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Star Wars 1997 DTS CD-ROMs (Released) — Page 2

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The Blu-ray of the Phantom Menace, to my ears, seems better than the LaserDisc even. It's downright wonderful and reminds me of my theatrical experience.  Of course, it is the extended version of the film, so that does change a few things.  The LaserDisc is pretty awesome, but a little harsh compared to the lossless on the Blu-ray.  

 

“Alright twinkle-toes, what’s your exit strategy?”

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The Laserdisc is pretty good, coming at nearly the end of the format. Why it was a Japan only release I have no idea. Not like that stopped LD retailers from importing it

I don't have one of those pesky demodulators for Dolby Digital, so have only ever heard the PCM stereo track.

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Where were you in '77?

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 (Edited)

SilverWook said:

The Laserdisc is pretty good, coming at nearly the end of the format. Why it was a Japan only release I have no idea. Not like that stopped LD retailers from importing it

I don't have one of those pesky demodulators for Dolby Digital, so have only ever heard the PCM stereo track.

For DTS:

On the consumer level, DTS is the oft-used shorthand for the DTS Coherent Acoustics codec, transportable through S/PDIF and used on DVDs and Laserdiscs. This system is the consumer version of the DTS standard, using a similar codec without needing separate DTS CD-ROM media. Both music and movie DVDs allow delivery of DTS audio tracks, but DTS was not part of the original DVD specification (1997), so early DVD players did not recognize DTS audio tracks at all. The DVD specification was revised to allow optional inclusion of DTS audio tracks. The DVD title must carry one or more primary audio tracks in AC-3 or LPCM format (in Europe, MPEG-1 Layer 2 is also an allowed primary track format). The DTS audio track, if present, can be selected by the user. Modern DVD players can now decode DTS natively with no problem, or pass it through to an external decoder. Nearly all standalone receivers and many integrated ("home theater in a box") DVD player/receivers manufactured today can decode DTS.

A small number of Laserdiscs carry DTS soundtracks. The NTSC Laserdisc format allows for either analog audio only or both analog and digital audio tracks. Laserdiscs encoded with DTS sound replace the LPCM digital audio track with the DTS soundtrack. This soundtrack is output via digital coaxial or optical audio outputs and requires an external decoder to process the bitstream. Consumers without a DTS decoder are only able to listen to the analog audio tracks on the disc.

For PC playback, many software players support the decoding of DTS. The VideoLAN project has created a decoding module for DTS called libdca (formerly libdts), which is the first open source implementation of DTS.[1]

Sony's PlayStation 3 and Microsoft's Xbox 360 are capable of DTS decoding and output via TOSLINK or HDMI as LPCM. However, HDMI output on the Xbox 360 is only found on the "Elite" model and newer models available since mid-2007, with the release of the Falcon chipset. Also, the Xbox 360 cannot decode DTS from DTS Audio CDs. PlayStation 3 consoles can bitstream DTS over HDMI. The newer "slim" models are able to bitstream DTS-HD MA as well.

 

I've got the TPM laserdisc and in the right environment it is quite impressive for it's day.  Having the Cinema DTS tracks for an LD theatrical transfer would make it even better...I think.

:)

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Heck, I'd even like to see a DE-Specialized prequel trilogy, especially the Episode I.  Having three audio options could be fun for comparing too: AC3 LD, DTS theatrical, and DTS-MA 6.1 from the Blu-ray.

“Alright twinkle-toes, what’s your exit strategy?”

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 (Edited)

Thank none.

I guess I meant to say, "one in 1080p" sourced from the Blu-ray.

I do have myself that one you linked to.  :)

 

“Alright twinkle-toes, what’s your exit strategy?”

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Drooling like mad over here...with my recent ac3 demodulator find, I've been stunned at how good LD ac3 sounds. I only sampled the SE so far, and it is incredible, both for the format and the soundfield. A DTS mix would be stupendous at nearly double the bitrate and using their compression algorithms.

Here's hoping ESB will turn up.

That TPM might be worth a shot, but it won't have the special faux 6.1 mix done with Dolby digital EX. Since the film was designed for that new technology, I'm curious as to why they even made a DTS mix...and if it could be better. I know I've played Ady's theatrical reconstruction with the LD audio, and it sounds phenomenal on a 5.1 rig.

VADER!? WHERE THE HELL IS MY MOCHA LATTE? -Palpy on a very bad day.
“George didn’t think there was any future in dead Han toys.”-Harrison Ford
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The DTS theatrical mix may very well be the same as the Dolby EX mix.  Since Dolby EX was merely 5.1 with the 6th channel matrix out of the surrounds, this could easily be on the DTS CD.  Later DTS CD's that had this were usually noted as DTS-ES.  I'd almost bet that the DTS mix is the same.

