logo Sign In

LesPaul32

User Group
Members
Join date
12-Apr-2012
Last activity
23-Apr-2024
Posts
30

Post History

Post
#1463240
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Congrats to Hal for the triumphant release of V2!

Piggybacking on the sentimentality, this thread has been such a positive escape and distraction to scroll through during the global unpleasantness of this past year and a bit. Despite not contributing here on OT nearly as much as I probably should, I absolutely adore this community and can’t thank you all enough for cultivating such a wonderful space in both this thread and beyond. Thank you for being one of the rare positive examples of the modern Star Wars fandom.

Ascendant is one of the purest examples of fan-editing as an art form. It’s absolutely incredible to witness what this community has managed to tease from this sadly maligned film. The conclusion to the Skywalker saga now feels refined and complete, far beyond what I ever believed to be possible from my initial viewing of TROS. Ascendant V2 is my personal canon version of TROS - no question.

Phenomenal, saga-saving work, everyone!!

Post
#1449527
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Even if we end up without any suitable shots of Sebastian Shaw, combing through his later filmography may still yield worthwhile results if we can highlight a few Jedi-ish phrases/words from him?

If it’s seamless enough, adding Shaw to the Jedi Voices scene could be a great little detail to have woven between the established Hayden Christensen lines, à la Obi-Wan’s dual-actor portrayal during the same moment.

Post
#1431131
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Knight of Kalee said:

CaptainFaraday said:

I messaged Hal about it and we agreed it would be cool to add him to the Jedi voices speaking to Rey. I thought I’d open it up to everyone to decide what he says.

So cool! This would be a fine addition to the collection.

Maybe we could try to expand the voices scene to fit a couple of additional lines in it? Sors’s voice could be one of them, and I also tried to add in Plo Koon’s once.

One could also fit in an extra Anakin line in there.

I can’t recall who it was that originally came up with it, but I absolutely love the idea of “making” some sort of Sebastian Shaw Anakin line for this scene.

Does anyone know if there’s any recorded Shaw material out there (film & TV roles/interviews etc.) that would be appropriate and Anakin-esque enough for us to pull a line or two from? Maybe even just a single word?

Post
#1418996
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Movies Remastered said:

I agree. If there was an acapella version of Cinefy it would be great. Wasn’t there actually a version recorded for TROS?

There were definitely rumours pre-release that there was going to be some DOTF included, I think that rumour may have originally stemmed from the John Williams forums? The closest that we ever got to a released “new” rendition was in this TV Spot: https://www.youtube.com/watch?v=bjdjyvnOGtg

Post
#1418903
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Brewzter said:

DZ-330 said:

List of space/ships shots that could hopefully be made by someone with WAY more skills than me:

  • Space shot of Ochi’s ship approaching Kimji
  • Shot of Ren’s TIE approaching Endor
  • Shot of Rey in Ren’s TIE leaving Endor
  • Shot of Rey in Ren’s TIE approaching Anch-To
  • Rey taking Luke’s X-Wing and leaving Anch-To in space
  • A tease of Vader’s TIE leaving Endor
  • The Falcon in space approaching Tatooine

I like all of these except for the TIE approaching Endor, I think it’s important to preserve the “surprise” when Kylo stops the Wayfinder on the throne room floor and it’s revealed that he’s there that way.

I really like the idea of adding more establishing shots to further pad out the breakneck pace of TROS.

How feasible would any of the above ideas be to achieve for the VFX wizards here?

Post
#1418546
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Cinefy said:

Jar Jar Bricks said:

I’m sure there are plenty of examples of Rey saying no. In fact, I might as well look in the game files again lol.

Theres a ton of Daisy Ridley in Battlefront II if you ever need to search for dialogue like that.

In addition to the BFII and Lego TFA game files, there’s also the Disney Infinity 3.0 game which Daisy, Adam, Oscar and John all recorded unique lines for. Might be worth combing through to see if there’s anything usable for either this or any of the other line insert/replacement ideas currently being floated!

Disney Infinity 3.0 Rey Lines (the other character’s full voice lines are uploaded on the same user’s channel): https://www.youtube.com/watch?v=GC7ex3Ekhx4

Post
#1416799
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Hal 9000 said:

To call up a not-totally-resolved idea from a little while ago, does it seem like there are any workable alternatives for the line “they sold you to protect you”?

