logo Sign In

Zarius

User Group
Members
Join date
23-Jan-2007
Last activity
10-Mar-2008
Posts
22

Post History

Post
#311527
Topic
Knight Rider 2000: One Cut CAN Make A Difference (Version 1.5) (Released)
Time
It's a David Hasselhoff movie, I'm not going to get a big audience either way ^_^

Even the DVD version of the film is significantly less polished, and as I said, it's my first fan-edit, so I'm obviously making baby steps. If I have another edit, it definately WONT be in this quality since I know what appeals more to other editors and fans now judging from your advise.
Post
#311500
Topic
Knight Rider 2000: One Cut CAN Make A Difference (Version 1.5) (Released)
Time

http://www.clivebanks.co.uk/Knight%20Rider/Knight%20Rider%20Pictures/Knight%20Rider%202000.jpg

My first Fan-Edit on my own (it’s in s*itty WMV)

What’s It About?

This is a fan-edit of, in my opinion, a very underlooked KR movie, Knight Rider 2000 (since Knight Rider is returning with a new pilot movie starring David Hasselhoff in a cameo role, we may as well welcome it’s return with a fanedit), this time it tries to make better use of the danger of the handgun conspiracy, putting it at the beggining of the film in a lengthy pre-opening sequence.

Also edited out is the nonsensical death of Devon Miles, restoring Edward Mulhare to the living for the entirety of the movie. He simply remains the moderative mentor caught between Micheal and Maddock

Original film name: Knight Rider 2000
New film name: Knight Rider 2000: One Cut CAN Make A Difference
Film studio name: Universal Pictures
Edit crew name: Zarius
Date original film was released: May 19th 1991
Date edit was released: Febuary 2008
Original runtime: 1h 36 mins
New runtime: 1h 23 mins
Amount of time Cut/Added: 13 minutes cut, several scenes shuffled around

Cuts removed/added/extended:

-Title Sequence and Hasselhoff/Mulhare credits pushed back, allowing Watt’s release from cryogenic imprisonment and Shawn’s actions during the handgun seige that kills the Mayor to take center fold

-After the city switches from night to day, we go to the Knight 4000 demo meeting.

-Devon’s death and funeral have been cut

-Micheal punching Maddock has been cut

-Devon waits until the conclusion of the movie to congratulate Maddock, Maddock’s lines about losing faith in human beings and never expecting respect work better as a moment of closure in the movie

-No James Doohan

-Minor scenes have been shuffled around.

-Micheal morning Devon’s death is cut. Instead it’s edited to look like Maddock is showing off K.I.F.T to Devon near Micheal’s country ranch, whilst Micheal and Shawn are hanging around the area, with Micheal pissed off about K.I.T.T’s condition. The scene ends when Shawn says she needs Micheal and that he has shown superior traits over her.

Megaupload Link
http://www.megaupload.com/?d=ORL1NSPP

DVD Cover

http://img.photobucket.com/albums/v154/Zarius/KR2000.jpg

http://zt4.deviantart.com/art/Knight-Rider-2000-Fanedit-74249957

Post
#310302
Topic
Ideas Wanted: for 'James Bond - The Typecast Collection'...
Time

Granted, I dont think this should just be exclusivley me , but other people. Anyone thinking of making Bond movies out of other films starring the actors?

For example, a viable candidate would be a hybrid cut of Peirce Brosnan’s movies “Death Train” and “The Thomas Crown Affair”, or just Death Train and THCA on their own

I watched Death Train recently, and it’s almost entirely a Bond film. Political relevence…even Christopher Lee is in it…and the possibility of “reacasting” Patrick Stewart’s character in it as “M” is almost impossible to ignore.

So, besides “The Rock” for Connery, any other films you guys would like to redevelop into Bond movies? These edits would be a parody of the “Criterion Collection” preservations, “The Typecast Collection: No escape for or FROM Mr. Bond”

Post
#305957
Topic
Knight Rider 2000: One Cut Can Make A Difference (Released)
Time

http://www.clivebanks.co.uk/Knight%20Rider/Knight%20Rider%20Pictures/Knight%20Rider%202000.jpg

My first Fan-Edit on my own

What’s It About?

This is a fan-edit of, in my opinion, a very underlooked KR movie, Knight Rider 2000 (since Knight Rider is returning with a new pilot movie starring David Hasselhoff in a cameo role, we may as well welcome it’s return with a fanedit), this time it tries to make better use of the danger of the handgun conspiracy, putting it at the beggining of the film in a lengthy pre-opening sequence.

