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The Force Awakens: Starlight (V1.1 Released!) — Page 4

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Perhaps Poe wandered around for a bit after they crashed and then passed out. I’ve heard of people doing that after traumatic events. In the book he gets picked up by a scavenger I believe.

digmodification.wordpress.com

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Is there reason to believe Poe didn’t eject? I don’t see why it’s too hard to believe they didn’t find him, especially considering they probably stopped looking once they spotted BB-8.

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But why wouldn’t they keep looking for the Best Pilot in the Resistance and the traitor that knows about their entirely secret Starkiller Base? I think a squad of 8-14 soldiers in TIEs and perhaps a shuttle would find both people quite handily, especially since life detection equipment was in use in ANH and ESB by the Rebellion and Empire.

Since Poe says he was thrown from the crash, it makes it sound like he didn’t eject.

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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 (Edited)

NeverarGreat said:

But why wouldn’t they keep looking for the Best Pilot in the Resistance and the traitor that knows about their entirely secret Starkiller Base? I think a squad of 8-14 soldiers in TIEs and perhaps a shuttle would find both people quite handily, especially since life detection equipment was in use in ANH and ESB by the Rebellion and Empire.

They probably assumed, like Finn, that Poe died in the crash. As for Finn, I’m not sure how your suggestion fixes this? I don’t know how to explain why they didn’t find him earlier than they did.

Since Poe says he was thrown from the crash, it makes it sound like he didn’t eject.

It’s a little ambiguous, but it’s a lot easier to assume he meant he ejected than it is to assume he meant “I heard troopers and thought you were captured” when he said he didn’t see Finn or a ship. Not to mention, if Poe woke up before Finn, why didn’t he make it to the town first?

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DigMod said:

Do all questions have to or need to be answered?

Of course not.

My whole problem with Poe’s escape is that the movie tries to provide a single, pedestrian explanation for events when it should remain open to imaginative embellishment. It implies that Poe was unconscious for the rescue of BB-8, then found a way back to the Resistance in time to save the day at Maz’s Castle. It’s fine from his point of view, but it’s not particularly interesting and makes the First Order look like a bunch of incompetents for not finding him.

To make the scene happen at dawn it would allow for more interpretations, including many acts of derring-do which cast himself and the First Order in a far more impressive light. The film can suggest, but it’s a very Star Wars thing for the viewer to build the action in their imagination.

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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Here I’ve set it at 75% in the first scene and 35% in the scene that follows, so that it appears that dawn is breaking: https://vimeo.com/239303723
Password: Finn

I also mocked up a terminator line on the planet during the TIE escape to continue with the continuity, and found a place where the Apocalypse TIE shot actually makes sense.

This version of events requires Rey and BB-8 at Niima outpost to happen after this section, but I’ve got a version of events that works fairly well, and is more realistic in some ways than the original film:

-Poe arrives on the Finalizer, Finn is accosted by Phasma
-Poe is interrogated
-Rey’s day and finding of BB-8
-The Rescue
-Hux sends the squad to the wreckage
-Apocalypse TIEs
-Hux and Kylo bicker (work in progress)
-Finn awakens/sees Niima outpost
-Rey arrives at Niima with BB-8/Plutt bargains for the droid
-Finn arrives at Niima.

This solves the strange editing in the original where Plutt calls for some goons to beat up Rey and then we have to wait for Finn to rescue Poe, get knocked out, come to, run 20 minutes to the TIE, and walk for hours to Niima before the goons find Rey.

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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Looks good to me, and I like the proposed sequence of events, too.

Wasn’t something I thought needed addressing myself, but the regrade looks natural and it doesn’t hurt anything, so I don’t see why not.

Not sure about the Apocalypse TIE shot though, seems like an awkward and unnecessary insert to me as you currently have it. But then again I never had much of a problem with that shot’s placement in the film as it stands.

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Very well, I’ve removed the TIE shot. With that removed, I’ve had to return the Kylo/Hux bickering scene to later on.

Actually, it’s yet another case where a simpler edit may be more effective here, since the only real problem is the incompetence of the First Order. This could be solved by removing Hux’s line ‘Send a squad to the wreckage’. Now his final line in the scene is ‘They were going back for the droid’, and this allows for the implication that they will track Poe and/or Finn to BB-8. After all, in this new scene ordering Rey hasn’t arrived at Niima Outpost yet, so the First Order should still be in the dark about the droid’s whereabouts. Here’s the new order:

-Poe arrives on the Finalizer, Finn is accosted by Phasma
-Poe is interrogated
-Rey’s day and finding of BB-8
-The Rescue
-Hux learns the location of the crash
-Finn awakens/sees Niima outpost (I still like the dawn idea, but either way works now)
-Hux and Kylo bicker
-Rey arrives at Niima with BB-8/Plutt bargains for the droid
-Finn arrives at Niima.

I like this sequence since there’s a logic to the First Order’s moves. First they track Finn, then once he arrives at Niima Hux wants to destroy everything while Kylo wants the droid’s capture. Plutt’s capture attempt fails, so they resort to destruction.

