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I don't like the scene at all, but I think it's important to indicate that they're now 'part of the tribe'.
I don't like the scene at all, but I think it's important to indicate that they're now 'part of the tribe'.
Yeah I'm leaning towards keeping it but trimming it. I have always found it wierd that threepio not only knows the story for ESB, but had a vision of it being made into a movie and even managed to have the score built into himself! (At least it sounds like the music came from him from memory, I'll have to check again maybe it's just part of ROTJ's score.)
And sorry to everybody that this is going SOOO SLOOOW. I really can't help it, I'm so busy. To everybody that looks forward to this edit: Do not worry. It will be here EVENTUALLY. I won't abandon it without a word. But it will be several months. But it will be here eventually! (And in true 5.1, unlike what I had originally planned :))
With christmas break approaching, hopefully I'll be able to get alot done in this edit. I hate that things are going so slow, but don't worry it will be here eventually, and I think you guys will be happy with it.
Yay! :)
"Reality leaves a lot to the imagination." – John Lennon
Hey Possessed. I just found this thread and got excited about your edit.
I LOVE the idea of cutting the first Ewok scene with Leia. I've dreamed of what that would achieve-- it would definitely pick up the pace at that point and keep our focus on Luke where it belongs.
This is probably too late, but I had some other ideas that might suit this project:
1. What if the first things we see in Jabba's palace wasn't from the droids, but was actually the capture of Chewie and failed rescue of Han?
This would improve the "plan" that Luke et al seem to be enacting. My question has always been-- what if Leia succeeded? How would they get Chewie and the droids? Or was Leia's failure part of the plan? Anyway, starting with Chewie gives the plan a more logical escalation and gives Jabba a stronger sense of menace.
This would mean cutting around 3p0 for that scene. Use subtitles to replace his lines. Then I'd cut to an even whackier idea:
2. What if Luke's trip to Degobah came next? Luke isn't on Tatooine yet, he's busy with another errand first-- Yoda. This would get us right into the main story earlier and remove a big kink from the storyline that occurs when this scene is saved for later. The idea that Luke would go to Yoda before saving Han would indicate the level of pain Luke is still going through over his fight with Vader.
Both of these changes would bring a dose of darkness to the opening of ROTJ. In my mind, that brings it closer into alignment with ESB.
After Luke leaves Yoda and Obi Wan, we would get the scene of the droids walking up to Jabba's palace and the stage would be better set for their scene, the death of the first dancer, and then Luke's arrival and the reveal of Leia as Jabba's new bikini girl.
3. A minor note is that I would certainly recommend cutting the chatter between Han and Luke as they ride out to the Sarlaac pit. There is way too much "humor" that both falls flat and deflates the tension in that sequence.
I know you most likely want to finish your edit and I'm not sure why these ideas would make you want to hold off-- but I offer them in case they can be of any use.
I love what I'm seeing here and thanks for all your hard work!
It's like the Starkiller Ranch was alive and with us again!
To Haslett, you listen.
The whole exchange between Han and Luke on their way to the pit seems very retrograde for Han.
In ANH he was all "That's not my idea of courage", "This plan isn't going to work" etc but come ESB he was "Never tell me the odds" so it seems a bit odd for Han to tell Luke that he is going to die on the planet he grew up on.
Harrison isn't just given lousy lines in ROTJ but he really doesn't seem to care any more (a bit like George).
Anything that can perk the scoundrel back out of retirement the better.
It would have been better if the dying line came from an eavesdropping skiff guard (could Han's lips be sealed and the line dubbed so it sounds like it's coming over their shoulder?).
That way Luke's line comes more as an act of calm defiance and reassurance to his friend and Han's "Great" is more of a swagger piece.
Now I'm just saying this to say it, but if one were to start with the capture of Chewbacca and then Luke seeing Yoda die, then it might work best to cut away to Luke before the failed rescue of Han.
That way things would really look bad-- first Chewie is caught with no apparent hope of rescue (avoiding the silly reveal of Lando); then we find otu Luke isn't even there --and Yoda dies; then Leia gets herself caught... Jeez!(cut the Han/Chewie reunion scene). With the darkest possible music over all this, it would feel as suspenseful as it was supposed to.
Then come the droids walking right up to the mouth of the lion... Their presence indicates that Luke has arrived, but he's already way behind. But at least his plan now makes a little sense-- gift the droids, go in and try to get everyone else out -- if it all fails, R2 has his light saber hidden away as a second chance. (Provided Jabba makes R2 a drink server and takes them all to the Sarlaac pit and etc... I will never really understand Luke's plan).
BTW: Thanks, Sluggo-- Starkiller Ranch lives!
Great ideas, MTHaslett!
You should get some editing skillz of your own, so you can execute these ideas of yours.
You know of the rebellion against the Empire?
I just saw the Dan edit of ROTJ and see that he cut the Leia/Wickett intro scene too. But I noticed that the tension is low because he cut the whole thing so there's absolutely no hint of what happened to Leia.