It would need to be replaced with something that would still make sense in context of the scene, as its part of the flow of conversation. Without this specific line, it’s much easier to headcanon the retcon as her parents perhaps paying Unklar to watch Rey for a while. When they never returned he eventually stopped. Then, Kylo Ren gets Rey to “admit” to herself what she long suspected… they sold her to him rather than entrusting her to him and ditched her.

I know there’s Kylo dialogue from video games and stuff, but… any ideas? Maybe something like “They were trying… to protect you.” Or something.

I’ve been going over this line on and off since I ranted about it last (lol). The annoying thing is I don’t even necessarily disagree with the overall sentiment of them “selling” her as protection or however one wants to interpret it… it’s just more how “off” the whole line is for such a delicate subject that’s never substantively brought up again.

What if we were to take a simple route of just swapping the order of the line around - so that it’s “To protect you, they-” and then Rey sharply cuts him off with the usual “Stop talking!” line?

It might not be the most elegant solution or idea, and might be too YTP-esque with his inverted inflection and whatnot… but it would at least mean not having to make any of the wizards here sweat it out in making brand new Kylo lines all over again!

JEDIT: Posted before I looked through the rest of the thread - oops. That works much better, bbghost!

Post
#1416204
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Jar Jar Bricks said:

LesPaul32 said:

I just find the notion of selling your kid into endless slavery as a means of protection to be a really problematic concept to take seriously, especially when it’s so quickly brushed over with just a single line and a rushed flashback.

I don’t believe that was ever meant to be a permanent arrangement. Pretty sure their intentions were to leave her there for a year to a couple years until this Sith assassin stops chasing them down so aggressively. At that point they would have come back for her, but of course they got murdered.

Yeah, that’s totally fair, even if a touch contrived, although… what isn’t in TROS? lol

I suppose if nothing else the whole sequence just seems like a huge reach on the part of Abrams and Terrio to try and quickly retcon away why we saw her as a kid with Unkar Plutt in TFA, while still also somehow making her bloodline important following TLJ.

JEDIT: Although I do like the general concept of her parents being between a rock and a hard place, it feels kinda bland to have Kylo’s “… To protect you.” line completely close the door on any sort of moral wrestling that may still be attached to Rey’s parents and their ultimate decision. It all feels like something the individual viewer should have the final say on per viewing, instead of it just being outright explained with little ambiguity.

JEDIT2: And just for clarity - I absolutely love TLJ and the way it seemingly sets things up for IX. So some (but not all) of the retcon-y moments in TROS really bum me out, evidently lol

Post
#1416197
Topic
The Rise of Skywalker: Ascendant (Released)
Time

sherlockpotter said:

Well, I guess the community has spoken.  Ah well.

Were there any more lines up for consideration other than “Family’s saber” and “birth of her son”?  We’d still need to find usable sources to make those line changes work, or else come up with different alternatives entirely.

There was the really neat idea a few pages back of piecing together a Sebastian Shaw Anakin line, to be used during the Jedi voices moment (apologies for blanking on who originally came up with the idea!)

Also, if I could add my own input regarding any additional line alterations: the line that still lands with a painful thud for me is the “They sold you, to protect you” moment.

To be clear, I have no major issue with the film portraying Rey’s parents as being vaguely noble in their intentions… despite how crowbarred into the story it can feel at times. I just find the notion of selling your kid into endless slavery as a means of protection to be a really problematic concept to take seriously, especially when it’s so quickly brushed over with just a single line and a rushed flashback.

To me, this line attempts to sloppily reaffirm TROS’s newly proposed concept that Rey’s parents were completely innocent and did everything they possibly could for her, while still trying to somewhat gel with the retroactively jarring Simon Pegg slave trade moment in the TFA forceback.

I feel that in trying to achieve both goals at once, the film ends up severely missing the mark on each. My proposed fix for this is to trim the line to a simple “They sold you” with Rey promptly cutting Kylo off with “Stop talking!”

This change would instead make Kylo’s part of dialogue exist as more of a crushing taunt to Rey. It highlights the pain of her abandonment, a decision made by her parents which inadvertently went on to define her entire adult life (and character arc), a topic to which she’s more than understandably sensitive to. The actual payoff of this sequence (her parent’s intended nobility in selling her) would then have better punch, in that their “noble” intentions would now be revealed in the later flashback, instead of being deflated and spoiled in Kylo’s already redundant expositional line.

