I've started official work on this project today! I know, I know, this thread's been here since February, and I have the new logos and the Empire crawl, but those were all proof-of-concept tests, none of which will appear (in that form) in the final project.
I'll be editing the first post soon to reflect this, but the project has now evolved into my ideal Star Wars Trilogy - while it was originally a preservation of Star Wars as is, of Empire with one change (the crawl), and a massive re-edit of Jedi, it's now more than that.
I'll be using Adywan's Revisited edits as a base, which means for now I can only work on Star Wars - ESB and ROTJ will have to wait until Ady's done with them, respectively. Why do this and not start my own work from scratch? Several reasons:
- Ady's ANH:R was nearly perfect - I just want to improve on it so it *is* perfect (to me)
- Ady's work is much higher quality than the GOUT
- Ady has done things I couldn't possibly do that I feel are necessary for this project (to name one thing, the Emperor hologram in ESB)
What's that? Nearly perfect, you say? Well, what isn't perfect about it? Here's what:
- Ady's edits still acknowledge the existence of prequels, which is (to me) unacceptable - after all, the whole point of this project is to remove any and all reference to the fact that any films besides these three exist in the series
- Too many SE additions are still there (fucking dewbacks)
- Prequel music (while the music is the one and only good thing to come out of the PT, see above)
- The bizarre needle-lightsaber-thing
But wouldn't using the GOUT eliminate every one of these problems? Yes, but then we have other problems:
- Poor quality video
- Bad lightsaber rotoscoping (an SE change that never happened that I would have welcomed)
- Other problems
But how will I get rid of things like the torture droid lightsaber and the excessive SE additions? Why, I'm glad you asked. I've kindly asked Dark_Jedi to help me out by letting me use his cleaned-up GOUT for my project. Anything in Revisited that I'm not particularly fond of (like Greedo's subtitles) will have GOUT video dropped in if the quality difference isn't overly distracting, or a certain portion of the frame will be digitally painted over with the GOUT (something I'm looking forward to teaching myself how to do).
I'm going to be using the GOUT as a guide for this, as well, because I think, editing-wise, the theatrical cut is nearly flawless. I'll also, as previously stated, be using the mono mix as the basis for this edit.
I'm converting the DVD-9 of ANH:R as I type this to an Avid lossless codec, and will begin work as soon as it's done. Once I receive Dark_Jedi's cleaned-up-GOUT copies, I'll convert that as well, and the project should start getting done a lot faster than it has been.
Oh, and to alleviate some of the technical problems I seem to have encountered in my tests, I'll be rendering all my effects (crawls, new credits) at HD resolution, then downscaling in Avid to SD (Avid allows for different resolutions in the same timeline, which is how The Dark Knight was edited), per Ady's suggestion.
To ADYWAN and DARK_JEDI:
If either one of you have a problem with me using your work as a starting point for mine (both of you WILL be credited in my new set of end credits), please just let me know and I'll be more than happy to just go back to my original plan of using the GOUT exclusively for this project. No hard feelings if you'd rather me not use your work, I'd totally understand.