Also edited out is the nonsensical death of Devon Miles, restoring Edward Mulhare to the living for the entirety of the movie. He simply remains the moderative mentor caught between Micheal and Maddock

Original film name: Knight Rider 2000
New film name: Knight Rider 2000: One Cut CAN Make A Difference
Film studio name: Universal Pictures
Edit crew name: Zarius
Date original film was released: May 19th 1991
Date edit was released: January 2008
Original runtime: 1h 36 mins
New runtime: 1h 27 mins
Amount of time Cut/Added 9 minutes cut, several scenes shuffled around

Cuts removed/added/extended:

-Title Sequence and Hasselhoff/Mulhare credits pushed back, allowing Watt’s release from cryogenic imprisonment and Shawn’s actions during the handgun seige that kills the Mayor to take center fold

-After the city switches from night to day, we go to the Knight 4000 demo meeting.

-Devon’s death and funeral have been cut

-Micheal punching Maddock has been cut

-Devon waits until the conclusion of the movie to congratulate Maddock, Maddock’s lines about losing faith in human beings and never expecting respect work better as a moment of closure in the movie

-Minor scenes have been shuffled around.

-Micheal morning Devon’s death is cut. Instead it’s edited to look like Maddock is showing off K.I.F.T to Devon near Micheal’s country ranch, whilst Micheal and Shawn are hanging around the area, with Micheal pissed off about K.I.T.T’s condition. The scene ends when Shawn says she needs Micheal and that he has shown superior traits over her.

Torrent:
http://www.mininova.org/tor/1095570

DVD Cover

http://img.photobucket.com/albums/v154/Zarius/KR2000.jpg

http://zt4.deviantart.com/art/Knight-Rider-2000-Fanedit-74249957

Being a first-time editor, I’m bound to have made rookie mistakes.

Post
#296218
Topic
Hulk: The Peter David Edit (* unfinished project *)
Time

-Film begins with Banner’s transformation as a pre-credits scene
-Credits as normal, we turn back a little to the Gamma Sphere accident, and follow the story until we get back to the pre-credit teaser, albiet edited since we’ve seen all of the drama unfold in those scenes, then everything resumes as normal from there
-Talbots conversation with Bruce in the base removed. Best scene is when the two have their first altercation that brings out The Hulk
-Poodles removed, instead Banner as The Hulk returns to the cabin and collapses next to Betty as Bruce
-“Puny Human” scene cut from the Hulk’s descent to the water, for other reasons
-“Puny Human” scene added to the ending of the film just as Banner is angerd by the Cubans.

<span class=“Bold”>Screencap Storyboards</span>: Coming Soon

1. Titles (coming soon)
2. Second Rage (coming soon)
2. “Puny Human” ending (coming soon)

Post
#295507
Topic
Superman Crusades: Superman IV Edit
Time
Here's the full film concept

*The film begins much like Superman II TDC, advising viewers that this is a continuation of another fan-edit they may want to see, and plot points wil be guiding this one along, and that the quality of the deleted scenes used may vary

* Black and white scenes of Clark uncovering the energy module in the hut, Lara's message of this being her "last gift to you" and "using it wisely", cut to Clark baseballing the bat, and the Brando impersonator from the deleted scene's narration, Krypton explodes.

* Donner-like credits, same with Smallville Cut

*Film procedes as normal, Jeremy writes Superman the letter, Superman visits him (again, using the scenes deleted) and turns him down.

*Cut back to the Daily Planet, and we use the newspaper headline of Luthor being arrested, Lois remarking that "this time he's gone too far" at that rather than Warfield exploting Superman's refusal.

*In the secondary Fourtress, Superman asks an elder of how the Earth will suffer the same fate of Krypton. The Elder will be the one from Lester's Superman II, dubbed over with dialouge from the Elder of IV.