This change could also very mildly gel better with TLJ’s “drinking money” reveal, in that her parent’s intentions now have just a few clicks more ambiguity without such a concrete explanation given, leaving room for why supposedly “good” parents may have handed Rey over to Unkar Plutt, of all people.

Perhaps they were indeed good people forced into a tough situation, but did they truly do everything they possibly could to save their daughter from a miserable life? For me, having this question remain even vaguely open gives Rey’s arc in TROS so much more dramatic complexity, instead of just having her parents be flat out good people with no shades of grey at all.

Would it be feasible to trim the line like this without it disrupting anything else, or being too jarring? Less jarring than the line already is, I mean!

(… sorry for the essay. Oops! I guess I dislike the implications of the original line even more than I initially thought… lol)

Post
#1414587
Topic
The Rise of Skywalker: Ascendant (Released)
Time

21C Peasant said:

Kylo Searches the Falcon - No time code

Most of it is not my work, but I did touch it up a bit.

https://drive.google.com/file/d/1zBPwVfzpl8kW58uNOWS5UPHgDklb3kMt/view?usp=sharing

On the topic of the TFA Kylo in the Falcon scene: 21C Peasant posted the above wizardry over in the “Info: Fixing the TFA and TLJ Deleted Scenes” thread a few months back.

For my money, this is the most polished version of the scene out there at the moment. It’s so close to being completely seamless, imo.

However pie-in-the-sky the idea may currently be, I would absolutely LOVE to see this Kylo/Ben moment integrated into TROS somehow.

Post
#1406673
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Hey Hal! - this is super nitpicky, but do you plan on updating DOTF to the higher quality Solo Deluxe Soundtrack version for V2? https://www.youtube.com/watch?v=KthNsU2_DAo

The soundtrack version is of course free of any slight dialogue-bleed/artifacts that might currently be present in V1. As I said… super nitpicky!

JEDIT: Ohh I just remembered as well - did the “Ben, come home” Leia line ever come to fruition?

Post
#1397885
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Cinefy said:

Hal 9000 said:

It’s cool and all, but if that were in the movie it would need to be followed up on. I don’t think it’d fit into the movie as it is.

I was just thinking it follows up nicely with Luke on Ahch-To and him showing up to help Rey on Exegol and then later being on Tatooine.

Probably won’t work on this edit but could be interesting if someone did something where Luke force projects Han Solo’s memory to Ben in order to redeem him and pushing him todo the right thing.

Riffing on this idea a bit,

It would be really great to have Luke call out to Leia as a final comfort in some form, just prior to her sacrifice. It could be placed somewhere between the headphone-drop and Maz’s exposition-drop? (You might even be able to replace the Maz-speaks-to-the-audience moment with this in it’s place?)

Maybe even just a simple audio-only line from Luke, in the vein of: “Leia, it’s time…” to vaguely imply that Leia calling out to Ben in such a way was always “planned” by Leia and Luke’s spirit post-TLJ, but only as an absolute last resort to save Ben. I believe a similar idea (Luke’s spirit communing with Leia post-TLJ) is lightly mentioned and explored in the TROS novelisation?

With Leia (somewhat) directly acknowledging the consequences of what she’s about to do, her death and resulting sacrifice would play out as being more explicitly deliberate to the audience, heightening the overall emotional drive of the moment. It would also better clarify that Leia’s DSII “Ben” projection is purely a “break-glass-in-the-event-of” force feat for her, performed only because up to that point absolutely all else had failed in bringing her son back.

If nothing else, this small addition would give us as close to an on-screen reunion of the OT trio (at least in the ST era) as we’ll ever get. The core idea being that it ultimately takes the combined power of Luke, Leia and (Leia’s force-memory/projection of) Han all in rapid succession to finally and completely redeem Ben Solo.

Just spitballing though, this might be way too convoluted to fully sell on-screen without it all being a bit too jarring or “edity”… but with the tasteful usage of Jonh’s excellent footage, just maybe…?

Post
#1372748
Topic
The Rise of Skywalker: Ascendant (Released)
Time

jonh said:

V2
https://drive.google.com/file/d/18a2L-J2DoSwCi7gJBnv3kTJe0YgQJHPy/view?usp=sharing

The new addition of the robe is near-perfect!

