Acbagel said:
Vladius said:
Acbagel said:
Watched the premiere last night, I think I called it pretty well to my expectations. The set design, color palettes, and feel of the worlds exceeded what I saw in marketing, I was pleasantly surprised with the environments, VFX, and characters for the most part, but there are indeed some glaring issues holding it back from being great. I think it will end up being a fine show, but unfortunately, Star Wars does not need fine. In fact, I would say fine hurts Star Wars at this point. They need big wins to restore some brand image. Is it fair to place that much pressure on The Acolyte? Probably not, but it’s reality, something has to come out to unify the fanbase if we want to see Star Wars stay at the forefront of the mainstream.
Why do we want that?
I made a number of different points here, so I’m not sure which one you’re asking about. Assuming the final sentence about Star Wars being at the forefront of culture, I think when it does that it’s proof of its outstanding and well-liked content. Star Wars has gone through many different periods of being a cultural phenomenon and it’s always produced great content in those eras. As a big fan, I want that to return because it means good shows/movies/games/stories and increases the probability of getting new and better content in the future.
The audience reviews for the Acolyte are very low so far. I disagree with a lot of what’s being said against the show, but overwhelmingly negative waves of reviews aren’t good no matter which way you frame it. That doesn’t bode well for investors pulling the trigger on future High Republic era shows or an Acolyte Season 2. Even if the criticisms aren’t fair and aren’t a direct critique of the Acolyte itself, but are instead a general protest against Disney, the money movers don’t make that distinction. They see: “Acolyte got bad reviews and had bad word of mouth online, it didn’t make enough money, scrap related future projects” compared to “Acolyte got great reviews, positive reception on social media, got us x # of new Disney+ subscribers, give us a season 2”.
I want Star Wars to be good/stay good. I think the Acolyte premiere was good, but a lot of people don’t (again, much of that is for alternative reasons, but money talks). I’d personally like Disney to focus on projects that have a higher chance of unifying the fanbase and possibly bringing Star Wars excitement into the mainstream of culture once again. I think the Acolyte is intriguing, but it’s not the project that will do that. Skeleton Crew is not going to do that. The Rey movie isn’t going to do that. Even Andor brings in only a segment of fans and won’t do that. I think a very faithful Old Republic adaptation story would (original Tales of the Jedi/KOTOR comic series), a post-RotJ Legends Luke animated show would, live-action Clone Wars movie with Hayden/Ewan/Ariana would, Darth Bane trilogy novel to film adaptation etc.
Maybe some people enjoy Star Wars becoming a bit more niche and having a split fanbase? If they do, I wouldn’t hold it against them if they are happy with how things are going and like the majority of content that’s released. But I’d like to see a return to widespread excitement. What project do you think would do that?
I think that reasoning is kind of circular. You’re saying that we should want it to be popular because it’s good, and it’s good mainly when it’s popular. I think it should be good first, and the popularity shouldn’t matter. Popular things tend to get worse over time because the people making it forget their roots, or someone else takes over and doesn’t understand why it was good, or the people coming in are just hopping on a bandwagon and end up demanding unwarranted changes.
In the time between 1983 and sometime in the late 2000s/early 2010s, Star Wars was always sort of “niche” to some extent and almost always had a split fanbase. Most original fans were split on whether or not they liked the EU and whether or not they liked the prequels, and you had many splits in opinion on various EU projects as well. The quality of EU stuff went up and down all the time, but it had very little to do with what average people on the street were thinking about Star Wars. The original trilogy was very well-liked, the prequels were treated as a funny oddity, and maybe your dad or your uncle or one of your coworkers was way into reading all the books and comics, and if you liked video games you had a nearly constant stream of great games coming out. But that was all. It was very decentralized, for lack of a better term.
Disney is putting out the equivalent of EU projects and expecting all or most of them to be blockbuster hits that justify their investment. Putting the quality of most of them aside (medium to awful), they’re inviting direct comparison with the original movies and prequels in a way that none of the EU stuff ever did. They’re making high, high budget movies and TV shows and promoting them out the nose at every level. Of course they’re going to come up short, even if they were competent at it.
When Star Wars was “niche” and divided and there was a book or a comic or a game or an RPG supplement you didn’t like, you just ignored it and moved on, or if it messed with another story you liked, you got mad about it on a message board like this one. Constant big budget movie and TV releases are exhausting and ultimately a more shallow experience, and there’s no reason to want them for their own sake.
If you’re talking about a mainstream view of it then your only points of comparison can be other times in the Disney era (2015 for example) because this is the only era where it has worked like this.