- Post
- #1648917
- Topic
- No-Palpatine Rise of Skywalker Radical Brainstorming Thread
- Link
- https://originaltrilogy.com/post/id/1648917/action/topic#1648917
- Time
It was recently suggested in another thread that the community is not “investing the time and expertise to cutting out Palpatine altogether” from Episode IX. It’s more than understandable why, given how deeply ingrained he is and all the work it would take to not only remove him but replace him with material that’s plausible and functional (let alone satisfying), which would require at a minimum substantial redubbing and VFX work, and very likely filming new footage.
That said, I wholeheartedly agree with the sentiment that this is an avenue that should not be allowed to wither on the vine. So here is my attempt to dust off this old thread with an overhaul and expansion of the concept I proposed way back in 2021, which I’ve been privately noodling with ever since. Some parts are the same, others are tweaked or more fleshed out. So, without further ado:
ARRIVAL ON EXEGOL
As Kylo explores the temple, he hears the voice of a Sith Cultist, the head of the Exegol operation who we’ll simply call The Overseer (new dialogue):
- OVERSEER: At last, Inquisitor Snoke’s pupil graces us.
- KYLO: I killed Snoke. I’ll kill you.
- OVERSEER: Such hate! More than enough to hear the wayfinder’s call. And it led you here. Just as our Master foresaw.
Kylo finds the black-robed cultists working at cloning tanks. Instead of Snokes or Palpatines, inside the tanks we see dormant Jango clones (Sith Troopers). He eventually stands before the Overseer, a black-robed figure attached to a mechanical rig. This would be edited footage of Palpatine, with his face simply blacked out and his voice dubbed over, as this is the only figure Kylo interacts with in the source footage. I’m not opposed to something more elaborate like face replacement, but in the interest of feasibility I think complete shadow would be all you’d strictly need. (Also, the above demonstrates one way new lines could be used to succinctly convey backstory for Snoke, tying up that loose end.)
- KYLO: Who are you? Sith?
- OVERSEER: No. We are but worshippers. Ordained by Lord Bane to serve all who followed him through the centuries. We remain ever faithful, for the dark side is eternal.
- KYLO: What is this?
- OVERSEER: Organa’s search for Skywalker made Snoke fearful, impatient. He did not wait for us to finish our work. But the Emperor’s Contingency is finally ready…and yours to claim.
- KYLO: What could you give me?
- [Cue Star Destroyers rising to the sky. A new shot of Sith Troopers assembling would be nice too, but not essential.]
- OVERSEER: All that remains of the Imperial Starfleet. Hidden years ago, left for us to repair until the Force chose someone fit to use it…This was the final order of Lord Sidious.
RESISTANCE BRIEFING
SherlockPotter has a solid example of how to revise the scene to excise Palpatine for his edit; specifics would depend on what direction an edit chose to take other aspects of the story in: https://streamable.com/o3l4hy
REY-KYLO EXPOSITION CONVERSATIONS
This would also depend in large part on what a specific edit wants to do with non-Palpatine story elements, but for illustrative purposes I’ll just use my preference, which runs with the “Rey unlocks repressed memory she killed her parents” concept brainstormed elsewhere, and eliminates Force-Skype dueling from two places at once (which personally is a huge annoyance of mine that kills even the best TROS edits for me, along with teleporting the lightsabers):
First, when Rey and Kylo connect while she’s in his quarters, replace “wherever you are” with “so that’s where you are” as she’s picking up the dagger, which is all the clue he needs. He then says “I pushed you in the desert because I needed to see it. What I saw…I’ll come tell you,” and the connection breaks. That’s all you need. Have him learn where she is right away & act on it right away.
Then, when they face each other in hangar:
- KYLO: I saw what you did. What you will become. Your parents…you killed them. [cue flashback] You don’t just have power. You have the dark side. We could be a dyad in the Force, Rey. Two that are one. Together…we’ll take the throne.
- KYLO: You know what you need to do. You know.
