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GuardianoftheWhills

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6-Jan-2022
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20-Mar-2024
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Post
#1582807
Topic
<strong>The Acolyte</strong> (live action series set in The High Republic era) - a general discussion thread
Time

Fan_edit_fan said:

Basic flat looking Disney show…yep that about somes up my reaction too. It looks somewhat interesting but I’m just WAY over Jedi and their robes and their religious blundering. After Andor season 2 it’s looking extremely boring and bleak unless they bring Tony Gilroy to a different SW project. He gets it.

Agree. I was cautiously optimistic about this because Russian Doll was wonderfully inventive. But the trailer looks generic Disney+ show. The lighting & cinematography in several shots is bland.

Maybe it’s the way the trailer has been put together. But it’s dampened my expectations.

Post
#1560880
Topic
What changes would you make to the Sequels?
Time

JadedSkywalker said:

The Mini Death Star canon was a neat idea like a mini nuke and totally believable. Starkiller base was just another death star, and Star Destroyer death stars was ridiculous maybe one Super Destroyer or two might have one but a whole fleet, not believable.

Yes, I did like the mini Death Star canon. It’s also the kind of tech you could imagine crime lords or another third party scavenging from the wreckage of an Imperial base or the two Death Stars. It’s easy to imagine a film or TV series about New Republic spies trying to prevent Imperial tech falling into the hands of other factions. (Or at least it would’ve been before the Mandoverse series established the New Republic as morons.)

Post
#1559974
Topic
<strong>Ahsoka</strong> (live action series) - general discussion thread
Time

Fan_edit_fan said:

Imagine if it didn’t have the “Clone Wars Anakin” thing or any Thrawn…what the hell would anybody geek out about from it all? There’s just nothing to ponder or think about with these shows. They desperately need good co-writers for these shows, Tony Gilroy quality. We’re just constantly seeing concept stories greenlit and amateurs put in charge.

That would still leave Home One, E-Wings, Threepio, those weird cat things & various other memberberries. Not to mention fanservice/callbacks like Baylan’s hallway scene.

I’m somewhat amazed that the series didn’t get a radical edit to address the ponderous delivery of the dialogue at the very least. If Filoni is to be allowed to continue in live action, he needs his own Marcia Lucas until he becomes halfway competent, not that I think he has the talent to make it.

I agree with you. How did the Book of Boba Fett, Kenobi & the Mandalorian Season 3 end up being so poor? Terrible writing is one obvious answer. The other is Disney treating Star Wars & Marvel as content farms for Disney Plus, which seems to have led to series being pumped out without enough development, or even thought as to whether there is really any justification in telling these (half-baked) stories at all.

Post
#1559947
Topic
What changes would you make to the Sequels?
Time

Vladius said:

The Lucas idea that crime bosses fill the power vacuum left by the empire is a really good one. I could take or leave everything else, but that would at least be a unique enemy that isn’t just more of the empire (though some stories with the imperial remnant are cool too,) and it makes a lot of logical sense.
I think some of that bled into The Mandalorian, at least in season 1. It starts with all frontier bounty hunting stuff because this is the aftermath of the empire’s defeat, though fragments of it are still there.

I agree. A new enemy and one which sets up a different kind of confrontation is a good idea. In one of the myriad other ‘how would you change the sequels’ threads, I suggested that they should’ve gone down a kind of James Bond route, with the galaxy in an uneasy Cold War situation, with a Spectre-like third party trying to aggravate conflict between the New Republic and the Imperial remnant. Crime bosses or a resurgent Mandalore (before season three of the Mandalorian ruined it) would have been good options for that third party.

I’d also like to have seen the Imperial Remnant reject the Sith ideology and adopt a more pragmatic militaristic outlook. Whatever darkside adepts or faction remain after RotJ might work for/with the crime syndicate but would be doing so to further their own plans that might pay off in future films.

I now think they should have done a Jedi academy-style trilogy either first or as well as a new galactic conflict trilogy. Have Luke’s Jedi searching for old Jedi temples, etc, and be confronted by darksiders trying to pillage their treasures. You could throw a revelation about Luke & Leia’s parentage into this which threatens to undermine plans to re-establish the Jedi Order & sows dissent in the ranks of his pupils.

