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Cinema Cliche firsts

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OK, so in "Creature From the Black Lagoon" the film historian's commentary claims that "Creature" was the first film to do the "...I'm so scared. Eeek! Something touched me, oh wait, it's my friend tapping my shoulder." gag.

So lets see if we can identify the first documented appearance of other total cliches.

Here's one:

  • I person is delivering a speech that they don't want to. We cut, and see that they are along, practicing it. Ha ha. 
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This is an interesting topic, but I doubt I'd be very good at it.  I seem to remember hearing years ago that Alfred Hitchcock was the first to create the effect of zooming in and stretching the shot simultaneously (as in Jaws, when it dawns on the sheriff that the shark is attacking).  Hitchcock did it first with Vertigo I believe.  But then, I might be completely mistaken.

Incidentally, Vertigo is one of my favorite movies.  Just FYI. :)

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It's called a Dolly Zoom, and yes Wikipedia agrees with your belief that it was first used in Vertigo.

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He used very effectively in that movie, imho.

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Here is a good one...

A cliche that has become very boring and overused of late is the "Mastermind villain allows themselves to be trapped inside a glass cell that they planned to escape from all along" cliche. The three most recent examples that I can think of are...

The Avengers 2012
Skyfall 2012
Star Trek Into Darkness 2013

...and they were copying the ridiculous success of 2008's 'The Dark Knight'. But surely Christopher Nolan couldn't be the first? 2003's 'X2' had the glass prison and the plan to escape but that's not the same as allowing yourself to be captured as part of your evil game of chess. Those pesky Greeks used an equine variant of this idea some 3 millenia ago but it was still not the same cliche that was used by Heath Ledger's Joker.

Any earlier examples than 2008? (There must be)

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You could probably tie it back to Silence of the Lambs; that's what I always think of with those villain-in-cell-escaping scenarios.

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I do believe that "The Great Train Robbery" (1903) was the first use of "breaking the fourth wall".

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Dr. Lecter was imprisoned a long time before being moved to the glass cell. Wouldn't he take advantage of any slip up by the guards that presented itself at any time? His exploited his new jailers' inexperience, but I don't think he had a plan before he actually saw his new prison.

I'd like to know the first time somebody started singing that damn "mama's going to buy you a mockingbird" song right before something awful happens. It's been done to death in a lot of horror flicks.

Where were you in '77?

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 (Edited)

Yeah 'Silence of the Lambs' is similar but not quite the same. Because Lector didn't plan to be captured and we the audience are shown his plan to escape... we see him palm the paperclip (Although the visual image of a super-villain in an overlit 360 degree viewable prison is fo-sho the inspiration for those latter films... especially Magneto's escape in X2), but in the cliche we the audience are never shown the villain's masterplan until the sh*t goes down. However it is Lector's plan all along to manipulate the situation so he can get moved to less secure Cell, to give him the possible oportunity to escape.

1995's 'Judge Dredd' also uses the 360-cage motif from 'Silence of the Lambs' but that time it has the elaborate plan to escape... even so it still doesn't feature the allowing yourself to be captured in the first place element.

I suppose this could be considered a subversion of the allow yourself-to-be-captured cliche...

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I've just read that the first example of Bullet Time can be found in the obscure South African 1981 film Kill and Kill Again. Unfortunately the video at the Youtube link was taken down.

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Ryan McAvoy said:

Here is a good one...

A cliche that has become very boring and overused of late is the "Mastermind villain allows themselves to be trapped inside a glass cell that they planned to escape from all along" cliche. The three most recent examples that I can think of are...

The Avengers 2012
Skyfall 2012
Star Trek Into Darkness 2013

...and they were copying the ridiculous success of 2008's 'The Dark Knight'. But surely Christopher Nolan couldn't be the first? 2003's 'X2' had the glass prison and the plan to escape but that's not the same as allowing yourself to be captured as part of your evil game of chess. Those pesky Greeks used an equine variant of this idea some 3 millenia ago but it was still not the same cliche that was used by Heath Ledger's Joker.

Any earlier examples than 2008? (There must be)

I'm guessing just by what you typed that variations on the theme are okay or are you specifically speaking about glass (no metal bars) cells only?

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 (Edited)

Ryan McAvoy said:

This picture reminds of the winter of '96/97, when my childhood dog died of old age. No Superman film should remind me of that.

