STAR WARS: EP V "REVISITED EDITION"ADYWAN - 12GB 1080p MP4 VERSION AVAILABLE NOW — Page 1393

One minor mistake in the end credits.
You forgot to include “Lighting Equipment and Crew from LEE ELECTRIC.”

Here is my review of Adywan’s masterpiece, hope you enjoy the read…

The Empire Strikes Back Revisited (2017)

In short: A VERY special edition. The Empire Strikes Back gets a meticulous makeover courtesy of fan editor Adywan.

Review: I have been following the progress of The Empire Strikes Back Revisited for what seems like much of my adult life. Fx guru Adywan (Adrian Sayce) began work on the movie soon after releasing its predecessor, Star Wars Revisited, to fan acclaim way back in 2008. Here we are nearly ten years later and the finished sequel has just been released. It has clearly been a labour, but a labour of love, and after viewing the movie I can say that all those years of tinkering, polishing, correcting and perfecting really have resulted in something very special.

And it was something ‘special’ that set the Revisited project in motion. The Special Edition re-releases of the original trilogy back in 1997. Fan grievances over the Special Editions are well noted (with crowbarred-in incongruous CG and some clunky retconning - most infamously Han’s dispassionate dispatch of Greedo) but The Empire Strikes Back arguably came off the best of the three in terms of avoiding any really contentious changes. There are a few Special Edition ‘changes revoked’ in Revisited (when Luke comes to the aid of R2 on Dagobah his original 1980 dialogue “You’re lucky you don’t taste very good” is restored, as is Boba Fett’s original Clint Eastwood-esque voice) but for the most part ESB Revisited isn’t about restoring - it is about enhancing.

And wow – what a difference these enhancements make. Even if you have seen ESB a dozen times or more I guarantee that watching Revisited will feel like seeing it for the first time. The sensation of experiencing the movie afresh is perhaps the greatest accomplishment of Adywan’s version - although on the flipside I’m not sure that I could go back to watching the original after being so thoroughly entranced by Revisited. Before I get too hyperbolic or mislead you as to what this version is – it is still The Empire Strikes Back that we know and love, but it so beautifully presented and polished as to shine.

The blue tint that was bluntly applied across the Special Edition of The Empire Strikes Back is now gone, and the richness of the colours are at times a revelation. The deep gold of C3PO, the obsidian sheen of Vader’s helm, and the warm skin tones of Han and Leia as their romance blossoms all contribute to enhance the already superb cinematography.

Continuity and production errors have also been corrected. The thing about ‘movie mistakes’ is that they’re usually hard to spot but once you have seen them they’re equally hard to un-see. From Adywan’s change log there are a multitude of corrected mistakes, ranging from wobbling sets to cameramen being visible in reflection. However, the really big one is the carbonite block, and the frozen Han is now wearing the same shirt that he appears in when descending into the freeze chamber. Seamlessly done.

Throughout the movie there are small enhanced details. On first viewing I’m sure I have only picked up a fraction of these. For example; the Wampa’s severed arm now has burning strands of fur from the lightsabre strike, the Snowspeeders cockpit displays are alive with new instrumentation, the hangar bays below the Star Destroyers are illuminated, and there is even a new creature glimpsed on Dagobah (the knobby white spider, first visualised by Ralph McQuarrie in his original ESB concept art).

However, the grandstanding sequence in terms of enhancements is the Battle of Hoth. The ferocity, the scale, and the sense of geography are all improved. As a child I recall the giant lumbering AT-AT’s seemed less mechanical and almost bestial to my eyes, and that sensation is now made even more acute by a contingent of AT-ST Walkers. These cluck alongside the elephantine AT-ATs almost like Velociraptors, their cannons and gaze darting here and there, protecting their larger charges. The rebels now truly do feel hopelessly outgunned, and it makes their small victories in the battle seem more significant. In fact, there is a new sight gag when one AT-AT falls that Lucas himself would have been proud of – I won’t spoil it, but it’s the kind of moment that would draw cheers and whoops from a theatre audience. Bravo Adywan!

Apart from letting rip on the Hoth battle, Adywan has implemented the rest of the enhancements with a good degree of subtlety, elegance and restraint. The techniques he has used are varied, and certainly not all reliant on CGI. In fact, like The Force Awakens and Rogue One, Revisited is well served by going back in time and embracing physical model building and costuming. New miniatures for Dagobah and the Rebel Hangar on Echo Base are massively impressive and add to the solidity and tangible feel of the Star Wars universe. I honestly think you could watch The Empire Strikes Back Revisited and Rogue One back to back, and see them as companion pieces rather than films separated by over 3 decades.

And so, how do you watch The Empire Strikes Back Revisited? Is this some murky, illegal dark web endeavour? Not at all. The only legal requirement for downloading this fan edit is that you must already own the source – in this case The Empire Strikes Back on blu ray disc. If you’re like me you’ve probably bought The Empire Strikes Back multiple times over the years on different formats, but do make sure you don’t buy Revisited – this is a free-to-view fan edit, and anyone trying to sell copies on Ebay or elsewhere is on very shaky ground.

