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Star Wars 1977 releases on 35mm — Page 8

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Aunt Beru is clearly the one at the back.

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Do we need to get Jay to introduce a neutral D65 grey colour scheme for the forum?

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I'm surprised by the amount of pink in those homestead shots, is that the case on both this low fade print and Tech print of yours, poita? In all the print sources I've seen the sky has always been more light gray, even the smoke is pink in that panning shot. Interesting.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

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Moth3r said:

Do we need to get Jay to introduce a neutral D65 grey colour scheme for the forum?

That wouldn't be such a bad idea with all the color timing samples posted around here actually. :)

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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Moth3r said:

Do we need to get Jay to introduce a neutral D65 grey colour scheme for the forum?

 If it was possible to get a truly neutral colour scheme that would be great.

Otherwise posting colour corrected images is kind of pointless unless people are taking them away to look at later.

Trying to assess colour correctly with the strongly blue background that this forum currently uses is akin to trying to do wine tasting straight after having a shot of whisky.

The only way around it otherwise to is post any pictures with a fair sized neutral border, but that only helps a bit.

Of course it will make the forum look incredibly bland :)

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msycamore said:

I'm surprised by the amount of pink in those homestead shots, is that the case on both this low fade print and Tech print of yours, poita? In all the print sources I've seen the sky has always been more light gray, even the smoke is pink in that panning shot. Interesting.

 Absolutely, if anything it is slightly more pink than the images I have shown.

I have seen 9 different prints now all up, as well as countless Super8 prints which were taken from the international negative and all of them are pretty close to the image I posted here. Some are a little lighter, some a little darker, but all have a definite pinkish sky in this shot. (The only ones that don't are the dodgy 16mm dupe prints, most of the colour casts in scenes are washed away in those prints)

Reproductions in magazines and books will nearly always be balanced out by the pagesetter and appear without the colour-cast, they would most likely assume it was an unwanted artefact and adjust it out. Try taklng the image into photoshop and applying autocolor and you will get a nice dull neutral sky, which looks more natural, but is less striking. I have found on set photographs and books to be a useless source for colour, as it doesn't take into account the on-set lighting, any filters used, the final colour grade or the film stock.

The reddish tones appear to be intended, quite possibly to add to the menace and colour temperature to accompany the 'burning' of Luke's family, and adding to the 'hellishness' of the imagery with the skeletal remains.

But for whatever reason, the sky was pinky-red in 1977 when Luke's Aunt and Uncle breathed their last.

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poita said:

Moth3r said:

Do we need to get Jay to introduce a neutral D65 grey colour scheme for the forum?


Of course it will make the forum look incredibly bland :)

 One problem most people would probably have, is a light grey colour scheme could possibly cause eye strain. Our current blue, on the other hand, is a relaxing hue.

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In theory, it would be a new skin selectable in the user preferences.

However, certain people have been asking Jay to put the light blue skin back for years...

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 (Edited)

Hope you don't mind if I add -1 for those that can't download the tiff

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poita said:

Absolutely, if anything it is slightly more pink than the images I have shown.

I have seen 9 different prints now all up, as well as countless Super8 prints which were taken from the international negative and all of them are pretty close to the image I posted here. Some are a little lighter, some a little darker, but all have a definite pinkish sky in this shot. (The only ones that don't are the dodgy 16mm dupe prints, most of the colour casts in scenes are washed away in those prints)

Reproductions in magazines and books will nearly always be balanced out by the pagesetter and appear without the colour-cast, they would most likely assume it was an unwanted artefact and adjust it out. Try taklng the image into photoshop and applying autocolor and you will get a nice dull neutral sky, which looks more natural, but is less striking. I have found on set photographs and books to be a useless source for colour, as it doesn't take into account the on-set lighting, any filters used, the final colour grade or the film stock.

The reddish tones appear to be intended, quite possibly to add to the menace and colour temperature to accompany the 'burning' of Luke's family, and adding to the 'hellishness' of the imagery with the skeletal remains.

But for whatever reason, the sky was pinky-red in 1977 when Luke's Aunt and Uncle breathed their last.

Sorry, I should have been more clear, prints was typed print sources, I'm well aware of that printed source material found in magazines, books and such are pretty much useless.

No, I'm surprised because I was lucky enough being able to see a beautiful albeit incomplete LPP projected last summer (reel 4 and 6 was missing unfortunately.) And being the obsessive SW-freak I am, I made sure to take great notice of anything unexpected in terms of the films timing, and this particular shot in that print didn't stand out to me as being graded any differently compared to any other overcast Tatooine daylight sequences. I'd say its look was very consistent with some of the opening desert scenes with the droids as well as those overcast shots in the droid sale at the farm. Warm, yellow, beige or brown with light gray skies is the way I would describe it.