JEDIT: One further tiny critique/nitpick I would add is that (to my eye at least) Ben is currently just a touch oversized in both his height and width when compared to the scale set by the pre-existing Luke and Leia ghosts.

Obviously Ben is always going to be the tallest of the 3 ghosts, no question, but if he could just be shrunk down a tiny bit more so that he’s proportional to the scale of the other 2 (it’s already really close, it took me another viewing to properly catch!) then I think this shot - with the incorporation of the other tweaks mentioned below - will be as close to perfect as we could ever possibly imagine.

I hope when this inevitably goes as viral as your other scene did that you actually get all of the credit that you so rightfully deserve!

Post
#1372471
Topic
The Rise of Skywalker: Ascendant (Released)
Time

jonh said:

Hello!!! how are you?
I am looking forward to seeing the progress you have made !! 😃
sorry for taking so long to get back, it has been a summer full of work …
here I have the final shot of luke, leia and ben;)
https://drive.google.com/file/d/1ntpAvvC9J7W20Rftnnn0A-ttmcnRrSLO/view?usp=sharing

Amazing work as always jonh! The ghost fade-in and overall effect is truly seamless and matches perfectly with Luke and Leia.

Apologies if this has already been discussed in the earlier pages of the thread - but as an idea to further differentiate Ben’s body from the easily identifiable Luke farmboy outfit, how feasible would it be to give Ben a brown Jedi outer robe (cape?) similar to the one that he wears in the recently released canon comics? (example: https://imgur.com/a/8t1qwvp).

Obviously for a n00b like me this is all far easier said than done, so if it’s too intensive of a task then that’s more than understandable - but I thought I would at least add my tiny, almost nit-picky suggestion to the discussion all the same.

Again, incredible work jonh!

Post
#1372102
Topic
The Rise of Skywalker: Ascendant (Released)
Time

medioCORE said:

I know the final word is in and that Hal is good on the music at the very end of the film, and I respect that. I just realized the drive link I posted didn’t work, so here’s my rough, ROUGH pass at how I personally prefer the music to line up (using the footage posted in someone else’s concept) in the unlikely event anyone wanted to see it: https://vimeo.com/453090772

+1

That’s fantastic for being a rough pass! I love how Rey’s theme swells almost perfectly into the “Skywalker” name-drop - it actually makes the moment feel triumphant and dare I say it… satisfying? It really emphasises the fact that her entire journey throughout this trilogy has culminated in that one specific moment of finding true belonging. My only very mild criticism would be that as it is just now, the new music slightly overshadows the dialogue, which unfortunately makes the whole moment sound just a touch too “busy”. If the “Rey Skywalker” line was just a hair or two more forward and audible over the new music, then I think I would be completely sold on this!

The familiar motif as the Falcon flies away also feels completely natural and entirely appropriate for the mildly bittersweet, but mostly hopeful tone. For me this change also successfully refocuses the Falcon flight away from just being centered solely around Rey, to instead center around the entire gang equally. With a strong implication towards all of the future adventures they’ll likely have together (while still feeling like a final, happy goodbye). Imo, this transitions far more seamlessly into the end credits too.

All of this isn’t to say that I don’t like Hal’s current version though! Either one thematically works very well. For my personal preference however, this one really sells the moment and ticks all of my boxes.

Great work!

Post
#1365328
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Knight of Kalee said:

idir_hh said:

Oh I agree. Personally I’m leaning more towards IIFaneditor’s concept, except I would change the dialogue so that it goes like this.

“what’s the message?”

-holographic/transmission sound-

“At last the work of generations is complete, the day of victory is at hand, the day of sith.
Send the fleet to the galaxy…let it burn.
The Final order begins”
“Yes my lord”

All that transpired regarding the rise and fall of the repulic is addressed as the work of generations. Same reaction shots, more context to the story. Spy plot is teased. Best of ALL, no half arsed introduction from Poe.
A few birds with one stone, if you ask me.

Sounds great on paper! Any option that drops “Somehow Palpatine returned” is a welcome change.

+1 Hard agree here.

While I sit firmly with the majority in having a rather colourful opinion towards a good chunk of TROS’ narrative choices - particularly with how villain-of-the-week Palpatine’s role ultimately ends up being - I still can gladly accept the base story that we were given and try to go along for the ride with it.

