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ORIGINAL STAR WARS TRILOGY OUT 09/2006 BY LUCASFILM — Page 17

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Originally posted by: Knightmessenger
Well, do Pal laserdiscs have a greater possible resolution than NTSC? The pan & scan THX version was only on vhs in '95. I have a feeling that the source may have been used to create a Pan&Scan version for TV too - which would need to be higher quality then for VHS.
Originally posted by: THX
Originally posted by: boris
The PAL LD's *do* have more detail in them, however it can be speculated that even though this is the case they were still resized from NTSC resolution.
Please explain how this is possible.
I'll give you my example about Last House on the Left - LHOTL was shot on 16MM, but when transferred for theatrical prints 35MM will hold more picture information and more quality then a 16MM print. It's kind of like that with LaserDisc - because it's an analogue format. Even if the source is a digital NTSC resolution standard definition version, a Pal version laserdisc should hold more quality in it then an NTSC version Laserdisc. They actually still have the exact number of lines (and ergo the same number of pixels) per second in each version, here's how:

576 lines for PAL x 25fps = 14400 lines of resolution.
480 lines for NTSC x 30fps = 14400 lines of resolution.

The difference is though because of NTSC's 2:3 pulldown, every 5th field is redundant (a repeated copy of the filed preceeding it). SO, you really only get 11520 lines of unique resolution per second. Now let's add to the confusion:

576 lines for PAL x 25fps = 14400 lines of resolution (25 frames).
480 lines for NTSC x 24fps = 11520 lines of resolution (24 frames).

As you can see, when comparing per-second we're comparing 25 film frames to 24 film frames. SO, the difference is that NTSC stores each film frame at 480 lines, whereas PAL stores it with 576 lines - which means PAL allocates 96 more (unique) lines to each film frame, and NTSC uses those lines to repeat every 5th field (half-frame, but to keep it simple – 96 x 5 = 480). On DVD every 5th feild doesn't have to be stored and the player can do it "on the fly". With LaserDisc it is stored.

Now another thing to consider is that PAL also stores more colour information, which in turn results in more accurate colours. Now if Laserdisc was a perfect 1:1 copy of the Digital Master then the NTSC version should be the better copy. However, because it's not and because it's analogue data that stores the image, it's better to store it at a higher resolution then at the original resolution, even if you have to resize the video. Think about if you're developing a photo, but it's slightly out of focus - this is like what laserdisc does, it's video is a little out of focus and looses some detail. Now if you went and developed the same photo again, this time a little bit bigger but still a little out of focus then this time it'll have a little bit more detail in it, and look a bit better then your first one. Also, the digital masters undoubtedly hold more accurate colours then even PAL can reproduce, which means even if they are up-scaling the video the colour will be more accurate on PAL because for both PAL and NTSC that is down-scaled, and even if it isn't PAL will reproduce the colours more accurately. And this could be the reason the PAL LD's look better.

You have to remember it's not like they converted the NTSC laserdisc to PAL - they made secondary laserdisc masters from the digital masters for both PAL and NTSC. So it's entirely reasonable to expect the PAL version LD's to look better, even if taken from a source originally in NTSC resolution.

By the way to those who were excited when France said they'd have anamorphic OOT's and got excited at the idea of making anamorphic NTSC versions from it - it'll give you better results to make anamorphic NTSC from the NTSC DVD's if NTSC was the native resolution, otherwise the video's been resized twice not once.
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
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All of your kooky pseudo-scientific claptrap is basically mooted by the fact that the PAL and NTSC LDs are pretty obviously from different sources. I have LD sets in both formats; there are tons of differences. Not the least of which is different framing on several shots.
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Karyudo, the LD masters were still made from the same restored standard-def digital master. and that's what they're using for the Sep DVD's...
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
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I don't think that's true, based on the many differences I see on the LDs. If you can prove your statements, I'd be happy to concede the point. But so far, my empirical observations are that there is very little chance that the PAL and NTSC discs came from the same SD master.
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Originally posted by: Karyudo
I don't think that's true, based on the many differences I see on the LDs. If you can prove your statements, I'd be happy to concede the point. But so far, my empirical observations are that there is very little chance that the PAL and NTSC discs came from the same SD master.
The laserdiscs were mastered from different masters, yes, in fact it appears the 1993 and 1995 releases had different masters - but those masters were made from the 1993 SD digital restoration - which is the source they're using for DVD. The framing on the VHS could be different as well, because they would have created VHS masters specially for that as well. By the way how different is the framing? And are you sure that most of the differences you're talking about might just be the absence of optical wipes between LD sides?
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
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Let me put it this way, the digital master tapes could not be used to directly master LD's because you have to think about things like where your side breaks are for example. This means creating, from the master tapes, LD masters for each side.
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
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Time
Yes... but that doesn't preclude there being separate master tapes in NTSC and PAL. The side break issue is obvious -- even different PAL LDs from the same master have different side breaks. But different framing in the middle of sides? Different film flaws? Different video flaws? Different frame counts at reel changes? That does not sound consistent with starting from the same master to me.

