
- Time
- Post link
That sounds extremely solid; well done! I’d love a link. I’m especially curious about your second movie - I think Cloak and Malevolence are both important to Ahsoka’s early journey. I’m interested to see how you handled Ryloth too, I did a lot of merging of plotlines there and really changed the narrative.
The only major elements that are notably missing from this, off the top of my head, are Zygerria, Umbara, Onderon, and the Order 66 arcs. Arguably Scipio too, but that’s weaker. Any thoughts on those?
Oh, and how did you handle the later Ahsoka-Mandalore content which also includes Lux Bonteri, without his introduction in the ‘Heroes on Both Sides’ arc?
If you’re curious to review some optional alternative approaches which could add value, I’ve got a few episodes that you might be interested in:
- My Ryloth arc, which intercuts Ahsoka in the air with Mace on the ground for a tighter plot.
- My Lair of Grievous/Massacre mix, which uses AI dialogue to frame the Lair of Grievous events as directed by Ventress for revenge against the Sith (rather than related directly to Cloak of Darkness), which then triggers the retaliatory massacre, giving her greater grief about her actions.
- My Corruption on Mandalore arc, which removes the poisoned kids plotline but reshapes the rest into a single Ahsoka-Padmé narrative.
- My Heroes on Both Sides arc, which removes the awful murder subplot and completely restructures the whole into a new narrative tht gives Padmé some real depth and a good bittersweet victory.
Thank you. Yeah, Umbara, Onderon, Heroes on Both Sides and the Younglings arc are my favourites that aren’t included. I considered another film to weave in some of that, but I felt 9 was the right length. And I’m sure those arcs would have felt like padding to me. I’ve included NumeralJoker’s hybrids of the episodes for those and the Order 66 arc in my personal collection to revisit when I want to.
Your edits sound deeply creative. Huge respect for the effort there. I really enjoyed the Lux Bonteri arc, and Padme deserves more love, so I’d be keen to see that. Likewise using AI to tie lair of grievous to massacre sounds excellent.
I’m eagerly waiting for the day voice cloning tools are more accessible and up to my standard for cloning a few of these voices. It’s going to unlock so many possibilities for restructuring the narratives here. My first cuts of these films years ago I tried re-dubbing a few little things to better connect some arcs, constructing dialogue from other sources etc, but was never fully happy with the results. The fourth film in this collection for instance, when the second arc is introduced all it would take is a line of dialogue acknowledging the ongoing conflict from the other arc to make its introduction feel more natural. But alas. One day, soon I think. Ai has already got so good.