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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Sounds good, and the dawn idea still works fine. At this point I’d say go with it just because it’s your edit and the timeline of when Poe wakes up from the crash was bugging you, and the change doesn’t really hurt anything.

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Just wanted to chime in to say that I’m really looking forward to this fan edit. There is really only one other one out there for TFA right now and it cuts WAY too much and feels sloppy. Your ideas for this one sound very much like what I would like to do myself, but simply don’t have the time for these days.

If you need any help or suggestions, feel free to bounce them off of me.

“The Ziggy Edit” — A Conceptual Fanedit of Return of the Jedi

https://originaltrilogy.com/topic/Episode-VI-Return-of-the-Jedi-The-Ziggy-Edit/id/17844

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 (Edited)

Posting the Hyperspace jump from Jakku here as well as in the Restructured thread:

https://vimeo.com/245069381
Password: jump

Just as a reminder since I don’t bump this thread for every update: The first post is a current list of all clips related to this project (and by extension some of the Restructured project).

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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Looks great! Subtle, but definitely an improvement.

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Agreed, what a good change!

“Because you are a PalpaWalker?”

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TIP: Remove Rathar sequence entirely. Proof of point, this took me five minutes to edit:
https://www.youtube.com/watch?v=736lH16Szns&feature=youtu.be

It does nothing to the story, it destroys pace, it gives us deus ex machina’s, it gets Chewie shot within his first five minutes back into the movie, we are introduced to two silly gangs that serve nothing to the story or the characters and the CGI for the rathars is not particularly good or interesting.

WHAT HAVE I DONE?
The Ancient Lore
Kenobi: A Star Wars Story
Harry Potter Revisited
Game of Thrones Film Edits
Titanic Restructured
… and more.

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That’s not bad! I would change a few things. I would make the first sound of the escaped rathtar more dramatic. I would probably cut away to a quick shot of escaped rathtars. And I would put the rathtar on the window before Han says they’re going out at light speed (to give him a clear reason to do so).

And then you’d have to change how the First Order finds out about BB-8’s location and Snoke’s line about that. And then there’s the thing with Chewie being injured which might be tricky to deal with. You’d have to either remove Chewie’s injury after the rathtar scene or add the bandage to before the rathtar scene (which might be easier).

Anyway, I’ll try this out, it could work for my edit.

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Digmon did a good job shortening it, since there is some important information and scenes from it … you gotta have a good chunk of it.

“Because you are a PalpaWalker?”

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jarbear said:

Digmon did a good job shortening it, since there is some important information and scenes from it … you gotta have a good chunk of it.

I don’t care much for TFA - so maybe I’ve missed something, but clarify to me what you would need to have.

Because when they arrive at Takodana, the first thing to happen is that two aliens report to The First Order that Han Solo, Rey and Finn are there. This is the only thing that I feel you could imply would be missing as information from the Rathar sequence.

Rey and Finn left with the Millenium Falcon from Jakku - and now Han Solo is there with them. Ergo, Han Solo has the Millenium Falcon again and the First Order now know where they are. It requires 10% more IQ from the audience, which - from my point of view - is a welcome addition to this mess of a movie. Only thing would be to add the Snoke speaking of Han Solo sequence to after they land on Takodana and enter the cantina, rather than before.

Removing the Rathtar sequence does this;

  • Chewie does not get hurt his first 10 minutes back in the franchise like some imbecile.
  • Han Solo and us, the audience, doesn’t have to talk to two very un-intruiging gangs that serve no story function than what could already be replaced by what I suggested above.
  • Han Solo doesn’t get an deus ex machina the first TEN minutes he’s back in the movie, by accidentally being saved by rathtars espacing, just as the gangs are about to kill him - overstating it several times before doing so.
  • and whoop; all characters seem smarter and doesn’t have forced situations happen to them for the sake of suspense, and we can all happily forget the mess even happened as it serves NOTHING to the overall story.

WHAT HAVE I DONE?
The Ancient Lore
Kenobi: A Star Wars Story
Harry Potter Revisited
Game of Thrones Film Edits
Titanic Restructured
… and more.

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As stated in my first post, this edit will be reducing the Rathtar action, but not removing it entirely. It wouldn’t make much sense for Han to abandon his much larger spaceship if he was not forced to escape, and this scene also shows Rey making a very human mistake (“Oh no…wrong fuses”).

You probably don’t recognize me because of the red arm.
Episode 9 Rewrite, The Starlight Project (Released!) and ANH Technicolor Project (Released!)

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Ah didn’t respond fast enough … and both Ridley and Neverar point’s were similar to my thinking as well.

Also, I was thinking too once the line about the first order looking for 2 fugitives and a droid, that would be a bit of a confirmation about Rey’s and Finn’s story. You have 2 “kids” and a droid in your stolen ship … I would not right a way believe their story.

Granted, that is minor, but it also could help Han’s motivation to help them out too. Even a little bit.

“Because you are a PalpaWalker?”