But man - that line… Perhaps it’s only me that has as an extreme aversion to it, but every time I get to that point I always without fail get pulled out of the film. It just… doesn’t work? It feels so “real-world” and un-filmic.

As I pitched a few pages back, even just making the line “…It confirms the worst… [Pause] Palpatine.” It would tame how jarring it feels at least partially (not fully, mind you).

But honestly, I’d be happy with just about anything that keeps the moment from feeling like a script editing intern accidentally labelled one of the screen directions as a character line but nobody higher up noticed until it was way too late into production to feasibly fix.

This is really my only major gripe against what will otherwise assuredly be my definitive version of TROS. Seriously amazing work Hal and everyone else involved.

Post
#1364612
Topic
Star Wars: <strong>The Rise Of Skywalker</strong> Redux Ideas thread
Time

Posted this in Hal’s thread a few days ago but didn’t get much traction - on reflection this probably belongs here anyway…

One of the biggest fourth wall breaking moments of TROS that still really rubs me the wrong way on repeat viewings is the now-infamous “somehow, Palpatine returned” line.

I’ve tried to trim the line to give it a more dramatic punch, without being as clunky and tension-killing as it is in the final cut. Poe now simply says “We’ve decoded the intel from the First Order spy, and it confirms the worst… Palpatine.” Palpatine’s presence (in any form, alive or dead) will always be a terrifying, bone-chilling threat to the Rebels and Resistance - why would they need to speculate on if he’s actually alive or not? Surely even just discovering an old contingency plan would be enough to evoke the same exact reaction?

With the original “somehow” framing, this moment has a predominantly speculative tone. Unfortunately, this speculation swiftly becomes pointless and irrelevant as the moment doesn’t actually lead to anything new being revealed to the audience. With this very minor cut, the “The Emperor is dead” & “Dark Science, Cloning, Secrets only the Sith knew…” etc. lines become independent responses that aren’t necessarily factual to the canon of the film, but are instead just pieces of frantic back-and-forth chatter amongst individual characters. In the final film these lines seemingly only serve to act as heavy exposition to try and (poorly) spell everything out to the audience. This cut hopefully makes this exposition-dump of a scene just that tiny bit less of a, well, dump.

Hopefully this also goes to somewhat preserve a casual viewer’s curiosity regarding Palpatine’s exact means of resurrection, something which in my opinion the theatrical cut otherwise abruptly shoo’s away with the “Somehow” framing. “Has the Emperor truly returned, or is there more to it?” - This is a question and mystery that the audience should have in the back of their mind throughout the majority of the runtime, all the way up to Palps, Ben and Rey’s final confrontation, where the exact nature of his existence and plans all begin to click into place and are fully revealed.

Maybe with this cut it could even make the idea of having the Fortnite broadcast subtly playing as the decoded message slightly more believable?

https://vimeo.com/439658209
password: fanedit

The only problem with this cut is that Poe’s head quickly jerks upwards (due to the removal of “Somehow”). I tried to add some subtle interpolation to this particular moment but - mostly due to my poor editing and FX abilities - there’s still 3 or 4 interpolated frames which unsurprisingly have some weird blurring and artifacts on Poe’s face… I should note as well that this was done just with Hal’s V3 workprint in FCPX, so maybe with a lossless source and someone who actually knows what they’re doing (i.e. not someone like me!), we may be able to tease out a far more positive result to make this line/word removal totally seamless and without any weird frame interpolation oddities?

I am in no way a pro editor, as you’ve likely gathered by now lol. This is just a very rough mockup of an idea that I had in an effort to try and (marginally) improve this pretty dreadful moment… presented here as a means to hopefully throw it over into more capable hands to see it fully realised, if anyone’s interested in giving it a proper shot?

Post
#1363714
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Wasn’t sure whether to post this here or in the general ideas thread…

One of the biggest fourth wall breaking moments of TROS that still really rubs me the wrong way on repeat viewings is the now-infamous “somehow, Palpatine returned” line.

