Movies Remastered said:
DominicCobb said:
Movies Remastered said:
I can’t see the difference between a dark/navy blue and purple or blood red and woodland green. It’s a nightmare being a colour blind graphic designer.
Damn, just thought. I’m not sure if my source footage has the Skenera’s LUT added. Once these scenes are done it shouldn’t be an issue to switch them out if I make a mistake. (Be awake 25 hours and counting)
This is what I was wondering. Would definitely be best if you remove any LUT before exports.
Yeah, it’ll try to remember for the next lot of scenes. I’m wondering how the LUT will change this effect.
Just to recap, tone down blue or lighten blue? And reduce the mist in the cave?
Reduce mist yes. The blue is hard to say without seeing the effect on an uncolor corrected shot. To me the shot looks overwhelmingly blue compared to the original, but I don’t know how much of that is added blue glow and how much is potentially the LUT.
Good practice in general is to do the effects on uncolor corrected footage, and then apply the LUT on a layer above both. Things can get weird if you change the order of operations, but also if you’re sharing the work it’s just better for generation loss if everyone applies the LUT on their end.
Hope that all makes sense!