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The Terminator (1984) Theatrical Experience - Mono Preservation and Regrade (IN PROGRESS)

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 (Edited)

Updates:

2024-11-14
I was able to render the 2.1 with the proper ‘L R LFE’ channel layout! The UHD 2.0 mono is also synced, and I should be able to keep it in its native .dtshd file format. I waited to start syncing the optical track to ensure the UHD is ready, so back to the optical next!

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2024-11-11
The Image DVD audios are synced. The 1.0 Image rendered properly, but I’m sorting out an issue with the 2.1 render. The channel layout is defaulting to ‘L R C’ instead of the intended ‘L R LFE’. Either way, the hard part is done.

Next item on the list is checking/syncing the optical track from the 35mm scan.

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2024-11-06
The UHD disc contains the domestic mono track, but there are some drawbacks.

Video:
Its a real bummer – image comparison here: https://slow.pics/c/Xc9upJS2

Audio:
Good News: Yes, it is the Image DVD mono (not the MGM mono, which had changes: https://vimeo.com/246332731)
Bad News: This UHD mono track is missing most of the audio data in frequencies above 12 kHz. Here is an image comparison of the 1997 Image DVD mono and this new UHD mono: https://slow.pics/c/Fn2dG1X0

The UHD disc does contain some additional languages, which I may be able to include as options with this release.

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Purpose:
This preservation aims to recreate The Terminator in its original theatrical experience – a single release that consolidates all audio options into a container with video graded to honor the original color timing. I’m aware of the various threads that have done this in the past, but all are now stagnant.

Here is what I’m currently working on – please reach out if you have any info that may help:

35mm Optical Track:
This is from a 35mm film scan, and is labeled optical track. The assumption is this was captured from the same reels as the video scan, but I have yet to check the sync, to identify any frame differences where reels begin and end. It likely needs to be synced manually, specs for this track are as follows: 2.0 AC3 @ 192 kbps, 48 kHz (147 MB) STATUS: Check Sync

Laserdisc Mono:
Ideally, the version included would be an optical capture from the THX discs. There are a couple options here, because I have come across multiple files online, and I’m honestly not sure if either of them are the tracks from Zeropc or Dark Jedi. If anyone has more information or additional captures, please reach out to me.

  • PCM version: I found this in file type ARAW, but it appears to be 2.0 PCM, 16 bit, 48 kHz (1.15 GB). STATUS: Check Sync
  • FLAC version: This came to be labeled as a laserdisc rip, but I noticed it matches the mono track of a release from iFT: 1.0 FLAC, 16 bit, 44.1 kHz (203 MB) STATUS: Check Sync

1997 Image DVD 1.0 Mono:
This is from my personal DVD. It needs to be synced manually, because the transfer used on this DVD does not match the timing of subsequent DVD and Blu-ray releases. Frames are missing at certain key points, around the intro and at reel change times. This will likely end up being in FLAC after I edit it to sync, but the original audio track is as follows: 1.0 AC3 @ 192 kbps, 48 kHz (147 MB) STATUS: Sync complete

1997 Image DVD 2.1 Mono:
This is exactly the same situation as above, but 2.1. This is from a DVD ISO of the other pressing of the 1997 Image DVD, that presented the mono track in 2.1 instead of 1.0. It also needs to be synced manually, because it’s the same as above. Again, this will likely end up being in FLAC after I edit it to sync, but the original audio track is as follows: 2.1 AC3 @ 192 kbps, 48 kHz (147 MB) STATUS: Sync complete

MGM DVD 2.0 International Mono:
From what I’ve read, the MGM discs contain a mono mix that varies quite a bit from the Laserdisc and Image DVD mono tracks – more effects, less effects, slightly different editing, etc. (For those interested, searching online yields comparison videos with the differences pointed out.) This is thought to be the mono track included with releases outside the USA. This track is from my personal copy of the disc, and appears to sync up with the Blu-ray already: 2.0 AC3 @ 192 kbps, 48 kHz (147 MB) STATUS: Sync complete

2024 UHD 2.0 Mono:
While I haven’t listened through this mix yet, I’m not impressed with the spectrogram. Much of the audio above 12 kHz is either missing or much quieter than it was previously. It is, however, the domestic mono mix used on the Laserdiscs and Image releases. Specs: 2.0 DTS-HD MA, 24 bit, 48 kHz (490 MB) STATUS: Sync complete

Hybrid: Laserdisc + LFE channel 2.1 by LazySod:
This comes from KK650’s regraded version of the Blu-ray, which not only included the studio 5.1, but also this track which combines: the laserdisc front L and R plus the LFE channel from the studio 5.1. Specs: 2.1 AC3 @ 640 kbps, 48 kHz (490 MB) STATUS: Sync complete

Blu-Ray 5.1
This will be included in an effort to present a ‘complete’ release, and provide as many audio options as possible. STATUS: Complete – This is untouched from the same source used for the video regrade.