I think the sequel trilogy that we got was both too much of a rehash of the OT & tried to cram too many things into it - like throwing mud at a wall to see what sticks. I don’t think we should’ve had any galaxy threatening super weapons in the first new trilogy. Build up to that in future films, if you do it at all.

Post
#1559810
Topic
<strong>Ahsoka</strong> (live action series) - general discussion thread
Time

Mocata said:

Imagine if they’d had flashbacks to the kind of things that made Thrawn intimidating, by showing the TIE Defender program in live action or his use of forced labour, through how people like Ryder remembering him. They could have done something.

They didn’t need flashbacks though. All they needed to do was to establish Thrawn as a viable threat. He could have built weapons factories, a new fleet - shown (the audience unfamiliar with the character) he is a resourceful & ingenious leader.

Much of the series was set in a new galaxy. Filoni had a blank slate to do anything. For example, this galaxy could be the home of advanced but pre-hyperspace civilisation. Thrawn, despite his depleted resources, could have used his superior knowledge & technology to conquer a system and convert its technologies into a military industrial complex from which he could rebuild his forces. Ezra could have been liberated by the local rebellion & become one of their leaders. That would also have demonstrated his worth to an audience unfamiliar with his character.

But instead we got a planet as dull & barren as Filoni’s own imagination. One where Sabine - on her own - is easily able to track down Ezra, making Thrawn look like an even more useless lump.

Post
#1559156
Topic
<strong>Ahsoka</strong> (live action series) - general discussion thread
Time

The show has been so boring due to the subpar writing, acting & directing. None of the characters appear to have any inner life. They seem like characters in a video game just waiting for the prompt to say their lines. Chatbots have more depth.

& once again we have another series where heroes & villains make one stupid decision after another in order to get from one lazy plot point to another. There is no dramatic tension & the stakes don’t feel real.

Thrawn doesn’t feel like a threat to the galaxy because he comes across as an idiot. He has always been, to an extent, a stupid person’s idea of a genius - his ability to outwit an enemy based on psychological flaws revealed by a species’ cultural artefacts was laughably ridiculous - but at least Zahn tried to make him seem efficient & ruthless. In Ahsoka he just comes across as a cartoonish incompetent buffoon.

Filoni has shrunk the galaxy - & even his new galaxy seems to amount to nothing more than a barren & misty moor in northern England.

Post
#1529905
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

Mocata said:

More dinosaur action, I mean it’s fine? It’s not challenging but it’s fine. I don’t care about the baby rescue at all. But again I feel like parts of this could have been a continuation of the ending last time around. Or that the previous Coruscant plot would have been 30 mins and the rest of the Mando stuff last week could have been part of this chapter? And the cult STILL look like idiots training out in the open with the killer animals? Whey aren’t they under ground?

The pterodactyl/dragon plotline made zero sense. It flies off with the boy but hasn’t attempted to feed him to its brood a day later?

& the Children of the Watch have a very lax approach to child protection given the purported importance of foundlings in their culture. Paz Vizsla‘s comment that the dinodragon “always” gets away when they try to pursue it suggests this is a) a regular occurrence & b) they’re a bunch of morons who never learn from their bad strategy. Are we meant to think no one other than Bo-Katan & Din have a ship to pursue the flying monster? The show is doing about as good a job as portraying the Mandalorians as a fearsome warrior culture as TBOBF did of portraying Boba as a credible mobster boss.

& the dinodragon getting eaten by the giant crocodile was a blatant rip off of Jurassic World.

Post
#1529888
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

Fan_edit_fan said:

Yeesh…I just can’t get into this show anymore. Everything is so bland, cheap looking and boring plots. Favereu is getting nuts with cameos and mediocre dialogue and that scene with Grogu getting evacuated by Jedi Jar Jar didn’t tell us anything we already didn’t know. Except now we know a random Jedi did it. Huzzah.

The writing on the show has never been its strong point but its failings have become more glaring this season because the series has shifted away from its original premise of a lone bounty hunter’s adventures. The VFX are also increasingly choppy. I don’t know whether that’s due to directors not being comfortable with the Volume or limitations of the Volume itself.

