Intruder said:
While very possibly technically accurate, the regrade doesn’t look enjoyable to me with that much green.
Although I guess that this topic is more about accuracy than aesthetics…
Once we have what I believe is an accurate representation of the technicolor colors for the entire film, it should be relatively straightforward to balance out the green, and obtain a good approximation to the 1977 theatrical colors without the typical technicolor green shift. I will create a second GOUT regrade for this purpose.
So, in the end this project should yield two GOUT based color references next to NerverarGreat’s bluray regrade (which is also based on technicolor references), that can all be used to perform shot by shot color corrections for future HD releases or faded prints.