I'm not saying you're wrong, but I don't think you can know to the degree you assume. My empirical evidence suggests PAL and NTSC LDs do not come from the same masters.
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Originally posted by: Karyudo
Yes... but that doesn't preclude there being separate master tapes in NTSC and PAL. The side break issue is obvious -- even different PAL LDs from the same master have different side breaks. But different framing in the middle of sides? Different film flaws? Different video flaws? Different frame counts at reel changes? That does not sound consistent with starting from the same master to me.

I'm not saying you're wrong, but I don't think you can know to the degree you assume. My empirical evidence suggests PAL and NTSC LDs do not come from the same masters.
There are still many ways this could happen. When they created the "raw" digital master tapes they still needed to be prepared for release separately, and so preparation would be done AFTER that, and I imagine that several releases would have been done independently of one another. Dropping frames implies it's imperfectly put back together while they're preparing the release masters, it doesn't mean they came from a different master source originally. The idea that they fully restored the OT creating a new digital master in 1993 and then didn't use that on the PAL releases is demonstrably incorrect. The framing may still have been somewhat "corrected" for release - this would logically be done AFTER the restoration onto the digital master tapes.
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
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Originally posted by: THX
Originally posted by: boris
Apparently it was made in "standard definition", which would imply NTSC resolution as the USA is an NTSC country. But keep in mind the same digital master was used to create the "pan and scan" releases (NTSC and PAL), which implies there was enough detail for that.
Originally posted by: boris
You could conclude that they must have used a source higher in resolution then SD NTSC for the Pan & Scan releases...
Aren't these two statements contradictory?Originally posted by: boris
The PAL LD's *do* have more detail in them, however it can be speculated that even though this is the case they were still resized from NTSC resolution.
Please explain how this is possible.
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Do you suppose France will get those nasty film scratches (burns?) in the Tantive corridor which can be seen in Moth3r's & Citizen's PAL LD preservations but aren't in the NTSC LDs ?

However, in practice you must take into account the “fuckwit factor”. Just talk to Darth Mallwalker…
-Moth3r

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Lets hope not!!!

http://www.galactictradefederation.com/russ/flaw1.jpg

http://www.galactictradefederation.com/russ/flaw2.jpg





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Originally posted by: russs15
Lets hope not!!!
I hope they will.

The alternative would be a crappy NTSC conversion!

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It's nice to see a change in the thread from the debate about the LD masters that Karyudo and Boris have been having.

Those screencaps just make me dread the R4 release. Letterboxed widescreen with all of those problems intact. I kind of wish the France thing had turned out to be true as anamorphic video would have made this release a little less painful.

To contact me outside the forum, for trades and such my email address is my OT.com username @gmail.com

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Whaddya mean?! Moth3r's post is basically joining the debate, so how is that a change??
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empirical evidence

http://img131.imageshack.us/img131/6469/024718ff0.png
http://img152.imageshack.us/img152/3620/024719mq4.png

same master ??

However, in practice you must take into account the “fuckwit factor”. Just talk to Darth Mallwalker…
-Moth3r

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Originally posted by: Darth Mallwalker empirical evidence

http://img131.imageshack.us/img131/6469/024718ff0.png
http://img152.imageshack.us/img152/3620/024719mq4.png

same master ??


hmm, the famous PAL burn marks they seem to be present in all the 1995 PAL 'THX' releases.