It’s really telling that most of the excitement expressed on Star Wars Reddit & other fandom sites about the episode is over Easter eggs & stunt casting. What happened to Ahmed Best was horrible but no one outside of the hardcore fan base cares that he’s playing a Jedi here. I’m not saying he shouldn’t, but that should not be your justification that the episode is great. It should be peripheral to your perception of the show’s quality.

& don’t get me started on the people excusing the poor effects of the flashback scenes because they’re consistent with the look of the Prequels. Some of the speeder shots had no depth to them.

Post
#1528958
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

Channel72 said:

I’m not sure how to feel about this latest episode. … parts of Coruscant feel somehow… cheap. The apartment complex looked like a parking garage. And it bothered me that when we see someone flying through the city in a flying car with no roof, there doesn’t seem to be any wind or loud ambient noise. It makes the whole scene feel very fake.

Anyway, this was a strange episode. I liked seeing the New Republic, but really not much happened. They spend all this time on this elaborate chase through a flying subway, and the payoff is simply that Dr. Pershing gets betrayed by his friend for unknown reasons. Apparently the New Republic also has no ethical problems forcing medical procedures on people, but whatever.

Finally, while it’s generally always the case that the concept art they show in the credits looks better than the actual filmed scenes, the difference usually isn’t that great. This time, the concept art looked orders of magnitude better than the actual filmed scenes. I mean, the concept art for the Imperial lab looked very cool, but in the scene itself the lab just looked like a random room with some tables and bits of equipment strewn about.

Yes. It felt like the show had shifted from cosplaying the Original Trilogy to cosplaying Andor by way of the Prequels.

The Corruscant scenes were quite boring, especially considering this was meant to portray an intrigue. The writing & direction lacked pace and tension.

& after Andor the sets seemed cheap. The limitations of the volume were obvious. It didn’t feel lived in. The effects just seemed off at times. More reminiscent of contemporary Star Trek than Star Wars.

The dogfight with the Tie Interceptors was entertaining enough, I suppose.

Post
#1527473
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

Warhorn said:

That said, conceptually I like Mandalorian much more than Andor and I think that it formally has traits with more personality, but the development of one and the other is light years away. If Andor is much better, it is not for being a more adult series, but because Mandalorian has not managed to give real weight to its conflicts by not daring to take any firm step (the separation of Din and Grogu, the resurrection of characters, etc.) .

The problem is that TBOBF undid the (potential) growth of Din & Grogu. There’s a danger they will just be spinning their wheels for the foreseeable future. With Pedro Pascal now in the suit far less (as he wants to do more interesting parts) & Din’s story switching to atoning for taking off his helmet there seems far less opportunity to give the viewers more depth to his character. Meanwhile, rather than being Luke’s apprentice, Grogu is back to being Din’s cute sidekick. Will he substantially develop as a character before he speaks? (Which Filoni vaguely promises will happen sooner rather than later.)

Post
#1527407
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

NFBisms said:

It’s the team-up of him and Favreau that I think enables a lot of the schlock. I may not agree with or buy into Filoni’s Star Wars all the time, but at least he’s interested in more than the theme park. Favreau feels like the guy that says it’s okay to indulge like that, and has the perspective of someone removed from the franchise’s prior history. He knows all audiences haven’t watched the cartoons and understands how wide the net should be for a big one. It worked well in Mando season 1 as the first live action tv series, but it solidified an emphasis on form that’s restrained a story itching to evolve.

I agree with you. It’s like they encourage the worst aspects of each other’s inner manchild.

I have no problem with the Mandalorian being the pulpy, Western-inspired side of Star Wars. I prefer Andor but the only way I think it needs to be a template for the other shows (or films) is in the quality of the writing & production. You can have a pulpy tone but still be prestige television.

They need a writers room. If Andor can get Beau Willimon from House of Cards & Stephen Schiff from the Americans, why not get Graham Yost from Justified for the Mandalorian?

It’s also bizarre, given how Disney de-canonised the original EU because it was so sprawling, complicated & of such variable quality, that they are making the same mistakes with these interconnected series.