*Clark broods in his apartment, the conflicted thoughts being Brando's "you must never interfere" and Glen Ford's "you are here for a reason" echo in his head, then Lois arrives, and immediatly he shifts his priorities to selfishly risking his identity and revealing it to her again. Scene proceeds as normal, Lois tells Clark to go with his gut

*Superman flys into action and prevents the firing of military missiles (scenes from Superman III) and the gigantic missile from the third film almost knocks him out cold

*More footage, from IV, showing Superman on a vigiliante style mission, taking whatever is fired and hurtling them into the sun BEFORE he holds the press confrence and fully makes his intentions clear. Cut out is the ovation he gets

*We return to the "Luthor is captured" newspaper headline, and this time we see the full scene, he raids the museum with Lenny, and they create Nuclear Man. Using a combination of deleted scenes, I can make it very reallistic and more beleivable. No "heart of the sun nonsense"

*Film proceeds as normal, Superman is called away from his double-date to Lex's apartment, faces Nuclear Man, gets infected, gets kicked to the curb. Nuclear Man returns to Lex's base and lights up his ciggerette in an empowering scene of double triumph. Lois scolds the Warfields for buying the cape cheap.

*Clark flys back to the fourtress and is forced to take the risk of healing himself in the red sun chamber,. But this time it does'nt strip his powers, but seemingly has an opposite effect, and cures him of the cancerous illness he has. Lara sacrfices herself just as Jor-El did. (Nuclear Man is an opposite of Superman, and the infection Clark received means there are two distinct Kryptonian energies surrounding his body, when the chamber is destroyed eliminating one, one energy is retained, Clark's very own)

*Nuclear Man becomes infatuated with Lacy, abducts her, and takes her to Lex's apartment. Deleted scene continues as normal. Superman confronts Nuclear Man in the city promising Lacy, battle takes to space.

*Film resumes as normal. Ends much like "redeemed" did, Superman eclipses the sun, and Nuclear Man is shut down before he reaches Earth again

*My intended ending for Luthor is still there, plotting with the Russians over Nuclear energy

Screencap Storyboards

"Birth of Nucular Man"

http://img.photobucket.com/albums/v154/Zarius/20070818-074459.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-074527.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-073446.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-073433.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-073453.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-074515.jpg



"Defeat of Superman"

http://img.photobucket.com/albums/v154/Zarius/20070818-073741-1.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-073655.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-073712.jpg

http://img.photobucket.com/albums/v154/Zarius/20070818-073724.jpg


Post
#293363
Topic
Transformers The Movie: Resparked (Released)
Time
I agree. I was thinking of using portions of "The Touch" during the Prime/Megatron fight scene and kind of phasing it back into the orchestral score after the first few minutes when one side gets the advantage.

What should go is the subtitles addressing Brawl as Devastator too. Bay preferred him as that, but Hasbro did'nt, it's sheer unprofessionlaism to screw with their consumer interests like that.

It was like Bay thought this entire movie was for the fans only given how many references and dialouge choices went over younger audience's heads. I'd like to cut down that adolescent tone and make it a more universal movie, not as ballsy, yet not very timid either, keep it at a level the first movie had (which also had at least one profanity).

Bush's remake of "Ground Zero", "'Til All Are One" and Blacklab's TF theme would make ideal end credit themes.
Post
#272697
Topic
Superman Crusades: My Superman IV Fan Cut (Released)
Time

WB logo “aqauticly” dissolves into a scene underwater where the military launch a missle, it roars out of the ocean, Superman captures it, in Russia, the Soviets launch their own missles, Superman intercepts the missle and also captures it. Places missile into the giant net and hurtles them into the sun.

-Opening credits

-“Five Months Earlier” line appears as we open on Smallville, Clark finds the energy module. Clark’s entire conversation with Mr. Hornesby? Gone, but not quite edited out. All will become clear

-Luthor escapes. Lenny kills the guards

-The Warfields still buy the planet, since I actually liked the characters and the whole Clark/Lacy/Lois triangle. No Jeremy. At all.

-No UN summit as Clark decides to take the law into his own hands, the scene where he broods in front of the television consists of his conversation with the Kryptonian Elders as a “thought bubble”, (“I know I am forbidden to interfere”) with Marlon Brando’s line “you must never interfere in the course of human history”, and Glen Ford as Johnathan Kent voice echoing that Clark was here for a reason.

-The M-X missile from Superman III is used to begin Superman’s crusade. Superman hurtles himself directly into it’s path to prevent it reaching it’s target.

