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Charles Threepio

User Group
Members
Join date
6-Feb-2016
Last activity
15-Nov-2019
Posts
178

Post History

Post
#1279475
Topic
Star Wars: Ultimate Edition
Time

I don’t know… for “video-game quality” visuals, that shot certainly looked amazing for its time and probably still holds up today.

BTW I’ll be doing some work on English and Italian transcripts for this Ultimate Edition, to give an idea of how I plan to order and reorder scenes (nothing in that regard that official adaptations didn’t do, anyway).

Post
#1278867
Topic
Star Wars: Ultimate Edition
Time

4throck said:

Check the Battlefront II cinematics and concept art. I think you can find usable establishing shots there.
Also give Rogue One a look for the Rebel Base and space shots.

These might allow you to integrate the deleted scenes a bit better, because you need something to cut to and from, specially when you have music 😃

Where do I look, as far as top quality is concerned?

Post
#1278726
Topic
Star Wars: Ultimate Edition
Time

Other SE changes I will not be adding include the digital rocks in front of R2-D2 when Obi-Wan first appears, the giant dinosaur right before Obi-Wan does the Jedi Mind Trick thing on some Stormtroopers, and the Wolfman replacements in the cantina. Changes I do intend to include, apart from the Jabba and Biggs scenes, include the digital sunset between Luke’s chat with Biggs near the start of the film and R2’s capture by the Jawas, the bigger Sandcrawler as George Lucas intended it, the enhanced escape pod search in the Tatooine desert, the redone Landspeeder effects, the Praxis explosions of Alderaan and the Death Star, the visually-improved X-Wings and TIE Fighters, and the Aurebesh text on the tractor beam’s control panel. Changes I’m on the fence about include Obi-Wan’s Krayt call to scare off the Tusken Raiders, most of the Mos Eisley enhancements, and the digital Stormtroopers added to the Death Star hangar.

Post
#1278699
Topic
Star Wars: Ultimate Edition
Time

UPDATE: I might consider inserting Princess Leia’s line “And you call yourselves humans…!” into the rough cut, and I’ll definitely be “restoring” the original dialogue of the Greedo scene. Most of Greedo’s screentime will come from the Blu-ray, so as to not show any intrusive burnt-in subtitles from the 4K print I’ll be using for this. The 4K print will cut back in between the line “Get up, I’ve been looking forward to this for a long time!” and the line “Yes, I’ll bet you have”. Additionally, music will be added to the deleted scenes as has already been inserted by other individuals. (BTW I hear someone’s trying to restore the Tosche station scene; whoever it is, if he’s here, I’d like to have it in its present state, so I can insert it instead of the worn-out version into the rough cut if at all possible.)

Assembly of the rough cut will take place in Blender.

Post
#1277308
Topic
Star Wars: Ultimate Edition
Time

This is my first Star Wars project. I’ll include at least a couple of Special Edition-exclusive scenes; added/updated subtitles for Chewbacca, R2-D2, Greedo, and Jabba the Hutt; and several deleted scenes (including at least a few from the Lost Cut); but the base will be the 4K version of the 1977 release. Certain scenes will, additionally, be rearranged to match the novelization more closely. I hope to have a rough cut, without any audiovisual alterations (save for the updated Greedo and Jabba subtitles and a few for Chewbacca and R2-D2, and also a rough version of an altered closing credits sequence to acknowledge certain alterations made to this cut; also, some shots sourced from the Special Edition may be regraded to more closely match the 4K version of the 1977 release, mainly for quality improvement purposes or visual enhancements that would feel appropriate, but they won’t be regrained at first, as this rough cut is mainly for assembly purposes), ready as a preview of sorts by May the 4th Be With You (International Star Wars Day), Revenge of the Fifth (or is it Sixth?), Galactic Empire Day (20 May), or May 25.

Final details, including a more complete, polished, and formal release, will be announced later.

ETA: And yes, Han WILL shoot first this time around; that’s one Special Edition alteration that isn’t making it into this cut.

Post
#1277299
Topic
The Force Awakens - PG edit
Time

Some things I’ll suggest:

  • Add a shortened Disney logo at the start and end, the former with the first half of the Williams arrangement of the Fox fanfare playing over it (the second half will play over the Lucasfilm logo as usual).
  • Keep the profanity, in the franchise it’s never enough to bump any of the films up to M.
  • Maybe subtitle the dialogue of Chewbacca, R2-D2, and BB-8?
  • Definitely cap things off with an MPAA “white stripe” PG bumper.
Post
#1276276
Topic
Best LaserDisc audio capture setup
Time

What is the best setup for capturing LaserDisc audio for projects (e.g. the 1990 reissue audio track for Fantasia and the Sensurround* track for Alien)?

*True story: 20th Century-Fox experimented with Universal’s Sensurround format for Alien, but due to the advent of Dolby Stereo it was only released that way in 70mm theatres and only popped up once more, on a 1995 LaserDisc issue.

Post
#1274948
Topic
Fantasia Special Edition laserdisc HELP
Time

OK, so as soon as I have all the materials gathered together, I’ll do the following with the visuals:

  1. Attempt to align the 35mm footage I’ve received in digital form as closely with the Blu-ray footage as possible, and crop accordingly (hopefully, very little, if any, of the 35mm footage should be trimmed);
  2. Clean up the same 35mm footage;
  3. Recolor the Blu-ray footage to match the 35mm footage as closely as possible; and
  4. For the 1990 theatrical version, recreate the closing credits.

My release, once complete, will consist of the uncensored roadshow version with the unedited Pastoral Symphony and as much of the original Deems Taylor audio as possible, and the 1990 theatrical version, also with the unedited Pastoral Symphony. The main audio track will be as close a recreation of the original Fantasound experience as possible, with additional tracks in mono 1.0, stereo 2.0, Dolby Stereo 4.0, and Dolby Digital 5.1.

ETA: I almost forgot to mention, apart from being the main audio source where possible, the laserdisc release will also be used as a timing reference for the 1990 theatrical version.

Post
#1274331
Topic
Mono soundtracks that were butchered with 5.1 remixes in later releases
Time

TiddySprinklesPimpBillion said:

SilverWook said:

TiddySprinklesPimpBillion said:

SilverWook said:

Worth noting the 2018 Criterion Blu-Ray release of Barry Lyndon has the original mono track.

That’s expensive still.

That’s beside the point.

Wait for a sale because the company is expensive. No need for a fan edit.

You shouldn’t be rude to other users—especially not SilverWook, who doesn’t have a billion projects simultaneously running through his brain.

Post
#1274330
Topic
[Released] James Bond The Living Daylights 35mm
Time

TiddySprinklesPimpBillion said:

Charles Threepio said:

Could someone PM me a link containing the MGM/UA and United Artists logos, the Gunbarrel, and the first few seconds of the film proper? Because I was curious to see if it’s the regular UA Swoosh instead of the zooming abstract one, and if it is, I was hoping to use it for the uncut version of AFOD instead of the recreated Transamerica Ovoid seen on the most recent release.

Don’t you have a billion projects already?

Don’t be a jackass about it, I’m simply trying to gather materials for an ongoing project.

Post
#1274291
Topic
[Released] James Bond The Living Daylights 35mm
Time

Could someone PM me a link containing the MGM/UA and United Artists logos, the Gunbarrel, and the first few seconds of the film proper? Because I was curious to see if it’s the regular UA Swoosh instead of the zooming abstract one, and if it is, I was hoping to use it for the uncut version of AFOD instead of the recreated Transamerica Ovoid seen on the most recent release.