But if you look closely at those X0 (NTSC) frames you can actually see a small distortion at the exact same places as the burn marks in the PAL frames and maybe there's even a faint trace of the same(?) burns. It's even more easy to see if you step back and forth over the frames especially on the right wall if you step between frames 01:02:47:19-20.

Could this distortion be a temporal repair job? (well probably not by MBJ cause then there wouldn't be any trace at all ) but in 1993 maybe the DVNR filter 'accidently' fixed the frames for the NTSC releases. this is strange...

Although there still is many other things that differ between the PAL and NTSC prints and/or mastertapes. And the 1995 PAL releases really do appear to be from a real PAL telecine.

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That's the kind of question LFL should be able (and happy) to answer easily.

Or boris
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Are those the only scratches evident in the french release? I have an idea how it could hav happened, but i'm sure there are many more posabilities too. I would expect there not to be many more, if any scratches on the French, true?
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
Author
Time
From my experience - and MBJ would probably tell you the same thing - what you see in those frames in the NTSC version are the burn marks "cleaned" up by the '93 THX process. If I recall correctly, you can see the same type of thing between the Japanese Special Collection and the Definitive Edition LDs. The JSC will have a scratch or a spot or something in one frame, and in the DE it's still kind of there but mostly not. Things like those burn marks, however, are not on the JSC.

Based on that, I'd say that the PAL and NTSC THX LDs are from the same transfer. I would also guess that the pre-THX LDs were possibly transfered from the same print, but from an earlier transfer.

My Projects:
[Holiday Special Hybrid DVD v2]
[X0 Project]
[Backstroke of the West DVD]
[ROTS Theatrical DVD]

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Originally posted by: THX That's the kind of question LFL should be able (and happy) to answer easily.

Or boris
Or maybe we could ask Fox in france.




Originally posted by: Zion
I'd say that the PAL and NTSC THX LDs are from the same transfer.

My theory is that the same print that was NTSC telecined in 1993 for the '93 and '95 NTSC THX releases, was PAL telecined in 1995 probably here in Europe and by that time the print was more damaged and had to be re-spliced a couple of places, which would explain the different dirt and scratches and the missing frames, and the '95 PAL 'THX' process didn't bother to remove the burn marks.

So I believe that it's the same print but different transfers. And that there should have been possibly a D1 PAL master and/or at least a couple of D2 PAL mastertapes done in 1995, but whether they still excist is another question.


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Originally posted by: Zion
From my experience - and MBJ would probably tell you the same thing - what you see in those frames in the NTSC version are the burn marks "cleaned" up by the '93 THX process. If I recall correctly, you can see the same type of thing between the Japanese Special Collection and the Definitive Edition LDs. The JSC will have a scratch or a spot or something in one frame, and in the DE it's still kind of there but mostly not. Things like those burn marks, however, are not on the JSC.
I was going to say pretty much the same thing, except that it's possible they got their master before the cleanup/restoration process was fully complete. This could be because France would need more time to work on the LD's - creating French subtitles or french audio etc.
Some were not blessed with brains.
<blockquote>Originally posted by: BadAssKeith

You are passing up on a great opportunity to makes lots of money,
make Lucas lose a lot of his money
and make him look bad to the entire world
and you could be well known and liked

None of us here like Lucas or Lucasfilm.
I have death wishes on Lucas and Macullum.
we could all probably get 10s of thousands of dollars!
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Time
Any cap of the 1995 PAL discs with Alvin covers.
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Originally posted by: Knightmessenger
From what source were those screencaps with the burn marks from?


They were from either the Moth3r or Citizen DVD's but they are also on my 1994 and 1995 UK PAL Widescreen VHS tapes as well as the tape in the Executor box set.


http://homepage.ntlworld.com/russdawson/laservhsvcd/images/1994ep4widemini.jpg,http://homepage.ntlworld.com/russdawson/laservhsvcd/images/1995ep4widemini.jpg

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Can anyone who has both PAL & NTSC copies handy take a look at the colors - specifically, is the DC color correction also on the PAL THX LDs?