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Darth Chaltab

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Members
Join date
21-Mar-2004
Last activity
6-Jan-2011
Posts
10,487

Post History

Post
#230359
Topic
Simple Storytelling
Time
Suddenly, the telepathic cat in London gasped, drawing attention from passersby who had thought it was a frog, which are born without lungs and therefore probably don't know how to gasp once they develop them upon reaching adult hood, because the cat realized that if John Wayne, Clint Eastwood, Kenny Rodgers, and Johnson all collided, a paradox would be created--one that would destroy not this universe, but the five closest universes to this one.
Post
#229313
Topic
Those "Takes You Out Of The Moment" Moments...
Time
I think it was supposed to be implying that the Ewoks just knocked them down and the finsihed them off violently off screen. It was a PG movie after all. But the fact that it isn't show does strain credulity a bit.

As for the Excecutor crashing into the Death Star, I've alwasy figured the flames are coming from the masssive amount of air that would be released when the Death Star's hull was torn open. The vacuum effect would mean that all of that super-heated air would rush out into space. I'm no physics major, but... is it at all plausible this could result in fire?
Post
#229270
Topic
Pirates of the Caribbean Two
Time
Originally posted by: Yoda Is Your Father
The 'point' should have been to make a good, entertaining movie, not a made-to-order epic 2 parter. If Pirates 3 is a fantastic conclusion and Pirates 2 turns out to be another ESB, I'll eat my words, but until then, I did not enjoy Pirates 2 and am very disapointed.


You didn't like it? I thought the fact that there was constantly something cool and/or funny happening was a strength, not a weakness. Like I said, from a film standpoint, it does spend far too long going absolutely nowhere to be considered a 'good film' in the traditional sense. But when nearly every scene is awesome in and of itself, it's hard not to call it a masterpiece.
Post
#229257
Topic
Pirates of the Caribbean Two
Time
Originally posted by: San Fransisco Chronicle

Epics come about by necessity. The material demands it. A story is too big and too grand to contain within the usual boundaries, and so an epic is born. "The Lord of the Rings," for example, became an epic film trilogy because its story could only be told in that form. Epics don't come about through sheer willpower, by someone deciding to make an epic and then stuffing a weak story with a lot of junk. Do that and you don't get an epic, just cinematic water torture on the order of "Pirates of the Caribbean: Dead Man's Chest."
This second installment in the "Pirates" trilogy is more than the usual bad or even numbingly horrible movie. It's an amalgam of many of the modern cinema's worst tendencies and modern filmmaking's most unfortunate misconceptions. The film has an epic scale without an epic story, epic characters, epic ideas or epic emotions. The conversations are without wit and often without purpose. Much of the acting consists of mugging and empty gestures. Scenes are stretched out for no reason but to give the illusion of importance, so that the story is buried under rubble. Worst of all, director Gore Verbinski doesn't seem to understand the difference between motion and action.

It's an important difference. Motion is just violence and tumult happening onscreen. Action is violence and tumult that actively advances the story. Of recent movies, "Mission: Impossible III" has action scenes, while Peter Jackson's "King Kong" mostly consists of motion (at least in the Skull Island sequences). In "Pirates," whenever there's a battle, or a fight, or a chase scene, the story comes to a dead stop while the filmmakers devise clever, active ways for absolutely nothing to happen. The slightest incident is pumped up into a 10- or 15-minute segment. In one scene, Captain Jack Sparrow (Johnny Depp) has to escape from native islanders who want to use him in a ritual sacrifice. The movie has one inventive stunt (he's attached to a pole and finds himself stuck between two mountains), but by the time that stunt arrives, its moment has long past.

As Captain Jack the Pirate, Depp seems to have lost some of the Keith Richards swagger that he had in the first installment, but he's still game and willing to mug his way through the picture. That's fine. The problem is that he has nowhere to take the character -- it's a self-contained dead end -- while the filmmakers seem to have decided, this time out, to take Captain Jack seriously. It does Depp no justice to take the amusing caricature he's created and try to give it a complicated moral nature. Observe how uncomfortable, how torn in two directions Depp looks in his heart-to-heart conversations with Keira Knightley, as he tries to play a scene and remain Captain Jack at the same time.


Wow. Just wow. What a load of bull crap. I read the review before I saw the movie, and it made me worry. Reading it again afterwards makes me see how much they totally missed the point.

Post
#229136
Topic
Pirates of the Caribbean Two
Time
Originally posted by: Gaffer Tape
What gets me is how eager everyone is to save Jack, especially Will. Will has the most reason to say, "Screw that idiot pirate!" I mean, Jack betrayed Will to Davy Jones. He got into a potentially deadly sword fight with him. And, as far as Will knows, Jack was having an affair with his fiancee. Yet he jumps up and says, "Yes! I'll put my life on the line to save him!" It was a cool cliffhanger ending, but it was just a bit hard for me to accept that Will would get over everything so easily.


I think it's implying that Will is really mad at Elizabeth rather than Jack. He thinks she was kissing Jack for real as a good-bye kiss and that Jack actually stayed behind to sacrifice himself for everyone else.