Most people have neither the time nor inclination to watch every single piece of content - certainly not when it runs to seven seasons - in order to be able to follow the plot & recognise characters. Especially now when there’s so much (better) quality content on streaming. It’s ironic that Star Wars is leaning into this story approach just as it’s running into trouble in the MCU.

Post
#1527373
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

Channel72 said:

After watching this latest episode, I had to remind myself what made this show good in the first place.

The Mandalorian episode that (inexplicably) aired as a Book of Boba Fett episode (I think it was Episode 5) somewhat recaptured a lot of the original charm of this series. Mando was alone, off on a job, looking for his target in some grimy underworld meat locker. There was unexpected extreme violence (Mando slices some criminal in half, then walks around with a bisected corpse in a bag), which recaptured the sense of danger and lawlessness prevalent in the first season. The giant “ring” space station was an incredible new location (despite being a common sci-fi element).

But the ACTUAL Season 3 Premier somehow just seemed incredibly bland, safe and directionless. The fact that Baby Yoda is suddenly back makes the show feel dramatically meaningless to me. Suddenly it’s much harder to care about anything going on. Every shot of Baby Yoda doing something cute comes off now as forced and manipulative. It feels like the “edge” of Season 1 is gone. The Wild West of the Outer Rim feels closer to a Disney theme park now. This might have something to do with Navarro now having developed into a thriving First World city - but the sense of blandness permeates beyond that. There’s a fight with a giant monster, but it comes out of nowhere and feels arbitrary and meaningless, unlike the Krayt Dragon fight in Season 2, which was integrated into the plot. We meet some “Space Pirates”, but they feel like silly cartoons.

Exactly this. TBOBF undermined everything the climax of Season 2 (for all its flaws) built to.

Navarro increasingly looks like Galaxy’s Edge. The dialogue & performances seem like those of theme park characters in an interactive visitor experience.

The cartoony feel of the show suggests the growing influence of Filoni in the Mandoverse. I’d rather they’d kept the animated tales entirely separate from this. Not least because I find elements to be absurd - space whales - or corny.

Post
#1526739
Topic
<strong>The Mandalorian</strong> - a general discussion thread - * <em><strong>SPOILERS</strong></em> *
Time

StarkillerAG’s comments hit the nail on the head. The Mandalorian and the wider Mandoverse feels like cosplay Star Wars.

I was surprised how cheap some of the costumes and creature effects looked. It reminded me of much older shows with far more limited budgets, such as Farscape. I think the Volume is partly to blame for this.

The leaden & cliched dialogue only adds to the amateurish feel.

The story structure is poor to non-existent. As many have said, it’s like watching a video game. There is no logical narrative flow.

I think Mando also suffers from airing at the same time as The Last of Us, which is it ironic, given its origins as a game. I’m certainly not suggesting TLOU is peak HBO drama but it shows you what Pedro Pascal can do with better material.

Grogu should have stayed with Luke.
Mando should have rejected the Children of the Watch’s ideology. (Shouldn’t he have come to that realisation at the end of Season 2?) That should a turning point in his story & his relationship with other Mandalorians.
Dead characters, whether droids or infamous bounty hunters, should stay dead. Otherwise there are no stakes.

Parts of the episode might be fun to watch as clips on YouTube.

But the whole episode was not greater than the sum of its parts.

Apparently, next week’s episode is stronger. I hope so but that still won’t make up for this subpar episode.

Also, let’s have aliens speaking alien languages.

StarkillerAG said:

Well, I finally watched the episode. And unfortunately, I’m not impressed, which is a feat considering how low my expectations were.

The main problem with Mando as a whole has already been identified by several people: the universe doesn’t feel “lived in”. The characters don’t have any nuance, no life beyond what’s on screen, they’re just machines designed to spew lame one-liners and repetitive exposition. I didn’t used to be bothered by this, but after Andor showed how convincingly “real” a Star Wars story can be, Mando just feels like a vaudeville show by comparison.

But even disregarding the lack of believability, this episode just felt… bland. Not a single moment in the entire episode really stood out to me. Every scene just felt like I’ve seen it before, and that’s because I have: almost every moment in this episode was an imitation of a much more memorable moment from the previous seasons. The Mando writers have begun to eat their own tail, so to speak, and the new season just feels forgettable as a result.