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Jetrell Fo said:

Ryan McAvoy said:

Here is a good one...

A cliche that has become very boring and overused of late is the "Mastermind villain allows themselves to be trapped inside a glass cell that they planned to escape from all along" cliche. The three most recent examples that I can think of are...

The Avengers 2012
Skyfall 2012
Star Trek Into Darkness 2013

...and they were copying the ridiculous success of 2008's 'The Dark Knight'. But surely Christopher Nolan couldn't be the first? 2003's 'X2' had the glass prison and the plan to escape but that's not the same as allowing yourself to be captured as part of your evil game of chess. Those pesky Greeks used an equine variant of this idea some 3 millenia ago but it was still not the same cliche that was used by Heath Ledger's Joker.

Any earlier examples than 2008? (There must be)

I'm guessing just by what you typed that variations on the theme are okay or are you specifically speaking about glass (no metal bars) cells only?

 Just discussing general influences on the TDK cliche but so far can't think of one example of a pre Dark Knight film using the exact plot device that is used for The Joker. The glass cell isn't strictly nessasary to the cliche, it just seems to be very popular due to it looking great on film. The Joker isn't in glass cell as such (It's a room surrounded on all sides by windows), it's more the 'getting yourself caught as part of your nefarious masterplan angle' that I'd like to hear early examples of. Surely in the hundred years of cinema Nolan can't be the first to have thought of it? (He is a clever dude but still).

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Seven. Seven's plot was entirely dependent on the killer getting caught. I'm certain there are earlier examples though..

“Ow! It`s hot in here, the butter in my pocket is melting!”

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Desree said:

Seven. Seven's plot was entirely dependent on the killer getting caught. I'm certain there are earlier examples though..

 Good point.

Not quite the same as the evil super-nemesis thing as Spacey only turn up at the last minute, has no plan to escape or even any real plan beyond his capture. His game of chess is over the moment he turn himself in, he just sits back and watches it play out. Though I suppose the back seat of the cop car is a sort of mobile glass cage where he can sit and do the customary crowing about the brilliance of his plan.

If that counts, it's 1995, can anybody do earlier?

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I can think of something earlier (I'm pretty sure it's earlier anyway) but I can't remember the name of the movie...

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 (Edited)

Jesus Christ allowed himself to be captured, imprisoned, tortured, and executed, all as part of his master plan to resume his place as Ruler of the Universe.  So I guess it doesn't get much older than that.

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darth_ender said:

Jesus Christ allowed himself to be captured, imprisoned, tortured, and executed, all as part of his master plan to resume his place as Ruler of the Universe.  So I guess it doesn't get much older than that.

 Very clever analysis of the roots of that theme. Wether it's been obvious or not, Sci-Fi and Fantasy has often built it's narrative 'house' on the foundations of Christian stories/imagery to great sucess... Robocop, LOTR, Frankenstein, Narnia, Harry Potter, Star Wars, Superman... hell even one of my favourites 'Short Circuit 2'!

The depth to which these stories permeate our culture is probably the reason films that borrow from them are so succesful, even if we aren't consciously aware of it the first time we watch.

The 'hero rising from death/defeat' trope is somewhat similar when you thhink about it e.g. Batman rises from near-death in a pit of the damned in TDKR through an act of faith. Also Bruce is tempted by the life of peace he could have with Rachel if he forsook his destiny as mankind's saviour. He of course chooses to sacrifice himself and the people of Gotham cast him down because of it at the end of TDK.

"You'll hunt me. You'll condemn me. Set the dogs on me... because that's what needs to happen... because sometimes the truth isn't good enough. Sometimes people deserve more... sometimes people deserve to have their faith rewarded" - Batman TDK 2008

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It's one of the myths that permeates Western culture. I'm sure someone sufficiently well-trained in Sanskrit classics could find themes from the Mahabharata in the biggest Bollywood blockbusters, and Buddhist and Confucian themes surface in Japanese literature and film all the time. You have to include some of these big cultural touchstones to give a story staying power (e.g. Western stories which reference Shakespeare, the Bible, or Greek myth will remain relevant for centuries; conversely, Blaxploitation and early 90's superhero films are already no longer culturally relevant, and are viewed mainly as curiosities or as cult classics, if they're lucky).