logo Sign In

FremenDar2019

User Group
Members
Join date
27-Jan-2014
Last activity
25-Sep-2014
Posts
52

Post History

Post
#713360
Topic
Help: looking for... Léon - The Professional: a theatrical HD master <em>without</em> contrast boost
Time

The Professional = the completely shite 110m version and LEON = the vastly superior 133m/136m Version Integrale Cut.

I don't want this. I'd rather have a 4K remaster approved by Luc Besson for Blu-ray which only contains the 133m cut on its own disc (with isolated DTS-HD MA score) and with the inferior 110m shit release with extras on its own disc. BOTH BD50.

Post
#708620
Topic
Info: The Good, The Bad, And The Ugly - 4k nightmare
Time

So, would anyone happen to have a 35mm print of this film? Damn annoying when people are basing this release on how the rest of the VHS, DVD, & the prior Blu-ray releases. At least it isn't as getting as royally angered over regarding another particular trilogy I won't mention.

Andrea would be the best person to handle some color retiming if necessary, but for me, I'd rather have a LPCM 1.0 English track derived from a Laserdisc. Are there any new features regarding the remaster?

The 4K Blu-ray release appears perfect to me in regards to its heavily film-like appearance. Yes, including to how it looks. Especially being it's a Spaghetti Western.

I'm finished with this thread.

Post
#708252
Topic
Info: The Good, The Bad, And The Ugly - 4k nightmare
Time

It looks absolutely fantastic to me, especially looking at the comparisons from caps-a-holic. Unlike The Great Escape, it doesn't need to be regraded. I'd rather have MGM do 4K transfers for all Sergio Leone films they distribute. Paramount did an excellent job for the Blu-ray release of Once Upon a Time in the West. Outdated transfers ought to die. If it's damn close representation of the answer print as Leone intended, I'll be buying this anyway.

Post
#698779
Topic
Gladiator (Theatrical Cut) [spoRv] (Released)
Time

Sounds great to me, Andrea! BD50 would be better especially for the length of the film and maximizing bitrate. DTS-ES 6.1 track would be a stellar idea too, since I do quite agree with bigrob.

I'd have it as Disc Three with the 2-Disc Sapphire Series Blu-ray release (Remastered film disc here.)

EDIT: How about having a hidden audio track (accessed via remote or summat), one in Japanese?