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Plus, it’s not like it would be hard to digitally add extra layers of grain on top of it to simulate the grain that would be present on a 35mm print in 77, if that’s what you really want.
To me adding in digital grain is a HUGE no-no. Because one is then at the mercy of the judgement call of the person adding it back. And it’s fake. It’s an addition. No matter how well done. Mike’s is a unique process of course as he’s not degraining, but by combining multiple prints the ‘gaps’ between film grains are presumably being filled in by the other ‘layers’ of film scans, to get closer to how the original neg. would likely look. I’m cool with that for an ultimate version of what Star Wars could look like, but part of me would prefer an honest representation (albeit cleaned up) of a 35mm print, with the original grain intact, extra grain & contrast anomalies on the FX shots when more elements are added in the shot, etc. But I guess we have Silver Screen for that (which I’m very thankful for!). I think my own personal holy grail will be the Tech scan, if that ever comes to light.
Co-signed.