I hope this episode was just a fluke, and the next few episodes will be able to pull their act together: the critical reactions to an advance preview of Chapter 18 sound very promising. But if the new season doesn’t turn out good by at least episode 3, I’m done with Mando forever.

Post
#1513348
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

A couple of interesting videos about the series:

Just Write - Andor: Anti-facist Art https://youtu.be/2gnKDSPBcb8

This also includes a thoughtful critique of the failings of Kenobi & The Book of Boba Fett.

Thomas Flight - Why Andor feels so real: https://youtu.be/UhgXXhcPQEM

Which explores how Andor’s use of real life locations - from the Barbican Centre in London to the Scottish Highlands - enhances the themes explored in the story.

Post
#1510993
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

Oh yes, I did rewatch a couple of episodes of Visions too. But Andor deserves multiple viewings.

Here’s a clip from episode 10: https://decider.com/2022/11/04/andor-andy-serkis-interview-kino-loy-narkina-5/

Alternative Twitter link: https://twitter.com/newsandor/status/1590038996880879616?s=61&t=4wHMl44m1Gdw_vEYLgE0LA

Emre1601 said:

GuardianoftheWhills said:

This is the only Star Wars series I’ve rewatched. There’s so much to savour.

jedi_bendu said:

Just rewatched the last 2 episodes with a friend and it’s really quite disturbing when the power goes out in the prison, when you know the reason why. It’s unsettling anyway due to the tension and the fantastic sound design but more so in context.

Apart from Visions, this is the only series I have watched again too. Everything about it grips me and pulls me into the story and the characters in it. Even for the Imperials! Even Syril Karn!

Post
#1510800
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

This is the only Star Wars series I’ve rewatched. There’s so much to savour.

jedi_bendu said:

Just rewatched the last 2 episodes with a friend and it’s really quite disturbing when the power goes out in the prison, when you know the reason why. It’s unsettling anyway due to the tension and the fantastic sound design but more so in context.

Post
#1510729
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

This continues to be a fantastic series. It’s the first Star Wars content I’ve really been gripped by since the OT. The writing, acting & directing are top notch. It’s a great series as well as a great Star Wars story.

Gilroy has assembled a brilliant cast and crew & I hope at least some of the writers and directors will work on other Star Wars projects, whether films or another (possibly connected) series.

Post
#1510728
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

From what the doctor said to Cassian & Kino this may have been the first time they recycled a prisoner. In other words, we’re seeing another impact of the Emperor’s new law, PORD. Cassian got a six-year sentence rather than six months; the existing prisoners had their sentences doubled; & now no-one is really released.

The mistake seems to be that they put this prisoner back inside the same (part of) the prison where he was recognised. We do see six other landing platforms besides the one Cassian is brought to. Though it’s unclear if they are connected.

Communication between the levels is clearly limited as the scenes with the sign language conversations between levels show.

timdiggerm said:

jedi_bendu said:

Chandrila is beginning to seem like the planet where all the wealthy and ignorant people are from.

I think this is just because the only Chandrilans we’ve met are the ones who would travel or move to Coruscant. Tay made it pretty clear that Mon’s way of life on Coruscant is much fancier than the usual Chandrilan lifestyle. I’m hoping we actually get to see Chandrila sometime, and maybe some of its more normal denizens, but the apparent introduction of a Chandrilan mob boss does not achieve that goal.

What exactly do we think happened with Level 2? Did a guy think he was getting released from Level 4, but really he was just reassigned to Level 2, and when the Level 2 prisoners realized the truth, they rioted? Or was he supposed to be released but they made a bureaucratic error? Or…something else? The fact that frying an entire level took so much power that it knocked out power elsewhere in the prison temporarily has interesting implications for the potential of a full-scale riot. On the other hand, the prison does not seem all that difficult to completely flood if commanding officers on the highest level deem it necessary.

Post
#1501793
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

NeverarGreat said:

https://www.youtube.com/watch?v=N5S9Vx3-QM0

New clip.

This Twitter thread has footage of the first ten minutes of Andor, which was shown with Rogue One in cinemas: https://twitter.com/AbandonedLizard/status/1563313819207643137?s=20&t=gTg7b1CiVgUKG0AWjVtn-A

Can anyone clarify if it is the first ten minutes or just 10 minutes from the first episode?