- REY: I do. [Falcon arrives, escape]
(Side note: I hate the dyad concept too, so in my own hypothetical dream trilogy edit that will never happen, I’ve reduced it to a fancy word used just once for a union Kylo wants to create, not some quasi-prophesized once-in-a-century nonsense. But I digress.)
POE & FINN TALKING ABOUT OCHI SEARCHING FOR REY
The perfect Palpatine removal from that scene is already in the Rey Nobody version of Ascendant.
TRIALS OF EXEGOL
This is where things get complicated. I actually don’t think cutting Palpatine out of the confrontation with Rey is all that hard (partly because we won’t…exactly); the trick is what to do with Ben now that there’s nobody to suck the magic Dyad juice out of them and toss him in a hole. Does he kill the Knights of Ren and take off? Does he stand with Rey, stare down the Overseer, and they just kiss as the bad guy runs away or gets crushed by a rock? Does Rey still die from something and get resurrected by Ben at the cost of his own life?
Don’t worry; those options all sound pretty crappy to me too. So, here’s what I propose, to give both Rey and Ben satisfying, meaningful roles in the final battle. I admit upfront it’s pretty radical, and would require enlisting some talented folks from the fanfilm community for assistance (and a small smattering of face deepfaking). However, while it’s far beyond the sphere of fanediting, I believe it’s within the scope of what could be done by a talented fanfilm crew, if one could be reached out to and convinced to take an interest. So here goes:
- Rey flies to Exegol, dropping a trail of nav markers for the Resistance fleet as normal (except nobody calls Luke’s ship Red 5 because that’s stupid; Luke hadn’t been Red 5 since he became Rogue Leader, and it’s not like they retire callsigns like football jerseys and I’m getting off-topic again). She lands, and comes face-to-face with The Overseer:
o OVERSEER: What have we here? Another contender for the throne?
o REY: I haven’t come to lead the First Order…I’ve come to end them. [alternate possibility: “I haven’t come to take the dark throne…I’ve come to end it.”]
o OVERSEER: Really. As a Jedi?
o REY: Yes.
o OVERSEER: [laughs] Many have said such things. Some even believed them. But you know better, child. Do you think we cannot see through you? Here, of all places? Fear and anger are your earliest memories. They define you.
o REY: All you want is for me to hate, but I won’t. Not even you.
o OVERSEER: So you say. But Exegol has a way of…unveiling truths. We shall see soon enough. - Rey’s surroundings are swallowed in shadow, then she is bombarded with all-new visions. She sees and hears the darksiders of the past, herself screaming for her parents’ ship to come back which transitions to her seemingly killing Chewbacca, Luke’s “you went straight to the dark,” Kylo’s “you wanted to prove to my mother you’re a Jedi but you’ve proven something else,” etc.
o There’s a lot of opportunity to go nuts here, showing darksiders from all the previous movies as well as from sufficiently-convincing video game CGI or fan films (with dark-side vision filter to mask discrepancies and imperfections). Even more opportunity to use audio from KOTOR, Clone Wars, Force Unleashed, Battlefront, The Son, etc. Can use TROS Palpatine footage as well, to salvage Ian’s great performance without having Palpatine literally back. (Great source for live-action Son: https://www.youtube.com/watch?v=8hkDbKk7L-0) All the while, voices taunt her with lines like “We all live on here”; “Admit what you are. See what you could have been. What you still can be”; “The Sith are the family you’ve been searching for. The only family that will have you”; “Why do you think your awakening in the Force was so quick? So easy? You were using the dark side. It was using you.” Etc. - All of this culminates with the Dark Rey duel (with Death Star background obscured by shadow), which will have been removed from its original position earlier in the movie. Dark Rey knocking Rey over cuts to Rey lying injured on the floor, vision of Dark Rey on the throne.
