving ROTJ a serious go yet, I have synced the 80, 85, 93 and LD commentary mixes for TESB. I am thinking about doing this for all 3 films, apart from the theatrical and home video mixes for SW which I understand have been done. The size of the results, even when FLAC'd, makes it unlikely to send out testers, as at just under 2gigs a film, they're not the kind of thing I would want to put on a filehost, but they are not 'final' enough for a torrent. The 80 and 85 mixes were matched against current 'theatrical' sources, other than the digital rips, and synced. The 93s were given the same treatment, and then I picked the best out of the original Definitive rips and the 'Faces' rips, and while both are virtually the same for some reason I found the 'Faces' rips sounded better. So a theatrical mix, home video mix, 'Faces' mix, and commentary mix is my plan. I am not totally sure about complete patching, as h_h's observations of SW showed me I am out of my depth trying to do that, so outside of patching disc changeovers, and particularly egregious errors, I will likely not patch much. Oh, and the commentary is the mono commentary rips dropped 20dB, and layered over the theatrical rips, which are dropped 30dB.

Post
#631622
Topic
Digital Source for the '77 Stereo Mix
Time

Have been really busy this week with University, but I am still planning on doing a flyover of TESB, patching if needed and then upping that somewhere. I am thinking the spleen would be best as I have no Usenet access, but I am not entirely sure what the best option is. I was watching over SW 2.1 the other day with the Digital rip and noticed the pitch error on the binary sunset scene, so I may go back for that as well. I'm not sure whether I should up each track seperately, or put up a synced and fixed lossless trilogy of schorman's rips.

 

Also, does anyone know any program that I could use to view ROTJ DE frame-by-frame with ms timecodes without converting it. I know VirtualDub is good, but I really don't want to convert to AVI.

Post
#629809
Topic
Harmy's STAR WARS Despecialized Edition HD - V2.7 - MKV (Released)
Time

On fonts, I always quite liked the Arial Narrow one which is on the 'Despecialized Edition' pic in the first post.

 

I was thinking about PAL conforming, but I think that I need a way of capturing as direct as possible. I attempted to scale down 2.1 to a PAL DVD5 for a friend, and the colors lookes almost GOUT-like, and not in a good way.

Post
#629597
Topic
Harmy's STAR WARS Despecialized Edition HD - V2.7 - MKV (Released)
Time

Leonardo said:

Now that we have the technology, why not send the video signal to the vcr squeezed all the way to 4:3, and unsqueeze it during playback using the tv's aspect ratio options?

As I mentioned before, I like the idea of both, so I might make a squeezed 4:3, and a letterboxed 4:3, maintaining the black bars in the source video of course. Now, I need to check if my VCR does NTSC, or is PAL only.

Post
#629418
Topic
Digital Source for the '77 Stereo Mix
Time

My expertise in film audio is virtually non-existent. I've used ACID, Audacity and FL Studio for a few years, and have done a bit of video production at University, but it's unlikely anything I ouput would be at the same standard as a lot of the audio work on this forum. So far I have aligned the digital rips against other GOUT-synced audio sources, and patched the disc change gaps with the analogue captures of the theatrical mixes. Outside of that, and matching the master gain to fall in line with other mixes I have not made any changes.

 

I will scan over these in the next few days, and see what needs fixing. Does anyone know of any particular defects that are in these mixes already?