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StarWarsLegacy.com - The Official Thread — Page 15

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Congrats on the LFL gigs, Mike! Don't suppose you'd care to share what you're working on (...cough...HD...cough), unless you're under one of them thar pesky confidenciality agreements
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I did a series of R2-D2 renderings for the upcoming Complete Visual Dictionary, and the gig I'm on now I can't talk about... one of those pesky confidentiality agreements.


_Mike

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Mike, wondered if you'd share your thoughts on the following two queries:

We all know there are colour issues in areas of the 2004 DVDs. But what's your take on the "dark" look?

Here's what I mean:
http://aptirrelevance.com/otscreenshots/images/resized/aofficial-r-021.jpg

It would seem to me (after reading the excellent editorial on your site) that the blacks have been crunched to make the image punchier, and in the process detail is lost in the shadows. If I were doing my own restoration, I'd probably alter the brightness and gamma to match the laserdisc captures, thus:
http://img.photobucket.com/albums/v670/Moth3r/owkcorrected.jpg

But would it be correct to do this? It could be argued that the original film had a darkened, high contrast look to it, and the 2004 transfer captures the original look more effectively than any previous video release. It is not uncommon for a video transfer to reveal much more detail than was originally intended, depending on the choices made at the time of the transfer from the interpositive.

What did you do with this scene?


Second question: it would appear that the opening starfield on the 2004 DVDs is different from the 1993 laserdiscs. The 2004 starfield has much smaller, less effective stars, and you state that it's a CG starfield created for the DVDs (and went about recreating the original by hand).

How can you be sure that the laserdisc transfer represents the original starfield? Although I see no reason why it would be different, I've recently acquired a photograph, shot off the theatre screen in '77:
http://img.photobucket.com/albums/v670/Moth3r/Blockade.jpg

From the DVD:
http://img.photobucket.com/albums/v670/Moth3r/blockade2.jpg

The configuration (constellation?) of stars shown circled seems to match the DVD and not the laserdiscs! What's going on here?

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In answer to your first question: Neither is correct. The laserdisc is too bright and the DVD too dark. I have no proof of this, and in truth, when it comes to timing film, it was probably all over the map even from the beginning, but I'm willing to bet that the intended exposure is somewhere in the middle, and that's where I put it. When a cinematographer exposes, it's generally for both the brightest and darkest areas of the frame, and you can just sort of tell where the falloff curve was intended to be, unless a deliberately stylized look is planned (think Fincher silver-retention Fight Club look). There's no question that Star Wars was intended to be grittier than not, but still the DVD just has that overly crunched curve to it, where the laserdisc and CERTAINLY the VHS's have that clearly washed-out, overly bright midground. Also remember that things like this "gamma" balancing can only be approached satisfactorally if you have a calibrated reference monitor and signal path. That is no small undertaking. And of course, the results will appear radically different on consumer televisions, 99.9% of which people leave in the horrifically overbright, aliasing-ridden, oversharp and color imbalanced factory-preset modes. My consumer televisions have all been calibrated by ISF technicians, but still I check the factory modes to see what the rest of the world would see, and they're night and day. Although I do use the consumer mode to check things like garbage mattes, because on a properly calibrated monitor, you can't see them, but the overbright consumer modes show them right away. (In truth, I simulate consumer television response curve through an adjustment layer in the computer - I don't actually have to output to a television).

On the starfields: There is a blend between CG elements and original elements in the starfield. The original starfield has in some places been replaced, and in some places been enhanced. The original starfield, as a result of Lowry clean-up, had most of it's subtler stars eaten and the bigger ones lost their photographic bloom, so it can be hard to spot. But the crawl needed to be replaced, so it was impractical to use the original field for that section of the opening. But past the pan-down, it's mostly original. It's original in the next shot with the Star Destroyer approaching, too, as I recall. I have had to roto and re-balance every single starfield in every shot of the film, because no matter what the source, the original balance between background and foreground elements has long since been lost. Again, it's something you can sort of "see".