Laserdisc Chace “Fake Stereo” Mix:
This audio is reportedly from the very first laserdisc release (Thorn EMI), which was an NTSC capture of a PAL source. It included a ‘sped up’ version of the mono presented in Dolby Stereo (ProLogic, which creates a virtual center channel from the stereo field). STATUS: Not yet sourced – If anyone has a copy of this, please reach out, as I have the ability to correct the pitch and/or speed issues to preserve it.

Video:
I have not decided which way to go, as there are a couple options:

  • Film scan: I was able to source one scan of this film, but the bitrate is low and the color timing is likely not authentic. Identifying another scan is preferable here.
  • Blu-ray Regrade: The KK650 regrade looks stellar to my eyes, but I am open to new sources for this project. Not sure he is operating here any longer, but a regrade of the same caliber would be perfect for this release. I would also be happy using his work for this, if that is permitted.

Subtitles and Chapters:
These will be made available from the Blu-ray used for the regrade. Happy to include additional languages if there is demand.
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I will continue to answer questions in this thread, and update this main post as I progress. Feel free to comment or message me privately to support the project. I’m excited to contribute to the preservation cause!

hoodwill

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You should check out Purist collection over at Fanres, and work from there.
Most of the tracks are already synced in that project, apart from the Image DVD ones.
Colors are from the german project (U Matic).

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Richard Stamper said:

You should check out Purist collection over at Fanres, and work from there.
Most of the tracks are already synced in that project, apart from the Image DVD ones.
Colors are from the german project (U Matic).

Thanks Stamper, the Purist project looks great. A few more audios than I had planned for!

The UMatic video is intriguing. I’d love to compare to the regrade I have. I assume it is the remastered BR with the color timing of the UMatic release?

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Update:
I was able to render the 2.1 with the proper ‘L R LFE’ channel layout! The UHD 2.0 mono is also synced, and I should be able to keep it in its native .dtshd file format. I waited to start syncing the optical track to ensure the UHD is ready, so back to the optical next!

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 (Edited)

After the disappointing 4K release, this is GREAT to see! Can’t wait for it to be finished!

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GrizzlyRed said:

After the disappointing 4K release, this is GREAT to see! Can’t wait for it to be finished!

At least the visually disappointing 4K release has the original mono, in lossless audio! Fuck Atmos on catalog releases.

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lexlynx said:

Hi, I’ve recently made my own regrade of this film, as the KK one was a bit too low bitrate for my tastes. I believe I’ve done a pretty good job, with even less teal showing through:

https://i.postimg.cc/qvVm11WX/image.png
https://i.postimg.cc/QMS0xhC0/image.png
https://i.postimg.cc/gJJ4xQ6d/image.png

Let me know if you’re interested

Here are the encoding settings used on the KK650 render (video stream size: 14.1 GiB):

cabac=1 / ref=3 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=2 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-4 / threads=12 / sliced_threads=0 / slices=1 / nr=0 / decimate=1 / interlaced=0 / constrained_intra=0 / bframes=3 / b_pyramid=0 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=23 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=2pass / mbtree=1 / bitrate=19500 / ratetol=1.0 / qcomp=0.60 / qpmin=5 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=26500 / vbv_bufsize=26492 / nal_hrd=vbr / frame-packing=0 / ip_ratio=1.40 / aq=1:1.00

Thank you for sharing, I have some questions.

  • Which source are you comparing to in your screenshots?
  • How was your grading applied, scene by scene?
  • Which release are you using as the basis for your regrade: 35mm print, Laserdisc, Image DVD…?
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 (Edited)

hoodwill said:

lexlynx said:

Hi, I’ve recently made my own regrade of this film, as the KK one was a bit too low bitrate for my tastes. I believe I’ve done a pretty good job, with even less teal showing through:

https://i.postimg.cc/qvVm11WX/image.png
https://i.postimg.cc/QMS0xhC0/image.png
https://i.postimg.cc/gJJ4xQ6d/image.png

Let me know if you’re interested

Here are the encoding settings used on the KK650 render (video stream size: 14.1 GiB):

cabac=1 / ref=3 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=2 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-4 / threads=12 / sliced_threads=0 / slices=1 / nr=0 / decimate=1 / interlaced=0 / constrained_intra=0 / bframes=3 / b_pyramid=0 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=23 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=2pass / mbtree=1 / bitrate=19500 / ratetol=1.0 / qcomp=0.60 / qpmin=5 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=26500 / vbv_bufsize=26492 / nal_hrd=vbr / frame-packing=0 / ip_ratio=1.40 / aq=1:1.00

Thank you for sharing, I have some questions.

  • Which source are you comparing to in your screenshots?
  • How was your grading applied, scene by scene?
  • Which release are you using as the basis for your regrade: 35mm print, Laserdisc, Image DVD…?

The source in the screenshots is from the remastered blu-ray. I used the same settings for the entire film, not scene-by-scene. I basically lowered the color temperature, slightly increased the exposure to counteract the lowering of brightness, and increased the red to further counteract the cyan. I was using the kk650 regrade as my basis, as well as my own tastes in trying to eliminate cyan without going too far in the other direction.

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I just signed up for an account but I’ve been lurking this thread since November. Really looking forward to seeing it! Are you still working on the project and are you still shooting for re-creating the actual full original theatrical experience in HD?