-Lex schemes with the weapon dealers

-Lex’s dialouge about Nuclear Man is spoken over his developing the protoplasm

-The Paris scene from Superman II is used (again!), only this time with a twist, Superman takes the elevator and dumps it on the moon. (the protoplasm is in the bomb), as the sun rises over it, Nuclear Man, fully developed , comes to life (an alternate scene HAS been put in some of the cuts though where the elevator explodes as normal, and Nuclear Man emerges from it, tell me which is better)

-Much of Superman and Nuclear Man’s battle has been shuffled around

-Clark is wounded, recovers the same way, and returns preventing another missile from being launched as a way of resurfacing with his priorities still intact. Then he confronts Nuclear Man. All of the inane s*it from the battle is cut

-The Warfields lose control of the Daily Planet, Clark makes his speech.

-Lex and Lenny are’nt captured, and escape. Final scene for them is Lex discarding Lenny’s drum sticks.

-Clark’s conversation with Horensby is here, bringing the film full circle in Smallville and ends with him smashing the baseball into orbit as a way of paroding the end sequence before it actually happens, with Superman flying into the sun.

I’ll have screencaps shortly of the cut

In order to keep the films within a sense of “continuity” with TJC, I may just scrap the Paris scene from Superman III: TJC, as it fits here MUCH better (the MX missile is’nt in TJC either, as it was a “WTF” moment)

Post
#271179
Topic
Superman III: The Junkyard Cut (* unfinished project? *)
Time
Updated with a few "in progress" shots. These clips are VERY rough and are not meant to be the definitive versions, this is merly for help and suggestions


http://www.youtube.com/watch?v=u07QJpZf-cQ

This is Goreman's introduction, you'll notice his entire slapstic scene with the rotating bar has been taken out, this edit was HEAVILY risky as I had to make sure crucial dialouge was'nt missing, and that it was still maintained that Goreman beleived he was facing punishment for embezzlement. The scene has now been cut to nake it seem Goreman is literally backing into a corner rather than play around on the bar as Webster calmly begins telling him about other things
Post
#268288
Topic
Superman III: The Junkyard Cut (* unfinished project? *)
Time
Originally posted by: Commander Courage-Are the space credits from the TV version or have you re-created them in the style of I and II somehow?[/quote]

I'm really not sure yet, I'm already tinkering majorly with the opening to begin as soon as Krypton explodes, then fading into the tv space credits, but I'm also wondering if I should go an original route. It depends on how it fits.

-You said all of Gus' Smallville scenes have been cut, so how does Superman get exposed to the tar Kryptonite?

Got me there actually, I left almost the whole rally scene in there, with the exception of 99% of Goreman's rants as the General, he just poses as one, gives Supes the Kryptonite, and that's it. But no other additional Smallville scenes involving him.

I like the concept of Evil Superman destroying the Fortress. Doesn't make sense in II, but it would here. I would recommend additional special effects added for that scene though, as the "dissapearing" effect from the RDC isn't too convincing.

Don't worry about that. I might splice in footage from movies involving breaking icebergs, to really capture the destruction in a grittier way. Cheating this way does make for a more open movie not limited to "stock" footage.

I understand cutting out Pisa and the Olympics, but seeing as how Reeve is amazing as Evil Superman, I'd think it would benefit to keep the scenes with him and Webster's girlfriend and the scene in the bar.


I can't take out the scenes with Supes making out with her because it's essential to the remastered plot, and because it's just a good scene, so don't worry about that either. As for the bar? That happens shortly after the computer is set up, which will now be set after Supes arrives too late to help with the bridge, where else to drown his guilt than a bar?


A thought I had in editing Superman III would be to have Superman hear Jor-El in his head (inspired by Superman Returns), and that's what makes him finally break down and split into two. What I had in mind was "The virtuous spirit has no need for thanks for approval, only the knowledge that what has been done is right." And maybe have "is right" repeat a few times, getting louder and louder until Superman breaks down. I suppose a "My son..." to start it off would be appropriate as well. What do you think?


Sounds plausible enough to be a decent substitute for the dream state crystal scene. Indeed, that specific narration opens up Superman III before Krypton explodes and the credits appear. I could also have Jor-El saying "remember me, Kal-El" over and over again, which dazes and confuses the evil side of Superman, and prompts the good side to emerge from the compactor.

-No Lana working at the Planet? I think that's an essential conclusion to the Clark/Lana story of the film.


No, it's there. I was'nt very specific in the outline to avoid a lot of spoilers and to keep up the suspense, but since it confuses some people (no fault but mine), I may have to be more leniant on that.
Post
#268125
Topic
Superman III: The Junkyard Cut (* unfinished project? *)
Time
You'll find that the movie DOES make sense without all the comedic baggage...and it's not even remotley as short either.

