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Thanks to the help of klokwerk and an MPEG2 plugin for Premiere (which I’m quite adept at), I’ve started doing this composite cut between the copy of the workprint I have and the open matte 4x3 transfer on the original DVD of the flick from 1997. Do I have a life? No. I got about the first 10mins done tonight. What has surprised me about the beginning is that during the bank scene, just about all the shots that wound up in the final film are the exact same cuts as the workprint. And the scene after it, in Dorian’s office, the cuts are a bit tighter than in the workprint. Quality of the workprint and jerky preview playback in Premiere might make this take longer than I had first anticipated, but it should fo fairly smoothly. I’ll post updates here as they become worth posting, but I just thought I’d give a heads up that I’m going ahead with this project.
I used to be very active on this forum. I’m not really anymore. Hi everybody. You’re all awesome. Keep up the good work.