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TFA: A Gentle Restructure (Released) — Page 14

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Hal 9000 said:

It’s true this edit is narrowly focused, but I don’t mind discussion of scenes and dialogue closely related. There was some discussion a while back about whether to remove, “Those beasts,” or, “They’re here.” I think the idea was removing, “They’re here,” avoids having it look like no one told Maz about the impending attack.

I understand. But I don’t see how removing “those beasts” would affect anything (unless you’re removing both lines). I get how removing the latter line would change it, though I’m not sure removing either is necessary with the current lone star destroyer solution, as that doesn’t necessarily imply an impending attack.

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I agree that “They’re here.” doesn’t make any sense if we see TIEs or Kylo’s shuttle.
But if it’s just the Stardestroyer then it fits perfectly as was only informed that the FO has arrived in orbit and now notices that they are in fact “here”.

I also think that “Those beasts.” makes perfect sense as a reaction to the FO bombarding the castle unprovoked.

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DominicCobb said:

Hal 9000 said:

It’s true this edit is narrowly focused, but I don’t mind discussion of scenes and dialogue closely related. There was some discussion a while back about whether to remove, “Those beasts,” or, “They’re here.” I think the idea was removing, “They’re here,” avoids having it look like no one told Maz about the impending attack.

I understand. But I don’t see how removing “those beasts” would affect anything (unless you’re removing both lines). I get how removing the latter line would change it, though I’m not sure removing either is necessary with the current lone star destroyer solution, as that doesn’t necessarily imply an impending attack.

I don’t think it matters whether those lines are in the edit or not. I don’t feel like it changes anything. Though my opinion is to leave it with just the “they’re here” line. Those beasts is just kinda redundant.

Also I don’t get the impression that her saying “they’re here” means that she wasn’t aware of the attack, it comes off more like “we’re running out of time”

I would like to see what can be done with the ending of the movie to add more weight to the loss of the republic. Even in the theatrical cut there is almost no reaction from anyone.

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I feel like the movie walks a tightrope with trying to be upbeat while also paying respect to Han. For this edit it’s even more difficult, since you don’t necessarily want everyone to be mopey and depressed at the end. After all, the enemy was technically defeated in the end, and everyone’s still probably on a high from that. Perhaps the destruction of the Hosnian system hasn’t yet sunk in. I’d buy that interpretation.

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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Hal 9000 said:

I think the idea was removing, “They’re here,” avoids having it look like no one told Maz about the impending attack.

Well, technically, since the approaching TIEs were removed there is no certain attack, and even if they suspect an attack might be coming they have no idea when it’s happening or if they will be attacking the castle itself. So to me, “they’re here” is not about total surprise, but a sort of disbelief and shock that they are now actually HERE, at her home, attacking directly.

It could be removed, that’s something to try, but I feel like it works like it is.

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And, just to add another opinion to the mix, I will say that in my view the idea should be that everyone at that point knows that the FO is there and that they’ve found them, but they’re unsure of what exactly they’re going to do.

Maz decides someone has to take the lightsaber to bring it to Rey, so they go to the basement (and Finn, as someone who knows the FO, wouldn’t be against potentially hiding in there). But the FO sends TIEs to wreck the castle, which Maz wasn’t expecting them to have the audacity to do (hence why they went down there). She is angry and slightly shocked at the FO’s shameless act, cursing them to herself: “Those beasts!”

reylo?

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Now that many people have mentioned the “Apocalypse Now” shot, it got me wondering… what was the purpose of it in the first place? Simply homage? The TIEs have a sunset behind them and it is (or seemed like) the middle of the day on Takodana. Oh well…

JEDIT: Ok, never mind about the middle of the day…

http://vignette3.wikia.nocookie.net/starwars/images/a/ae/Takodana_surface_1.png/revision/latest?cb=20160416023739

http://vignette2.wikia.nocookie.net/starwars/images/d/d8/Takodana_surface_2.png/revision/latest?cb=20160416023807

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bromeo said:

what was the purpose of it in the first place?

