Jetrell Fo said:
I find it best to record no higher than maybe somewhere between -6 to -3 decibels....it's far simpler to give it a boost then try to bring it down and still have it sound pleasing.
This
Nerfherder said:
It's FAR better to get a very good deck and cartridge, into an average soundcard and do little to no digital tweaking to get the purest sound.
and this..
Though if you're doing 24bit you can't skimp too much on the soundcard either.. ;)
Also, any software that can't handle 24 or maybe 32bit these days, I personally would consider outdated.
And don't worry too much about digital cleaning/noise removal/depopping.. It will not/should not make or break the capture.
I listened to your samples just now (never got a chance to listen to your other stuff being extremely busy the last few weeks), I'm not familiar with the source material, but they sound very good to me, just the occasional pop/crackle as might be expected. 'Poor' LP transfers usually have this 'sibilant hiss', but it sounds natural here and not harsh to me.