I’ve tried to trim the line to give it a more dramatic punch, without being as clunky and tension-killing as it is in the final cut. Poe now simply says “We’ve decoded the intel from the First Order spy, and it confirms the worst… Palpatine.” Palpatine’s presence (in any form, alive or dead) will always be a terrifying, bone-chilling threat to the Rebels and Resistance - why would they need to speculate on if he’s actually alive or not? Surely even just discovering an old contingency plan would be enough to evoke the same exact reaction?

With the original “somehow” framing, this moment has a predominantly speculative tone. Unfortunately, this speculation swiftly becomes pointless and irrelevant as the moment doesn’t actually lead to anything new being revealed to the audience. With this very minor cut, the “The Emperor is dead” & “Dark Science, Cloning, Secrets only the Sith knew…” etc. lines become independent responses that aren’t necessarily factual to the canon of the film, but are instead just pieces of frantic back-and-forth chatter amongst individual characters. In the final film these lines seemingly only serve to act as heavy exposition to try and (poorly) spell everything out to the audience. This cut hopefully makes this exposition-dump of a scene just that tiny bit less of a, well, dump.

Hopefully this also goes to somewhat preserve a casual viewer’s curiosity regarding Palpatine’s exact means of resurrection, something which in my opinion the theatrical cut otherwise abruptly shoo’s away with the “Somehow” framing. “Has the Emperor truly returned, or is there more to it?” - This is a question and mystery that the audience should have throughout the majority of the runtime, all the way up to Palps, Ben and Rey’s final confrontation, where the exact nature of his existence and plans all begin to click into place and are fully revealed.

Maybe with this cut it could even make the idea of having the Fortnite broadcast subtly playing as the decoded message slightly more believable?

https://vimeo.com/439658209
password: fanedit

The only problem with this cut is that Poe’s head quickly jerks upwards (due to the removal of “Somehow”). I tried to add some subtle interpolation to this particular moment but - mostly due to my poor editing and FX abilities - there’s still 3 or 4 interpolated frames which unsurprisingly have some weird blurring and artifacts on Poe’s face… I should note as well that this was done just with Hal’s V3 workprint in FCPX, so maybe with a lossless source and someone who actually knows what they’re doing (i.e. not someone like me!), we may be able to tease out a far more positive result to make this line/word removal totally seamless and without any weird frame interpolation oddities?

I am in no way a pro editor, as you’ve likely gathered by now lol. This is just a very rough mockup of an idea that I had in an effort to try and (marginally) improve this pretty dreadful moment… presented here as a means to hopefully throw it over into more capable hands to see it fully realised, if anyone’s interested in giving it a proper shot?

Post
#1361961
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Has there been a final consensus on the idea of implying C-3P0’s prequel memories were restored? As we know, the novelisation strongly implies that this is canon (with 3P0 suddenly remembering his first interaction with R2 in TPM the moment his memory is restored).

If this could be conveyed convincingly I reckon it would serve as a really nice (& canon) on-screen goodbye/resolution for the droids. Plus, it would at least add some sort of actual end result and “weight” to the otherwise completely inconsequential memory wipe storyline…

Of course, if Hal ultimately decided against it for this edit then that’s totally cool too! Haven’t seen any word on it here for a little while though, so I thought I would chime in again.

Post
#1350161
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Just spitballing for how to convey C-3PO regaining his prequel memories without then also implying that he’s lost his OT and ST ones:

Keep the scene mostly as is (comedy smash cut and all) but on the “Have you heard? I am going with…” line, have 3PO ‘glitch’ and quickly cycle through a few of his significant previous owner’s names before landing back normally on “Mistress Rey on her very first mission”.
Or at least a structure somewhat similar to this… the main idea being that 3PO’s ownership history database is updating itself in real-time during this moment.

The additional audio could be tweaked to sound somewhere in-between the warbled “memory restoration complete” line and the earlier deep voiced sith translation. Perhaps even wildly fluctuating in speed and pitch with some subtle distortion etc?

It would also act as a partial callback to 3PO’s mistrust of R2’s “famously unreliable” memory banks, as we can infer from the glitching that the data hasn’t been properly looked after by R2 over the years and has thus become slightly corrupted, possibly requiring some further tweaking later on off-screen?

Not sure how feasible this idea would actually be in practice though, there might not be enough time to squeeze anything else in if the line(s) were to stay mostly intact… But with all of the talent on this website, thought I would at least throw over my (possibly silly) idea!

Okay - that’s all from me. Back to lurking and being in awe of you edit wizards!