So I'm not entirely convinced that this shot was timed to set a certain mood, if anything it should have been timed colder if that was the case I think, in order to contrast it with the otherwise warm desert scenes. But when you say that you have seen the same thing in nine different prints! I'm sure you know what you're talking about. And of course I trust you, you're sitting with prints right in front of you. :) Anyway, the amounts of pink in that panning shot there doesn't sit right with me but I guess I'll have to unlearn what I have learned. ;) Memories are memories...

In any case, this is awesome, poita! Had succeeded to somehow miss this thread earlier. We need to set up some way to donate.

 

That -1 print scan looks way too cold, why is that?

 

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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msycamore said:

That -1 print scan looks way too cold, why is that?

The white balance on their custom scanner setup, perhaps.

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 (Edited)

msycamore said:

poita said:

Absolutely, if anything it is slightly more pink than the images I have shown.

I have seen 9 different prints now all up, as well as countless Super8 prints which were taken from the international negative and all of them are pretty close to the image I posted here. Some are a little lighter, some a little darker, but all have a definite pinkish sky in this shot. (The only ones that don't are the dodgy 16mm dupe prints, most of the colour casts in scenes are washed away in those prints)

Reproductions in magazines and books will nearly always be balanced out by the pagesetter and appear without the colour-cast, they would most likely assume it was an unwanted artefact and adjust it out. Try taklng the image into photoshop and applying autocolor and you will get a nice dull neutral sky, which looks more natural, but is less striking. I have found on set photographs and books to be a useless source for colour, as it doesn't take into account the on-set lighting, any filters used, the final colour grade or the film stock.

The reddish tones appear to be intended, quite possibly to add to the menace and colour temperature to accompany the 'burning' of Luke's family, and adding to the 'hellishness' of the imagery with the skeletal remains.

But for whatever reason, the sky was pinky-red in 1977 when Luke's Aunt and Uncle breathed their last.

Sorry, I should have been more clear, prints was typed print sources, I'm well aware of that printed source material found in magazines, books and such are pretty much useless.

No, I'm surprised because I was lucky enough being able to see a beautiful albeit incomplete LPP projected last summer (reel 4 and 6 was missing unfortunately.) And being the obsessive SW-freak I am, I made sure to take great notice of anything unexpected in terms of the films timing, and this particular shot in that print didn't stand out to me as being graded any differently compared to any other overcast Tatooine daylight sequences. I'd say its look was very consistent with some of the opening desert scenes with the droids as well as those overcast shots in the droid sale at the farm. Warm, yellow, beige or brown with light gray skies is the way I would describe it.

So I'm not entirely convinced that this shot was timed to set a certain mood, if anything it should have been timed colder if that was the case I think, in order to contrast it with the otherwise warm desert scenes. But when you say that you have seen the same thing in nine different prints! I'm sure you know what you're talking about. And of course I trust you, you're sitting with prints right in front of you. :) Anyway, the amounts of pink in that panning shot there doesn't sit right with me but I guess I'll have to unlearn what I have learned. ;) Memories are memories...

In any case, this is awesome, poita! Had succeeded to somehow miss this thread earlier. We need to set up some way to donate.

 

That -1 print scan looks way too cold, why is that?

 

If you did an auto colour correct (auto levels etc.) you would end up with something quite like the -1 image shown here. Or if you were correcting by eye without a reference, you would probably attempt to make the sky blue which would make the entire image cold.

Or it could be a technical issue. If they are using a homemade scanner then the most likely reason is that their light source is not spectrally matched to their sensor (camera).

CCDs have certain responses to certain light wavelengths.

Most sensors aren't as even as the one in this graph, and the bayer matrix filter tends to tilt response towards green or blue, both case tend to knock the warmth out of the image.

Consumer cameras also have an IR cut filter to help get a sharper image, many of these cut into the red end of the spectrum as well, reducing a portion of the visible red wavelength, and again, making the image seem cold.

If making one's own scanner, you need to have an LED array of Red, Green and Blue LEDs that are individually controlled, additionally, you will usually need two different RED LED's to get full coverage of the red in the image.

They Bayer matrix means there is a lot of crossover between channels as well, so it is better to use a mono sensor and expose three or four times to get the full frequency response and full resolution for your captures.

In addition to all of that, consumer cameras have their own internal processing that will affect the colour of the image, just like standard computer monitors have hidden internal processing to make an image look 'better' which makes them difficult to use for colour correction purposes.

