Channel72 said:
Man, I wish I had the same reaction. After I saw so many positive reactions to ROTS I wanted to give the movie another chance. But when I tried rewatching it like around 2 years ago, it just came off as hopelessly flawed.
I feel that man, with other stuff. I want to love the Obi-Wan show. It’s Obi-Wan and Darth Vader, I should like it. But they didn’t do them justice, and it’s hard, but eventually you have to come to terms with your own feelings, and you have.
I’m happy to admit that most of my enjoyment for ROTS is that, and nostalgia, it was my fav as a kid. I think it’s quality wise better then the other two Prequels, but it’s not a masterpiece like the OT (even ROTJ, fight me). I had my denial period, but it’s true, at least through the standard by which I judge media. It’s the difference between analyzing quality and emotional connection (tho the two coincide to a degree, but not wholly).
Channel72 said:
There were glimpses of chemistry between Anakin and Obi-Wan in the opening space battle scenes, but it was just way too little and way too late.
When watching the entire trilogy as a whole, I agree. When watching it in isolation, it’s fun, and I can ignore how the previous two failed them.
Channel72 said:
The middle segment of the movie is a CGI circus featuring a cartoon cyborg riding a unicycle while a cartoon lizard chases him.
I enjoy that part, and Grievous as a whole, ironically. It’s hilariously over the top. He’s my favorite of the Prequel villains (besides good ole Sheev) because he’s a meme. Even mundane lines like “Just as Count Dooku predicted” are a stitch. To the point where I prefer him over 2003 CW Grievous, who to me, is just a faster Vader. I’m a Darth Vader stan, I want my man to be unique. Nobody steals his thunder. I liked the approach Lucas was going for, making all 3 Prequel villains their own, but having one tie in to Vader (even if superficial) as foreshadowing. Neat idea.
Even though, like everything in the Prequels, Lucas needed that filter he had during the OT era (so it’s earnest, not corny), to a degree, Grievous fits with that moustache twirling villain vibe we see sometimes in the OT with Tarkin, Jabba, and even the Emperor (Lucas even said when making Grievous, to avoid making him too similar to Vader and the other two, wanted to make him more like the Emperor). When you really think about it, Vader is really the only OT villain with a lot of depth, but it works, that’s not a criticism. You can only shove so much in a script. And that’s one of the Prequels failings, they try to do too much. Too many protagonists, too many villains, too many plots. You can’t enjoy Dooku like you can Tarkin because it tries to develop him but doesn’t have time to do so in this bloated screenplay. He’s at his best when he gets to be just Dracula, and even then, he doesn’t get to do it too much. So that’s why Grievous, who’s literally just Dr. Evil and doesn’t try to be more, is the most enjoyable to me.
Channel72 said:
Anakin’s turn seemed paradoxically both too sudden and also predictable, because his entire arc was mostly incoherent and spastic. He already slaughtered an entire village in the previous movie, then reverted back to “good guy hero” mode, then immediately agreed to mass-murder children like an hour after we saw him having a fun adventure with Obi-Wan.
Once again, I agree with a lot of this in the logical part of my brain. The Anakin content in TPM and AOTC should’ve been combined, and his arc in ROTS should’ve been in two movies. A slow decent into the cold domineering Darth Vader we know and love from the OT, an emphasis on that addiction to power, the desire to cheat death to never feel pain of loss (and I’d also add not ever die), only to become Death’s Dragon, the Grim Reaper. A monster.
I see where Lucas was going, with the hot and cold thing. I’ve been there, even if nowhere near that extreme. Is it too extreme given the movie’s tight time frame? Yeah. But in social situations, where I’m scared, I can often be like that. I go from being confident and believing to being cold because I’m insecure and don’t want to be hurt. Though it’s worth mentioning, I’m a 21 y/o with ADHD (I went undiagnosed until April; I am on meds now). And those are situations with crushes or even sometimes platonic friends. What if it was a hypothetical wife about to die, when you’ve already watched your mother die in front of you, and blamed yourself?
The scenes work for me when I isolate them in my brain (even when watching the movie) to allow myself to feel the emotional effect. William’s score and Christensen’s acting work really well to convey that emotional distress, conflict and the cold, even if he sometimes got stuck with some bum material. That pathos connects with me on an deeply emotional level.