The download is a 7.5GB Mkv file, presented in crisp and clear 720p, and it’s available through torrent sites or through Megadownloader links on the Star Wars Revisted facebook page. I know that some people watch films on their tablets or smart phones, but I would say that it’s well worth finding the biggest and best screen to properly enjoy this spectacular movie on. Now Adywan, please don’t make us wait another 9 years for The Return Of The Jedi…

Just something not relevant to ESB:R but that I read often (even here on OT.com, which surprises me):

Matt.F said:
In fact, like The Force Awakens and Rogue One, Revisited is well served by going back in time and embracing physical model building and costuming.

You should watch a making of TFA and R1, you would be surprised how CGI oriented these movies are. They used the same filmmaking methods developed on the PT (minimal sets, models, props, green screens, cgi creatures, practical ships for close ups and cgi models for action scenes, etc.), except it’s more recent and shot on 35mm film (not digital à la AOTC/ROTS) with OT oriented sets so it might give a “old school” feeling which is only a feeling.

Here is an example: https://www.youtube.com/watch?v=HgzxrwXHCoU
(this EXACT same way of producing the PT was used on TFA and R1. This is how LFL works, this is how any blockbuster works !)
(the only main difference is that the PT used more CGI extras, because of droid and clone armies involved)

(and I’m always shocked by this kind of misinformation, especially when praised whereas SW is a saga that contributed to make huge advanced in the field of vfx: the OT did it, the PT did it, and the new movies as well are trying to do it - CGI Tarkin for example -. This conservative state of mind for sci-fi movies is so weird, as if CGI had become a F word…).

Otherwise I agree with most (except every bit about R1 😉) of your ESB:R review 😃

It’s nothing but you may have forgotten to capitalise “I” in “And to anyone i have forgotten, my deepest apologies.” 😃

Matt.F said:
The techniques he has used are varied, and certainly not all reliant on CGI. In fact, like The Force Awakens and Rogue One, Revisited is well served by going back in time and embracing physical model building and costuming.

The Force Awakens actually has MORE shots with CGI than The Phantom Menace.

Hi xhonzi!

At some point I’ll probably watch this, but for now I’m happy to just say hi to old friends.

Adywan, I don’t know if you’ll read this mixed in with the sea of other comments, but I just wanted to say Thank You. ESB is my favorite movie of all time and I always thought it was so perfect that it couldn’t be improved upon, but you managed to take perfection and make it even better. This is probably the only way I will ever watch ESB from now on(sorry, Harmy) and it was absolutely every bit worth the wait. Bravo, sir!!!

Thank you so much, Adywan! We just watched it and loved it. I’m grateful to you for not bringing anything from the prequels into this edit. My favorite new addition is seeing the snowtroopers debarking–very nice!

Congratulations to you and the whole team on your accomplishment!

corellian77 said:
It’s incredible how much more alive he comes across now — a perfect marriage of digital wizardry with Frank Oz’s puppeteering skills.

I especially love that addition where Yoda makes an unimpressed face when Luke loses his focus after noticing his X-wing sinking.

I want to say Hi to SSWR.

Congratulations for the release!
Gonna watch it today, probably.

I can’t remember the last time I felt so tense during the Battle of Hoth. And I’m so happy the Wampa worked out. It’s just beautiful.

I also want to give a shout-out to how absolutely seamless the Han-in-carbonite replacement turned out. For some reason that worried me more than the Wampa or the new model shots and you pulled it off perfectly.

Thank you, Adywan, for pouring your heart and soul into this and putting it out there for the rest of us to enjoy!

I had lots of trouble playing this (nothing to do with the file itself just my equipment falling to bits) so it was a bit frustrating and probably not the most optimal viewing experience.

However. Wow!

It felt very familiar and yet fresh.
At no point did I feel that any of the changes were things the technical wizards of the day wouldn’t have done if they had the time and the kit.

Yoda felt as much an actor performance as Sir Alec in the first one. There is a moment when he looks at Luke which is utterly sublime.

Those scout walkers are characters in their own right. Moving like stop motion but able to convey worry, nervousness etc in all the ways the battle droids of the prequels did not.

I will need to see this again many times to register some of the changes which took months (maybe years) to plan build and film. The hanger matte replacement, my biggest gripe about the original version was that hanger matte, made worse by the contrast and tinting of future versions, was over in seconds but looked much better. The Han in Carbonite and Wampa changes are almost subliminal at times and yet give the film increased tangibility.

It’s an astonishing achievement to make these sorts of improvements to an already classic and timeless movie.

I can’t wait to see what you do with the increasingly less classic third sequel and prequels as they are the films that really need rescuing.

Everything is spotless all around. So it pains me to even mention the one thing. When Yoda says to Luke, “Judge be by my size, do you?” His eyes turn towards Luke now and its a little off putting, I noticed how unconvincing the eyes looked right away. I waited 8 years for this edit Adywan, and its just gorgeous.