- As the Overseer’s voice taunts an apparently-defeated Rey, the vision transitions to Palpatine unleashing a massive storm of Force Lightning, though we don’t see it actually connect with the Resistance fleet. Perhaps an over-the-top montage can be constructed of the lightning destroying planets or electrocuting her friends, just to make especially obvious the visuals are not literally happening.
- Eventually Rey calms herself, pleading with the Jedi spirits to “be with me.” She hears the voices, rises to her feet, and as the spirits appear behind her (thanks to John’s amazing edit), their light begins to dissipate the darkness. As she rises, she responds to Palpatine’s “You are nothing!” With “I… am a Jedi.” (https://streamable.com/f18whe) Keep Rey defeating “Palpatine,” since because it’s a vision the imagery can be symbolic and doesn’t have to make literal sense.
- The visions fade away, as do the Jedi spirits. Rey has rejected the darkness, passed the ultimate trial, and is now a true Jedi Knight—perhaps with new audio of the old masters knighting her: “By the right of the Council, by the will of the Force, rise…Jedi Knight.” (Resource: https://www.youtube.com/watch?v=3zKP0K8CLDY)
- While all this has been going on, Ben has arrived on Exegol. He goes not specifically to save Rey (who he knows can handle the Overseer and must face her vision trial herself), but because the “handful” of Jedi students that TLJ mentioned disappearing with Kylo are alive there, imprisoned. The Knights of Ren confront him on the way there, and that fight ensues (there are a number of different ways to go here, conveyed partly by dubbing KoR—did some students become KoR, how many prisoners, etc). This accomplishes multiple things: give Ben a significant contribution, partially rectify his first villainous act (a chance Anakin never got), and save Luke’s New Jedi Order in some small way, rectifying one of the ST’s biggest, most inexcusable defects.
- Back in the throne room, the Force blast shatters the arena, (implicitly) killing the Overseer. The red guards attack, Rey dispatches them, Ben arrives. They exchange meaningful looks, then Ben (his back to the camera) says something like “we’re not done yet” (callback to TFA), “follow me,” whatever.
- New scene of Rey & Ben running through hallway (body-doubles shot from behind) as Ben leads Rey to Jedi cell. She opens it, is met with “thank you,” “who are you,” etc. Crop in close-up of Daisy looking around. Rey asks “Ben?” But he’s slipped away in the confusion.
- As part of whatever new ending is constructed (I have ideas about that too, but they’re for another thread), add a scene of Ben in self-imposed exile somewhere—possibly Tatooine (also convincingly mocked up in SherlockPotter’s Untold thread), or Yavin 4 (the “Adam Driver vs Dinosaurs” movie “65” has some scenes that would be useful for that).
So, the big question: how? Mostly just editing, AI linework, and visual magic of the kind this community has proven adept at. The only new footage that would need to be filmed would be the prison hallway—which would only be needed for my personal proposal for what to do with Ben on Exegol, and would not be necessary for an edit that came up with something else. Regardless, it wouldn’t need action, stunts, an elaborate set, or major VFX. But it would need:
- A hallway with at least one suitable door to a holding cell. Ideally it would fit with the dark stone look of the temple, but if we assume it has to have secluded underground areas for the Final Order’s more technical work, maybe we could get away with a more metal-looking setting, with some of the blue-white light flashing from an open door/lift/staircase/opening in the background to tie it together and mark a transition. Lighting could further obscure the environment.
- 2 body doubles in screen-accurate cosplay of Rey and Ben and appropriate hairdos. Mostly shot from behind, with maybe some minimal deepfaking to sell it. No speaking lines.
- Anywhere from 6 to 12 actors to play Luke’s students (depending on how many we decide became the Knights of Ren). Minimal acting required; need convincing costumes & makeup, ideally a couple in decent alien masks/makeup.
- The lighting/filming/directing/etc. expertise to put it all together and make it happen.
I know how ambitious this is. I know it’ll probably never happen. But that’s the point of brainstorming, right? Shoot for the moon and see what if any wheels it inspires to start turning.