Lord Haseo said:
mapet318 said:
In terms of original score, RotS rates as “meh”. TFA was definitely weak.
Battle of The Heroes, Grievous Speaks To Lord Sidious, The Immolation Scene, Anakin’s Dream and Anakin’s Dark Deeds vehemently disagrees.
These are all nice cues, but there is no coherence. There’s a similar sound, but they could all be from different films. There’s really not much in the way of new musical ideas that Williams develops and evolves throughout the score (contrast with something like TPM, crap film, great score).
Most of the cues you mention are just Williams working overtime to make things seem important (telling you what to feel rather than helping you feel it). Anakin’s Betrayal is pretty effective as a moving, sad piece of music, but there’s a dissonance when it plays over things we do not care about or feel emotion for (Jedi dying) and things we find hard to believe (Anakin slaughtering… younglings). The reason why The Starkiller is my least favorite track on the TFA OST is that, while a very well composed bit of music, it doesn’t quite fit into the context of the film (overly sad music for the destruction of a planet we don’t care about). One of the very few tonal missteps in the picture.
Grievous Speaks to Lord Sidious might be one of my all time least favorite Star War cues. Yeah, listen to it by itself it sounds super kool yo, but it’s so ridiculously over-the-top epic that it actually fits very poorly with what’s on screen - Grievous’s ship lands and he walks off. OK. There’s no tension in him walking off the transport (like Kylo Ren in TFA) and there’s no real villainy or interest that would require such bombast (Grievous is of course one of the lamest villains in the galaxy).