Anyway, it looks good.

Post
#1499213
Topic
Your ideal Star Wars Sequel Trilogy
Time

fmalover said:

That sounds like a pretty neat idea.

What if the Imperial Remnant was trying to distance itself from its dark past and forge a new way forward for itself but the Knights of Ren are hellbent on retaining its autocratic nature? The IR seeking peaceful coexistence with the New Republic but the Knights of Ren are still stuck in the conquering warlike mentality of the Empire. I would take away the focus from how the New Republic is developing but let’s be honest, conflict is what drives these kinds of stories.

A society at war with itself, one half looking to build a better future dealing with its dark legacy while the other half wants to restore the Empire to its former glory.

I always thought the sequel trilogy should have been about a civil war between Imperial factions: a large militaristic but pragmatic remnant who want to establish a post-Sith order & a smaller group of Sith-cultists carrying out terrorist attacks. The New Republic gets reluctantly drawn in as the conflict spills out into its territory. You could have a Snoke figure or the Sith eternal as the hidden force fuelling the conflict, bringing the new Jedi order into the fray.

Post
#1486624
Topic
<em><strong>ANDOR</strong></em> - Disney+ Series - A General Discussion Thread
Time

WitchDR said:

This has been the series I’ve been most excited about. I’d rather Disney mess with their own characters, then continue their bad track record with the legacy ones. Rogue One has been the only really great thing I’ve liked that has come out of Disney Star Wars. Only gripe I had with it was the characters not quite being built up enough, which this series should greatly improve. By the end of it, I’m hoping we can fanedit a great middle trilogy between the prequels and the OT.

To be fair to Gilroy, he was brought in to fix Rogue One, so the poor character arcs are likely the result of changes to the original story. It will be interesting to see a story that he has shaped from the beginning.

Post
#1486591
Topic
Your ideal Star Wars Sequel Trilogy
Time

Servii said:

I’ve revised my Sequel Trilogy concept.

Going against the cautionary advice of his uncle Luke, young Jedi Knight Ben Solo joined this military effort, demanding justice for the lives lost on Mon Calamari. Ben quickly rose to the status of war hero as he became a key player in the battles along the edges of the Unknown Regions. The First Order fought with fanaticism, being pushed back planet by planet at a steep cost to both sides.

Funnily enough, this is similar to what I think should have happened with Anakin in the prequels. Have him pushed into using Dark Side knowledge in a bid to end the war quickly. I kind of see Nolan’s Batman trilogy as a framework. But whereas Bruce is broken by the Joker, Anakin is pushed to fully embrace the Dark Side by a fanatical opponent, and perhaps the mentorship of a supposedly grey Jedi who is secretly a Sith.

Back to the Sequels, I think we have very similar ideas about an Imperial civil war orchestrated by Dark Side agents. A post-Endor Imperial civil war would have given the New Republic the chance to establish itself but also created a different military threat to the galaxy. I always thought the First Order should have been a fanatical splinter group that manipulates it’s way to split or overthrow a more moderate Imperial Remnant.

Over the course of the story I have in mind, I’d have an initially thriving new Jedi order, which is then thrown into chaos. But it is eventually recognised as essential in the fight against a new Sith threat.

Having the Sith Eternal operate as a Spectre-like organisation means you could have an unseen leader, possibly an older generation Sith, and a roster of sinister agents, who are also rivals, you could focus on in different films.

Post
#1486586
Topic
<strong>Star Wars: Visions</strong> (animated short films) - a general discussion thread - * <strong>SPOILERS</strong> *
Time

jedi_bendu said:

Emre1601 said:

Maybe we will have a 2nd season of Visions. This is just a rumor from someone named Jordan Maison (is he reliable? I hope so):

Jordan Maison is definitely one of the most reliable scoopers out there, so this has me excited too. I’m really hoping for a continuation of The Ninth Jedi which was my favourite short from the series.

Unfortunately, the director of the Ninth Jedi is tied up making an anime Lords of the Rings prequel film for at least the next year. But I hope a series or films that pick up some of the stories from seasons 1 - & 2 -are given the green light by Lucasfilm in the not too distant future.