- Post
- #1667144
- Topic
- What do you think of the <strong>Sequel Trilogy</strong>? - a general discussion thread
- Link
- https://originaltrilogy.com/post/id/1667144/action/topic#1667144
- Time
To me that was the worst part of Rogue One Vader far too prequelly. In fact every appearance of him since the prequel except in Rogue One before the hallway scene has been prequely.I also found the Darth Maul scene in Solo to be lame.
What’s prequelly?
I liked Vader with the red lenses and don’t choke on your aspirations, that was very OT Vader.
What do the red lenses add, other than bearing a resemblance to OT? And Vader in the OT never makes a pun that I remember. Also, why would Vader in everything else that takes place years before the OT not be closer to the prequel version?
As for Finn I felt like Force Awakens was setting up him and Rey to be a thing, and then last Jedi all of sudden Reylo happens. Which reminds me of Hayden Skywalker/Padme from the prequel. The bad boy psycho romance. Rey is all I can save him I can fix him. There is still good in him.
Not really I think. Because Anakin and Padme:
A. Has a personal relationship before the romance that isn’t hatred and violence.
B. Padme isn’t written to break away from any relationship for Anakin.
C. Padme’s romance with Anakin isn’t developed to be when Anakin is already a monstrous villain.
Even TLJ doesn’t clear the very low bar that AOTC actually put some effort into as a romance. Hilarious.
Does woke mean anything these days? I use to think it was something do do with common sense being replaced by box ticking and messaging but it’s hard to say any more. Overall I still like TLJ but it’s odd if you break it down in any detail. Grifters complaining about Hollywood will say the Rose side-plot is forced but fail to say how beyond the basics of a lame non-romance. Would they be complaining less if Finn and Poe Dameron did this mission or is that too gay for them (or Disney)? Does it make sense Finn gets talked down to about how evil the First Order is when he’s witness to a massacre?
Elsewhere things like Luke being in hiding to avoid the circular nature of the conflict makes some sense. Some people say he shouldn’t be shown as an old grouch. But can the same old heroics go on forever, can these characters be simplistic and static? Which to me is the problem with Rogue One… it’s just so bland and has more fan service and CG action than personality. The sequels might not have much to say but RO is just ‘here’s Darth Vader, please clap’, and then people do.
Woke is one of the more fun reappropriations of language to mean absolutely nothing that’s happened in quite awhile.
I was suggesting how I think it’s nonsense to claim it’s woke or progressive.
But at least I think the Rogue One does have something going on in it’s story and character structure concepts, other than the fan service of Vader. And Vader being involved in some way makes some sense I think because of the lead in to ANH, even if I think it’s not strongly done.
Complete side-tangent: I know it’s a bit of a tiny kerfluffle regarding “the red lenses” on Vader (and he did have sort of darker amber/tinted lenses in Star Wars that often had a bit of a red hue when the lights hit them) and how Rogue One supposedly overdid it to some degree; but as someone who has cut a version of that movie and pixel-peeped QUITE a bit, a lot of the “red lenses” stuff is literally just red light IN the shot reflecting off the lenses, which otherwise still look mostly dark/black. The meeting with Krennic on Mustafar seems to be a scene that gets complained about heavily, but you can actually see the set lights casting a red glow on the scene and reflecting off the mask. It’s not that the lenses are red, it’s that there are orange/yellow/red lights bouncing off that plastic.
I don’t really get why some people make a thing out of little visual things like red lenses. What does not having them like hurt about the character, that makes them so gasp prequelly in a way that is poor?