I had done digital grading for quite a few years before I took on Legacy, but I have learned more since I started than I would've thought possible. In many ways, ANH is like a grading final exam. So many worst-case scenarios. And without separate elements to recomposite, it means a lot of rotoscoping. In fact, it's mostly rotoscoping. And this would be true even if you had a pristine 4K scan - it'd just be easier to see where to roto.

_Mike

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Originally posted by: mverta
... But past the pan-down, it's mostly original. It's original in the next shot with the Star Destroyer approaching, too, as I recall.
...
So, can you think of a reason why the starfields appear differently on the laserdiscs?

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Ok, I've done some checking and I can confirm for you that there are at least two different composites of the first shot. There are any number of reasons why this may have been done, most likely having to do with crawl issues, but the matte painting, starfield and foreground ships were optically composited in the printer at least a couple of times, leading to variations in versions. I'm not 100% sure, but I will be once I finish checking, but it appears that both versions here use the same starfield, only one of them is reversed horizontally and slightly higher up.

That is, that "Y" shape appears about halfway between the moon and the horizon of Tatooine in one version, but flipped and much closer to the horizon in the other version. I think some of the other differing patterns in star intensities is due to the fact that it's an organic, imprecise optical composite and not a digital composite, so you get different looks as the light actually passes through the system. I'll do a more thorough comparison, but if you want to check yourself, go find the part of the shot before the Star Destroyer comes in and identify the Y shape, then do the requiste flipping and repositioning in Photoshop to see if they match. No matter how you cut it, this shot was composited at least twice.

_Mike

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Anybody else do this one?

DVD
http://www.mikeverta.com/Posts/LE_Original.jpg

Legacy Edition
http://www.mikeverta.com/Posts/LE_New.jpg

Re-balanced starfield, color correction, and engine glow (matches color, intensity and spread of other Falcon shots at similar distances).

_Mike

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Yeah, I've done that and put it back like 18 times... I get really paranoid during this stuff, and I sort of felt I'd done enough damage already. Now that you mention it, though...


_Mike

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Just to confirm:

Since your project is publicly documented but strictly privately held, you don't mind that people take your suggestion for fixes and incorporate them into their own projects, do you? That's the spirit of the Legacy Edition, isn't it?
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That is ABSOLUTELY the spirit of Legacy Edition! I have been detailing not only what I did, but also how I did it, so that others may reverse-engineer their own versions from it.

_Mike

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I'm a bit confused about this project, is it based off of Laserdiscs or the 04 DVD set?
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Originally posted by: mverta
That is ABSOLUTELY the spirit of Legacy Edition! I have been detailing not only what I did, but also how I did it, so that others may reverse-engineer their own versions from it.


I know you're probably a very busy man and don't have too much time to update the Legacy Edition site. However, I've enjoyed reading through it and perhaps when I get a new computer next year I may start following your documentation and have a go at this for myself. Everything you've done looks great. Just wanted to let you since you say that's the spirit of the project.

To contact me outside the forum, for trades and such my email address is my OT.com username @gmail.com

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Originally posted by: Moth3r[/i I've recently acquired a photograph, shot off the theatre screen in '77:
http://img.photobucket.com/albums/v670/Moth3r/Blockade.jpg



Where did you get that and do you have any more??

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The site is so far behind the actual progress it's sick. It was just really starting to cramp my style, updating while I was deep in the middle of working. Most likely I'm going to finish up and then just document the whole thing on the site, but we'll see...

_Mike

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Hey Mike,

Care to go into more detail about the additional material from private collections?
No naming names or anything, but what format(s) is this material on? Is it the full film, or just odds and ends?

Cheers,

John.
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Mike,
Amazing job on restoring Star Wars! Would love to see the final comparisons on your site when you've finished. By the way, I just sent you a PM about visual effects.
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@netgurucrare you spamming or what?

I've had two PM's from you with the exact same message touting software.

mods. have we been spammed or something?
When a woman says yes, she means no - when she says maybe, she means no.

http://www.auky37.dsl.pipex.com/falconlogo_web.jpg
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Thats what I keep saying too, he is just a little spammer!