Warbler said:
Vaderisnothayden said:
The film gave a very negative portrayal of gays and used a character being gay as a way of showing him as contemptible. The film also invites you to get a kick out of a gay guy being thrown out a window.
but I don't think it invites to get a kick out of it because he was gay. You get a kick out it because it shows what kind of badass Longshanks is. I think we would have gotten just as much a kick out of that scene if the guy had been straight. In fact, when I first watched this movie, way back when it was in the theater, I didn't get that Longshanks' son was gay and that the guy Longshanks threw out the window was his boyfriend. I thought he was just Edward jr's friend, and I still got a kick out of the scene.
Vaderisnothayden said:
As for his comments about Jews, I think they say something about him and I don't want to be watching a guy like that onscreen.
well, I guess some people can separate his comments from his movies and some us can't. Its that way with me and Michael Vick. Some Eagle fans can separate what he did and performance on the field and cheer for him. I can't.
Vaderisnothayden said:
I have to disagree with you there. Imho, Godfather one of the best movies ever made. It places 2nd in my list. Casablanca is 1st in my list. Brando is perfect in the role of Vito Corleone. Al Pacino also gives a great performance. All the actors in that movie do. You are of course entitled to your opinion. I'm curious, why do you believe it to be overrated?
It doesn't have any great emotional depth, which is what you need for a film to be great. And Brando's performance doesn't give us enough. Brando's much better in Don Juan De Marco than he is in his most acclaimed performances. Al Pacino is good in it but his performance only goes so far. Godfather 3 had rather more emotional depth than Godfather.
Godfather doesn't have great emotional depth? Well maybe not, but it has good emotional depth and it has great performances, great characters great story, great soundtrack, great scenes, great lines, . I think you have to go beyond just how much emotional depth a movie has to measure how great a movie is. Brando's may not give you enough, but it certainly does give me enough. I'm not sure what else you could have asked him to do in the role.
As for Godfather 3, I'll agree its better than most people think it is. But is still is not anywhere near as good as the first one. The emotional depth is the problem. It doesn't fit with the rest of the series. I can kind of understand Michael Corleone being weaker in this movie, but it required Andrew Garcia to step it up a notch and give the great kind of performance that Brando, Pacino, and De De Niro all gave in the first two movies. It also required Vincent Corleone's character to be the kind of leader that Michael and Vito Corleone were. Neither happened. Also, Sofia Coppola was a terrible pick for Mary Corleone. No EMOTIONAL DEPTH there. Pacino over acts, and Coppola does bad job of directing this one. I think you could kind of say he overdirected it.
but I don't think it invites to get a kick out of it because he was gay. You get a kick out it because it shows what kind of badass Longshanks is.
I disagree. I think we're supposed to despise him because he's gay and get a kick out of his death because he's gay.
Godfather doesn't have great emotional depth? Well maybe not, but it has good emotional depth and it has great performances, great characters great story, great soundtrack, great scenes, great lines, .
I don't think it has great performances. It has good performances. And without great performances it cannot have great characters. I don't care about the soundtrack either way. It has some good scenes. I think its lines are overrated. Good emotional depth? I don't know. It didn't much affect me. They never give you much reason to care for these characters.
I think you have to go beyond just how much emotional depth a movie has to measure how great a movie is.
I disagree. Emotional depth is the key to art.
Brando's may not give you enough, but it certainly does give me enough. I'm not sure what else you could have asked him to do in the role.
A better actor could have made the character more of a full human being and more relatable. He could have given it more emotional depth.
As for Godfather 3, I'll agree its better than most people think it is. But is still is not anywhere near as good as the first one. The emotional depth is the problem. It doesn't fit with the rest of the series. I can kind of understand Michael Corleone being weaker in this movie, but it required Andrew Garcia to step it up a notch and give the great kind of performance that Brando, Pacino, and De De Niro all gave in the first two movies. It also required Vincent Corleone's character to be the kind of leader that Michael and Vito Corleone were. Neither happened. Also, Sofia Coppola was a terrible pick for Mary Corleone. No EMOTIONAL DEPTH there. Pacino over acts, and Coppola does bad job of directing this one. I think you could kind of say he overdirected it.
I disagree thoroughly about Sofia Coppola. I think she did a good performance and added to the film. Yes there is emotional depth there. Yes the film doesn't fit with the rest of the series, because it's the only one with much emotional depth. It's a good thing that it does not fit with the series. I don't think Garcia did much of a performance. Nic Cage wanted the part. It should have been given to him. Cage is far more talented than Garcia. But the film works despite the shortcomings of Garcia's performance. Godfather 3 is an interesting film and it's the only Godfather film I would say that about.
The Sopranos was so much better than the Godfather trilogy.
well, I guess some people can separate his comments from his movies and some us can't. Its that way with me and Michael Vick. Some Eagle fans can separate what he did and performance on the field and cheer for him. I can't.
It's not simply a question of whether you can or not. Rather I think you shouldn't separate his comments from his movies, when his comments are so extreme.