As to the print you saw, I would put a reasonable amount of money that the scene was indeed pink tinted, but you would be unlikely to conscioulsy notice it unless you were looking for it directly. It doesn't stand out unless you are looking specifically for it, and it is highly dependant on what your eyes have been seeing just before it (I really wish you could get another look at the print to confirm one way or the other though.)

Subtle colour pushes like that typically only register in the emotional part of your brain unless you are looking for them specifically. I had clients in my suite that didn't notice some radical colour changes because they were looking for something else (like chattering matte lines, or animation glitches) so they didn't notice the other things. Once pointed out though on a second playthrough, they would then ask to see 'the one we just watched' and often wouldn't believe you when you told them it was the exact same footage.

Memory and perception are crazy variable things. I have known people who have seen Jedi over a hundred times, yet still will insist Vader says 'Luke... I am your Father', they remember it clearly, and are quite surprised when you play them the actual line from the film, and seem shocked that it is not what he says.

There could be prints out there that have this scene in more neutral tones, between different prints there are often quite large variations, and 9 prints is a small sample of the total out there, but for now I am going with the sample size I have.

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Moth3r said:

In theory, it would be a new skin selectable in the user preferences.

However, certain people have been asking Jay to put the light blue skin back for years...

 A user selectable skin would be great, especially if there was a sticky to say 'if you want to see correct colour in images on this site, select this skin'

When using this site now for more than a few minutes, your brain decides that the blue background is actually grey and shifts your colour perception accordingly.

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poita said:

Otherwise posting colour corrected images is kind of pointless unless people are taking them away to look at later.

If I really want a good look at them, I always open them in a new window. On the forum itself, the pics are either always little thumbnails, or whatever ends up going past the right edge of the table gets cropped off instead of stretching it out (in both IE and Opera).

This signature uses Markdown syntax, which makes it easy to add formatting like italics, bold, and lists:

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I do too, but if I have been staring at blue-grey for a while, it affects my colour perception even if I open them in a new window. I have to stare at a grey panel for a bit to recalibrate.

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 (Edited)

Great information here and in kk650s thread, poita, thanks for sharing :)

*now if i can just undo all my colour guessing posts...

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poita said:

If they are using a homemade scanner then the most likely reason is that their light source is not spectrally matched to their sensor (camera).

Thanks for the very in-depth explanation, although most of it went over my head I get the general idea.

poita said:

As to the print you saw, I would put a reasonable amount of money that the scene was indeed pink tinted, but you would be unlikely to conscioulsy notice it unless you were looking for it directly. It doesn't stand out unless you are looking specifically for it, and it is highly dependant on what your eyes have been seeing just before it (I really wish you could get another look at the print to confirm one way or the other though.)

Yeah, you're probably right. I might get another opportunity this summer. It was truly a surreal experience to get a chance seeing a SW-print projected again after all these years. Even if the print was incomplete and we had to watch it without audio, it was fantastic. :)

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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 (Edited)

poita said:

If they are using a homemade scanner then the most likely reason is that their light source is not spectrally matched to their sensor (camera).

 I believe that they said they changed/improved their capture process, but at some point I remember they were using a point and shoot camera, I'm sure it has auto white balance and color correction on it.  I know there's a huge difference in my dslr when I shoot raw vs jpg, the jpg has lots of adjustments pre-applied to it before I export from the camera.

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 (Edited)

I am twiddling my thumbs a bit whilst I save up for my scanner parts, but I thought this was a fun way to get to understand colour.


http://color.method.ac/
check it out, it also has support for tablets, and even adjusts for colour-blindness.
You go through colour matching for hue, saturation, complementary, analogous, triadic, tetradic etc. and it is a lot of fun and an interesting exercise.


The best way to play this is to look at the colour swatch and then click precisely where you think the required colour would be.
You can then see how far off your initial impression was, and then slide about until you get the colour to match the requirement.
If you just start sliding from the get-go, you might get a better score, but I think it is more interesting to know how far off your first estimate was.

The colour controls are quite similar to those in most colour grading packages, so it is a fun way to get the hang of how those controls work, and improve your understanding of colour.

Post your scores!

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 (Edited)

7.7, but I think I can do better. Trying again!

*edit* OK - serious eye burn 2nd time around.  I got a few "perfects" but also more "average" and "good" scores than I'd like. This is fascinating!

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 (Edited)

I got 10.3 (11/10/10/11/10/10) on my first go, I'm sure the clock was counting down faster on the last two!

I'm trying again as well :) There goes my productivity for today.

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Nice! That was a fun color game. I got 10.0 so you beat me poita. :)

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My second try I got 10.0 as well! I think I had better not try a third time :)

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