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Star Wars Prequels 35mm 4K Filmized Editions by Emanswfan (a WIP) — Page 8

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analog said:

emanswfan said:

Jetrell Fo said:

With the DTS audio available for these theatrical releases it could prove to be quite a nice set of creations for the fans.

Yes, these will be released with 6.1 DTS-MA tracks like the blurays.  I may age the audio a bit.  I'll probably add some warping, old tube compression, slight clipping from time to time, and some EQ to make the audio match the theatrical sound of ANH.  I'll also try to make the audio sound more on-set, as too many times voices sound dubbed.

Interesting concept for a project. I often thought the prequels lacked some visual character, probably due to II / III using the digital cams.

One thing, and it's just my 2 cents. I don't really know about messing with the audio to the extreme you're thinking.

Not sure I'm down with purposely making all of those changes. Perhaps the thought is less extreme that what you'll end up doing, but I just wanted to add my 2 cents here as "not hugely into all of those ideas on the audio"

One problem I have with many modern movies is the over use of the available dynamic range - dialog being barely audible, other effects nearly blowing your ears out. Not that it's really even a major issue with the prequels, but perhaps a small amount of dynamic range reduction in the form of light compression, topped with a light bit of EQ work wouldn't hurt.. certainly a lot of things to consider, but I'd rather not hear warping, lol ;) ... also, "old tube compression" can be interesting, who knows. I guess it's the "warping" bit that caught my attention, haha.
Carry on. Can't wait to see the results!

edit: and yes, some of the color changes are nice :) Hopefully the final bit seems more like a FILM than a cold digital capture. Interesting stuff, and I do dig the idea.

Of course, anyone who downloads it has the choice to use the filtered audio if wanted or not.  My description probably doesn't sound really accurate to what I mean.  The point would be to make the sound sound like the original ANH theatrical release (except still keeping the 5.1 of course).

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The only thing I'm concerned about color wise is Geonosis. It's so memorably red that I feel like the more brown color would be jarring. It might work better in context, but I'm a bit worried. All the other color stuff I could be shown and probably not immediately notice the color differences.

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valinkrai said:

The only thing I'm concern about color wise is Geonosis. It's so memorably red that I feel like thr more brown color would be jarring. It might work better in context, but I'm a bit worried. All the other color stuff I could be shown and probably not immediately notice the color differences.

If people would prefer a not radically recolored Geonosis, I can do so.  And honestly, I might not do too much radical color changes, mostly because it can end up looking too unnatural and processed.  This is the reason, that the yellow tint is still existent in the opening battle clip because when you desaturate the ships (or anything gray affected by the yellow tint), you create this artificial look.  I've noticed it in when faneditors have shown images and clips of that scene without the tint.  The same effect is even in Star Wars Revisited, though I don't see it in ESB:R.

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this project reminds me of why i liked the 35mm versions of AOTC and ROTS in the theater more than the digital ones.

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Here's a revised version of the earlier screenshot I did.  I made it look less modern than the last version and added a slight technicolor filter to it like the Obi-Wan image.  I think this is better.  The skintone was off in the first one too.

http://screenshotcomparison.com/comparison/36891

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THIS is what I remember the promotional images for ROTS looking like. Much moodier and 3-Dimensional looking. eman, you're doing a great thing. This will be a great resource for fan-edits.

I’m just here because I’m driving tonight.

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Looking good. I think it will really come across as if the films had been made with a somewhat retro look. Not that you have so far, but I wouldn't want to take this effect farther than merited; I wouldn't want them to have any more grain and other artifacts than a good transfer of the original trilogy. 

I heard a rumor that Episode VII might be shot on film, and if that's true this project will be all the more valuable. 

I know I’ve made some very poor decisions recently.

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pittrek said:

emanswfan said:

New screencap from Utapau in ROTS:

http://screenshotcomparison.com/comparison/37344

I think I did a really good job at making the CGI look a lot less CGI-ish and more like physical objects.

I love it, but were the rocks not an actual model and not CG?

If I recall correctly from the featurettes on the DVD, they build a large model of the sinkhole, and scanned it in as CGI.  Can't remember if it was used physically for anything.

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For ROTS, the models they built they just scanned in to the computer for CGI.  I'm certain, they never shot an actual model during ROTS.  It gave it more detail, but you still get that CGI feel.

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Hmmm. The video is really, really blue - there's no white at all, and everything looks blue-ish. Somehow, what used to be white is also blown-out looking, but it might have been blown-out in the original?

The still might not be a great color-reference... 

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emanswfan said:

For ROTS, the models they built they just scanned in to the computer for CGI.  I'm certain, they never shot an actual model during ROTS.  It gave it more detail, but you still get that CGI feel.

Oh, thanks for the correction then

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Joel said:

Hmmm. The video is really, really blue - there's no white at all, and everything looks blue-ish. Somehow, what used to be white is also blown-out looking, but it might have been blown-out in the original?

