THX WOW Laserdisc Star Wars

I agree that the small clips looking overall much better than the Gout, even though it's appearing very red in color sometimes, it have also much better detail mostly due to being true anamorphic I guess. I don't know where the footage in this originate from, my guess would be that it's a completely different master than where the video releases come from.

The 1993 and '95 LD transfers aren't anamorphic, but the footage on this disc are true anamorphic.

What do you mean, EvilSupes? The 1997 SE Laserdiscs was not released in anamorphic. But, that doesn't matter anyway as the footage in this are original & unaltered and anamorphic, which means it's taken from an entirely different film source than the '93/'95/GOUT was from. And zombie is right, this was a demo-disc made for hi-fi stores etc. to demonstrate THX-certifed audio and video and was never intended for sale. I really don't know if any film was ever released with anamorphic transfers on Laserdisc, but this was a special showcase disc so maybe that's why.

The "Wow!" and "Soundtrack!" sequences that were originally created for the THX WOW! laserdisc also appear on the "THX Ultimate Demo Disc" DVD.

I don't have the laserdisc. If it is a "squeeze" (anamorphic) disc, I'm sure it would be mentioned on LDDb - I'd be very surprised if the LD isn't standard 4:3.

I will have to check the DVD again, but although the Wow! sequence is anamorphic, it looked to me like an upscale. The Soundtrack! featurette is non-anamorphic; this is because it comprises a mixture of 4:3 fullscreen and 2.35:1 scope material.

It looks like I was wrong then, I really thought it was true anamorphic not an upscale, but I guess that an upscaled video would be the most logical in this case. Sorry for the confusion.

“Kill them!” “Shoot them”!

Details on the THX WOW laserdisc

http://www.lddb.com/laserdisc/19090/THX-WOW/THX-WOW!-(1990)

Its basically a fast paced edited clips to showcase the ability of paned effects over LCR to smoother panned effects moving over to the surrounds or surrounds over to one of the LCR as well as showing off sub bass extension that’s stripped from the main fronts to mealy give tonal body strength in the last 2 octaves.

I saw the laserdisc version demonstrated a few times around early 90’s.

I have it on DVD now with slight new sound effect added in I think this is one of the Willow scenes where Madmartigan flips the sword.

I hope, you, don’t mind the frequency waterfalls that was taken with spectrumlab to record the last 2 octaves of the lower end from the DVD DOLBY DIGITAL 5.1 version.

If I recall this 8 minutes x 6 took around 48 minutes to 2 hours after doing the screen captures I should have expanded the screen size on the powerplay DVD so that the blow-ups wouldn’t look so edgy or rough on the picture at least the colour there.

The site here as copped off the edges a few inches. 

The way the frequency graph works, is that its read from bottom to top as that is where it’s paused or stopped during the recording of the frequency graph.

So now we have more screen captures and frequency waterfalls that shows the strength of the force in DOLBY DIGITAL 5.1 THX.

The LFE.1 only comes in as and when called for and should only support the scene not overwhelm it with boomy sound because that’s just rubbish sound then. If the lows in you’re are reaching around the sofa/seating area uniformly one tone at time after PEQ as been applied, you might need more than one x1 subs to get equal smoothness and the laws still apply it should never be allowed to overwhelm it should mealy accompany the mix.

If you, think you, have weak spots in the sub bass range don’t force it to play any louder that it is. You risk putting strain on the sub you’ll pushing it to the point of possible amplifier clipping, distortion builds up, and its bye-bye sub bass!