All 4 volumes of the Original Scores for the 12 episodes of Andor: Season 2 have been released online (and for free)…
Andor: Season 2 - Vol. 1 (Episodes 1-3) - 22 tracks; 46 minutes.
spotify: https://open.spotify.com/album/1XlWQ3Nt6x7XlJis8t3EyW?nd=1&dlsi=ea435f49a04c4b7c
youtube: www.youtube.com/playlist?list=OLAK5uy_mA-NDDaYXaR0cNoovXKNhjBfWLAGsVfko
Andor: Season 2 - Vol. 2 (Episodes 4-6) - 24 tracks; 45 minutes.
spotify: https://open.spotify.com/album/6LslS0wAyFP0pdh7z0v0Hb
youtube: www.youtube.com/playlist?list=OLAK5uy_kumiZii4yZwzKmPeayRe4WFmS127jPM_o
Andor: Season 2 - Vol. 3 (Episodes 7-9) - 27 tracks; 64 minutes.
spotify: https://open.spotify.com/album/05B5E1D6Sm5UBIPtJJUCVr
youtube: www.youtube.com/playlist?list=OLAK5uy_m3PrVwZTRNVWVVYhDPQ7MUQOcgwNJGc48
Andor: Season 2 - Vol. 4 (Episodes 10-12) - 19 tracks; 41 minutes.
spotify: https://open.spotify.com/album/58JR8iJ7UKlXtWGAlwivNI
youtube: www.youtube.com/playlist?list=OLAK5uy_lBcqxZ5qG62Q4A_Xv__QRxPZvWyZoEjjk
All credit and kudos to Brandon Roberts & Nicholas Britell for their superb work on Andor. 👍
I’m fortunate to have been able to listen to all these in the background whilst at work over the past few weeks - some really emotive tracks in there; I especially love the 6 minute ‘Past/Present/Future’ epic - as well as the fun Niamos-based mixes!
The Sound of Andor Season 2 | #DolbyCreatorTalks
www.youtube.com/watch?v=PrAWHkGLn7g - a 45 minute video from the official Dolby youtube channel.
The blurb: 'Supervising Sound Editor, Re-recording Mixer, and Sound Designer Mixer David Acord and Supervising Sound Editor and Dialogue & ADR Supervisor Margit Pfeiffer join us to discuss the powerful, visceral sound of the final season of “Andor.” As one of the darkest and most grounded series in the Star Wars galaxy, “Andor” features a deeply cinematic soundscape — ranging from brutal hand-to-hand combat to haunting silence, immersive crowd scenes, and intentionally fuzzy radio transmissions. David and Margit break down their collaborative process, the evolution of the sonic language across the series, and how they used Dolby Atmos to bring audiences even deeper into the world of espionage, rebellion, and sacrifice.
“We want to make sure that the audience feels the threat and the danger of these weapons. The impact of those weapons has to be violent… A laser whiz by has to strike fear.”—David Acord, Supervising Sound Editor, Re-recording Mixer, and Sound Designer, “Andor”.’