The still might not be a great color-reference... 

It's not what I'm using for this project, I just wanted to see what the shot would look like in motion.

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emanswfan said:

Joel said:

Hmmm. The video is really, really blue - there's no white at all, and everything looks blue-ish. Somehow, what used to be white is also blown-out looking, but it might have been blown-out in the original?

The still might not be a great color-reference... 

It's not what I'm using for this project, I just wanted to see what the shot would look like in motion.

I tried the exact same thing you did a couple of years ago. It's not to hard to fix geonosis in photoshop frame by frame, but fixing the entire scene would take an unimaginable amount of work.

"The other versions will disappear. Even the 35 million tapes of Star Wars out there won’t last more than 30 or 40 years. A hundred years from now, the only version of the movie that anyone will remember will be the DVD version [of the Special Edition], and you’ll be able to project it on a 20’ by 40’ screen with perfect quality. I think it’s the director’s prerogative, not the studio’s to go back and reinvent a movie." - George Lucas

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EyeShotFirst said:

I tried the exact same thing you did a couple of years ago. It's not to hard to fix geonosis in photoshop frame by frame, but fixing the entire scene would take an unimaginable amount of work.

I guess it could be possible shot by shot, but even then I don't think this project is here for those kind of colors.  As long as I atleast fix red tint in the image, it's probably okay.

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emanswfan said:

EyeShotFirst said:

I tried the exact same thing you did a couple of years ago. It's not to hard to fix geonosis in photoshop frame by frame, but fixing the entire scene would take an unimaginable amount of work.

I guess it could be possible shot by shot, but even then I don't think this project is here for those kind of colors.  As long as I atleast fix red tint in the image, it's probably okay.

Yeah, removing it's harshness should do the trick. If it had been on the opposite side of the color wheel, it would be an easier job, but George decided to slap damn near skin tone on the whole scene.

"The other versions will disappear. Even the 35 million tapes of Star Wars out there won’t last more than 30 or 40 years. A hundred years from now, the only version of the movie that anyone will remember will be the DVD version [of the Special Edition], and you’ll be able to project it on a 20’ by 40’ screen with perfect quality. I think it’s the director’s prerogative, not the studio’s to go back and reinvent a movie." - George Lucas

<span> </span>

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EyeShotFirst said:

...George decided to slap damn near skin tone on the whole scene.

This.  Exactly why Geonosis is so hard to possibly get right.  I do have AE CC, so I could see how well the new rotoscoping tools are, and if they are fast, relatively easy, and quality enough to use in these sequences.

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Just curious, but do you know if there are any decent programs or plug-ins that can add realistic 35mm film grain? 

I have no skill in this area, and even if I end up making use of your promising project, I would still need to apply something to the other sources of footage I'm using to have things match up. Plus it'd be cool to keep in mind for other things. 

I know I’ve made some very poor decisions recently.

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AE can do a really good job on this - it even has a match grain function, which samples the grain from a chosen shot and applies the same kind of grain to your footage.

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Hal 9000 said:

Just curious, but do you know if there are any decent programs or plug-ins that can add realistic 35mm film grain? 

I have no skill in this area, and even if I end up making use of your promising project, I would still need to apply something to the other sources of footage I'm using to have things match up. Plus it'd be cool to keep in mind for other things. 

What other sources are you using?

By the way emanswfan, I have to admit when you started this project I was skeptical, but you've totally sold me. I cannot wait to see this.

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This has to be one of the worst shots in the entire PT.  It's all CGI crappiness and over contrasted digital ugliness.  There's major missing highlight detail and everything.  I started fixing that.  (note, I didn't do much of any color correction, there's weird colors still existent from the original that I didn't bother with here, since I'm still working on getting that film look, and the highlights a clipping a bit in the clouds too, along with the distant star destroyers loosing some detail.)

http://screenshotcomparison.com/comparison/38283

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DominicCobb said:

What other sources are you using?

Oh, I was just thinking of things like custom opening crawls and end credits. Nothing revolutionary. And of course the same clip from The Other Boleyn Girl that Q2 used for ROTS. 

And that last shot looks great; having it appear to have been filmed really helps sell the FX. I have wondered, though I don't know, whether Episodes II and III having been actually shot on film would have carried that level of "aberrations." In other words, would they have looked this filmic? Then again, we haven't yet seen anything in motion. 

Hey, it's great improvement already, and I truly look forward to seeing the whole thing. 

I know I’ve made some very poor decisions recently.

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emanswfan said:

This has to be one of the worst shots in the entire PT.  It's all CGI crappiness and over contrasted digital ugliness.  There's major missing highlight detail and everything.  I started fixing that.  (note, I didn't do much of any color correction, there's weird colors still existent from the original that I didn't bother with here, since I'm still working on getting that film look, and the highlights a clipping a bit in the clouds too, along with the distant star destroyers loosing some detail.)

http://screenshotcomparison.com/comparison/38283

That's objectively a million times better.