For example, for pacing, when Gorman refuses to do what Webster wants at first (to send the Oil carriers to the middle of the atlantic ocean)...I cut to Lana talking to Brad...THEN back to Webster asking Goreman what it is he wants. Dramatic pacing that elevates Goreman beyond comedy releif, giving the audience time to digest his mysterious ultimatum (all of the scenes in the original were Webster and Goreman talk about the computer come one after the other, obviously to give Pryor more screen time, but as stated above, this does'nt work in terms of dramatic pacing)

Some things I could'nt cut out, either because it's too interlinked with the story (Goreman's superman impersonation and his telling Webster how Superman tharwted the maveric storms caused by the Vulcan Sattelite I figured was the LEAST offensive thing to keep, given I could'nt explain why he was wearing a pink table cloth if I DID reedit the scene, and I have two versions. Don't worry, as soon as he says "I can't ski", we cut to another scene entirley) or because I actually LIKED some scenes. But if you're expecting traffic light signs beating each other up, Clark blowing his secret ID to teach Ricky bowling, and Superman blowing out olympic torches, don't worry, there is'nt any.
Post
#267422
Topic
Superman III: The Junkyard Cut (* unfinished project? *)
Time

A lot of Superman III is being tweeked by me using some of Richard Lester’s leftover Superman II footage (given I liked the Donner cut as it was), to make it much darker. Whilst a lot of the earlier material I have has been made in sloppy movie maker…but fear not, I’ve since moved up to adobe premiere.

I’ve been “locked out” of the Supermancinema forums for reasons not revealed to me…so in light of this, I’m moving the project here, where I’m sure I’ll have some help and advice from people who are more experianced with this sort of thing.

III has become steadidly more popular in contrast to it’s place in history, I think it’s due to the fact that somewhere in this movie, there DOES lie a great Superman film, all that needs to be done is to throw away certain things like humour

Here’s the breakdown as it is presently

1. The credits are in space

2. The Paris scene will serve as the opening, good little prolouge that sets up Lois’s deserved vacation after experiancing that sort of thing, set the Daily Planet footage from II before it, and the footage from III afterwards.

3. Gus Goreman’s first scene won’t even be the pre-credits sequence, but when he pulls his car up to go to work. His job won’t even be mentioned or seen, I want to make Goreman look like an eccentric, yet already succesful, computer genius who willingly goes ahead with Webster’s schemes. No comedy, because when Pryor’s serious in this movie, he has some of the best moments (when he stands up to Webster and asks him to build the computer for instance, that was just awesome, and that will be honoured here)

4. Goreman’s entire scenes in Smallville have been cut.

5. Goreman’s creation of the dark Kryptonite is’nt altered either

6. Superman does’nt save Ricky from the feilds at all. Clark departs his picnic with Lana to stop the chaos in Columbia after picking up the feirce winds with his super-hearing.

7. The first thing Evil Superman does after arriving too late to stop the Bidge, is he destroys the fourtress of solitude , then he sinks the navy barge for Webster, then he fights himself in the Junkyard (to make it seem like killing aquatic life thanks to the oil spill and condemming people to certain death if the ship sinks snaps him out of it)

9. Somewhere in between, Gus develops a conscience and tries to destroy the machine, but the thing gains indepedence as before and turns on it’s masters.

10. When Clark is thrown into the compactor, I’m going to fade to the “other” FOS scene with Clark calling out for his father, then picks up the green crystal, as if a wake up call, we cut back to Clark smashing through the compacter and strangling his evil self, winning the battle.

11. Things pretty much carry on as normal here, but by this point, Superman is fighting the computer, NOT Webster, as it fires the missles etc. Video game stuff will be minimised.

12. Superman gets in the cave, computer hits him with the Kryptonite, and I’m going to include small cuts that make it look like this is the dark Kryptonite sample, and that Superman is flasbacking to what happened when he was dosed with this the last time, and is trying to restrain himself from reliving the nightmare. I want this to look elegently chilling., then Goreman saves the day. Superman defeats and destroys the computer, as normal.

13. We end the movie with Clark’s encounter with Brad at the hotel, then Superman repairing the damage to the Naval ship (well, leaving oil to spill for hours to fight a giant computer that threatnes billions of lives beats fixing the Leaning Tower of Pisa anyday), then flying off above the planet.

14. Several scenes will use John Willams music.