According to my records as well, it was DTS-ES.  I do believe this was also an SDDS-8 title as well.

“Alright twinkle-toes, what’s your exit strategy?”

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The theater I saw TPM at back in 1999 was an all DTS house. Do theaters exist that have DTS and Dolby under the same roof? It would be like a restaurant that serves Pepsi and Coke.

I think the current company made a big mistake changing the name after all these years. When I saw the Datasat logo on a trailer, I thought it was some new audio format!

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Where were you in '77?

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They did all throughout the 90's/00's. Now you can't ever find out what a theater has, let alone what the movie features. Wish there was an easy way to do so nowadays.

VADER!? WHERE THE HELL IS MY MOCHA LATTE? -Palpy on a very bad day.
“George didn’t think there was any future in dead Han toys.”-Harrison Ford
YT channel:
https://www.youtube.com/c/DamnFoolIdealisticCrusader

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captainsolo said:

They did all throughout the 90's/00's. Now you can't ever find out what a theater has, let alone what the movie features. Wish there was an easy way to do so nowadays.

No kidding, I used to frequent a theater in the 90s with all three (DD, DTS, SDDS) and the sound was mind blowing.  Every movie has the appropriate sound teaser at the front (sometimes 2) and the poster outside the door.

Seeing Heat in SDDS was the film that opened my ears to how amazing cinema could sound.  I also remember seeing Men in Black and The Fifth Element there, good times!

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Early on in the digital sound days, many theaters did have multiple digital formats because each studio was supporting either one or some but not the other.  Eventually, many studios started supporting the QUAD format: Dolby Digital (plus Dolby SR optical), DTS, and SDDS on one print.  Why they didn't do this earlier is beyond me, and to this day some prints still do not do this.  DTS would start out as the dominant format because it was much cheaper to implement, but eventually, Dolby surpassed it.  AMC Theatres for awhile only supported SDDS, which was an absolutely terrible move considering the equipment reliability and the fact that it was the format that had the least amount of market share.  Many argue, however, when it did work, it was in fact the best sounding format available.  Seeing Titanic in SDDS is definitely an experience I've never forgotten.  

 

“Alright twinkle-toes, what’s your exit strategy?”

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borisanddoris said:

Heck, I'd even like to see a DE-Specialized prequel trilogy, especially the Episode I.  Having three audio options could be fun for comparing too: AC3 LD, DTS theatrical, and DTS-MA 6.1 from the Blu-ray.

If it is a theatrical reconstruction, then yeah, this could be a good project plan.  I guess I'll have to re-read the specs on Harmy's work.....

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SilverWook said:

The owner of those discs, (SW and ROTJ) does not want to risk loaning them out again. (They were returned scratched up the last time.)

They are easily copied, and arrangements are being made to do so.

I was just wondering about the status of this project....it's been a bit quiet.  Hopefully, things are still moving forward.

:)  :) 

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Okay, I now have copies of the discs. I'm willing to try uploading them, but sendspace has a 300 meg limit it seems.

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Where were you in '77?

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SilverWook said:

Okay, I now have copies of the discs. I'm willing to try uploading them, but sendspace has a 300 meg limit it seems.

If you've got ISO's of the discs.....uppit is what I suggest.  I used it to share my ISO's with folks.

:)

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Wait, we have the entire OT?

Either way, giddieup!!!

“Alright twinkle-toes, what’s your exit strategy?”

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 (Edited)

borisanddoris said:

Wait, we have the entire OT?

Either way, giddieup!!!

I believe it's just the S.E. ANH & ROTJ sets.  We're missing the AOTC & ESB S.E. DTS sets at this point. 

With some patience & probably some shit luck they'll show up someday......LOL

Glad to have what we've got so far....

:)

I second the giddieup!!!!

:)

 

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Uppit up and died in the last forty minutes of an eight hour upload, so I think snail mail would be easier on my sanity at this point.

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Where were you in '77?

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SilverWook said:

Uppit up and died in the last forty minutes of an eight hour upload, so I think snail mail would be easier on my sanity at this point.

You have a pm.........................  :)

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Another ball can get rolling.................  :) 

Thanks SilverWook!!!!  You Rock!!!!

:)

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No problem. It will be interesting to find out if they are different than the Blu Ray mixes.

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Where were you in '77?

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SilverWook said:

No problem. It will be interesting to find out if they are different than the Blu Ray mixes.

Considering these are from the 1997 S.E. I would say that at least there aren't the audio changes that came with later versions.....including the .....NOOOooooooooooo...

;)

 

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SilverWook said:


No problem. It will be interesting to find out if they are different than the Blu Ray mixes.


I believe - at least with EP4 - that they went back, digitized all of the original recordings and totally redid the entire sound mix for the blu ray.

The SE's were just redone using the 4 track masters.

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