It looks cool. But to be fair it’s more a Michael Bay shot than a “Apocalypse now” shot. Which is still a compliment (Bay’s movies are awful but they are full of great shots and beautiful pictural compositions).

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Screen Shot 2017-01-17 at 2.38.49 PM.png

Maybe a different angle would work better? I think having the ship pointed directly at the planet is more intimidating… possibly breaking through the clouds with TIEs coming towards them.

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bromeo said:

Now that many people have mentioned the “Apocalypse Now” shot, it got me wondering… what was the purpose of it in the first place? Simply homage? The TIEs have a sunset behind them and it is (or seemed like) the middle of the day on Takodana. Oh well…

JEDIT: Ok, never mind about the middle of the day…

http://vignette3.wikia.nocookie.net/starwars/images/a/ae/Takodana_surface_1.png/revision/latest?cb=20160416023739

http://vignette2.wikia.nocookie.net/starwars/images/d/d8/Takodana_surface_2.png/revision/latest?cb=20160416023807

The time of day seems to change on a whim on Takodana. It’s late afternoon when Rey steps out of the Falcon:
Afternoon
…then it’s mid-day when she runs away from the castle:
Overcast or something
…then the apocalypse TIEs happen at sunset, then it’s mid-day again through the attack, then it’s nearly sunset when Leia arrives:
Sunset Again

What if the entire battle was graded to take place near sunset? I did a quick adjustment to see what that might look like:
https://vimeo.com/199888518
Password: colars

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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I like the lone Star Destroyer. It’s a pretty threatening shot.

The color grading looks good.

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ForceGhostRecon said:
Maybe a different angle would work better?

Yep but I like the idea of a huge destroyer in the sky. It reminds me of the best shots of Rogue One.

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NeverarGreat said:

bromeo said:

Now that many people have mentioned the “Apocalypse Now” shot, it got me wondering… what was the purpose of it in the first place? Simply homage? The TIEs have a sunset behind them and it is (or seemed like) the middle of the day on Takodana. Oh well…

JEDIT: Ok, never mind about the middle of the day…

http://vignette3.wikia.nocookie.net/starwars/images/a/ae/Takodana_surface_1.png/revision/latest?cb=20160416023739

http://vignette2.wikia.nocookie.net/starwars/images/d/d8/Takodana_surface_2.png/revision/latest?cb=20160416023807

The time of day seems to change on a whim on Takodana. It’s late afternoon when Rey steps out of the Falcon:
Afternoon
…then it’s mid-day when she runs away from the castle:
Overcast or something
…then the apocalypse TIEs happen at sunset, then it’s mid-day again through the attack, then it’s nearly sunset when Leia arrives:
Sunset Again

I have two possible answers to this conundrum:

  • Takodana has seriously screwed up rotation.
  • Someone’s doing the time warp again.
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darthrush said:

ForceGhostRecon said:

Screen Shot 2017-01-17 at 2.38.49 PM.png

Maybe a different angle would work better? I think having the ship pointed directly at the planet is more intimidating… possibly breaking through the clouds with TIEs coming towards them.

The effect you did is very convincing and well done but I quite prefer the other angle.

I agree. At no other point in the series are ships that are that close to planets at a perpendicular angle to the planet’s surface. This kind of establishes the ships, while that close, are affected by the planet’s gravity in such a way that they have to remain parallel.

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natedeug said:

darthrush said:

ForceGhostRecon said:

Screen Shot 2017-01-17 at 2.38.49 PM.png

Maybe a different angle would work better? I think having the ship pointed directly at the planet is more intimidating… possibly breaking through the clouds with TIEs coming towards them.

The effect you did is very convincing and well done but I quite prefer the other angle.

I agree. At no other point in the series are ships that are that close to planets at a perpendicular angle to the planet’s surface. This kind of establishes the ships, while that close, are affected by the planet’s gravity in such a way that they have to remain parallel.

+1

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NeverarGreat said:

It would be pretty wizard if the whole battle looked like this:
Wizard Colars
Probably outside the scope of this edit though 😃

I know this is a gentle restructure, but this would be a nice to shot to have reinserted into someone’s edit too.