I think it's important to keep the first part of the scene where the feet and the spear come into view and approach Leia's helpless body. Let the tension build in the music... DAH DAH DAHHH... and then cut to the next scene.
That way we know there's something out there, it's hunting us, and when the net catches everyone there's more suspense over finally seeing what it is.
Thanks for letting me add all this to your thread, Possessed. I totally understand that it's late in the game. As Erik says, it would be best if I could do these ideas myself. (Can these fan-edits be done on Mac yet?)
MTHaslett said:
(Can these fan-edits be done on Mac yet?)
Yes.
I have no idea how, but I've seen several people on fanedit.org talking about Mac edits.
You can do editing on any operating system.
The only real (non-subjective) benefit of doing it on the PC over a Mac seems to be lossless compression (unless someone out there knows better, which I hope they do).
I've been using a Mac for a project I'm currently working on and will possibly give Ubuntu (and freeware) a go next time (hopefully to prove you can do these things without spending a fortune on software).
Thank your for the input, and actually it isn't too late at all! I don't know if you thoroughly read the thread or not, but if you check a few pages back you'll note I pretty much scrapped everything and started over a few months ago. I really like some of your ideas, but I'm not sure they can be worked in to my edit.And yeah I totally agree about the han and luke talk before the pit. In my original edit this scene was completely gone, and now I'm trying to decide on a way to make it better with less damage to pacing.
They are good ideas but I don't want to change the film that way. But if you have any other ideas feel free to suggest them. I'm pretty well satisfied with the way I've cut the opening of the scene for the most part, but I'm always open to suggestions on Endor and the rest of the film.
I;ve thought about rearranging the opening similar to what you suggested but ultimately decided to leave it as it was. Call me a sell-out, but I'm not really looking to make radical changes to the plot like that. And the other problem is introducing Luke at Degobah takes away from his dark and mysterious reveal at palace, which is something the film needs. Also there wouldn't be much of a good first reveal if we bring chewie in first either for jabba. I mean he's first seen being introduced to the droids. If we put the chewie scene first, well he doesn't really have much of a reveal then he's just there and the audience is like "Wtf is this frog doing here"
No prob. Glad it wasn't at least too late.
I wouldn't want to change the plot -- really it can't be changed. My problems with ROTJ boil down to the basic fact that it's a decent story, poorly told. It's the story of Luke getting clear about who he is and forcing his father to wake up a little.
But it starts with Luke as inexplicably overconfident-- declaring himself a "Jedi" when the last thing he did was bail on Yoda and have his ass handed to him by Vader.
Then it veers into every major character as if it might just turn into their movie. At any given moment it feels like it's Han's movie, then it's Leia's movie, then it's Luke's movie again.
As opposed to ESB which really had 2 stories, ROTJ is just one story-- but it's told as if it were many.
So cutting down on the extra "I've got a problem" beats (like Han's yearning for the Falcon and Leia's being alone in the woods) helps put the focus where it belongs: on Luke.
The idea of shifting the trip to Degobah into the opening was to let that story begin where it's supposed to begin-- at the start of the movie. But if it's too radical, I understand. ROTJ has been the way it is for a long time. I wonder though: Have you tried just throwing it into the opening just to see what it does to the flow of things?
I've said elsewhere and I'll say it again.
Losing the few seconds of a mysterious first shot of Luke at the palace is a price worth paying for making Yoda's death scene make sense.
Luke describes himself as a Jedi to Jabba and his court but all he has had in the form of training is a couple of lessons from Ben and a few weeks at most from Yoda in the established versions.
Yoda hangs on for Luke's return only to drop dead in the middle of his welcome back scene.
It makes no sense at all.
Having Luke trained (as well as he could be) is the only way to make sense of Yoda dying in the way that he does and Luke having anything near the amount of confidence to make that sort of entrance in the first place.
How much training did Luke actually get from Yoda? "A few weeks" does seem to match the amount of growth we witness in Luke-- but how much time actually passes between Han and Leia escaping the base on Hoth and then Han being frozen in carbonite? Weeks? That feels more like a couple days. And Luke arrives on Bespin in time to watch Han's march from the freezing chamber to the Slave 1.
I guess if we grant that the cross-cutting between Han and Luke is not meant to be simultaneous then Han could have been tortured and imprisoned for weeks before being frozen. But that's not what it seems like.
From what we actually see in ESB, it seems Luke could only have trained for as much time as it took Han to fly to Bespin, miss dinner and then get frozen. What's that, like two days? Three? Leia does fall in love, so maybe it's a week? I don't know. Still, pretty clearly less time than one should need to become a self-declared Jedi.
But that's just part of the whacky charm of the OT. The individual Star Wars fan has to mend the inconsistencies of the movies each in his own way. I do believe a great movie is hiding inside of ROTJ and I think Possessed is digging it out.
Their Hyperdrive is broken so I imagine it took a while to get from the Anoat system to Bespin.
That would have given Luke some quality time with Yoda but not much.
Either way it's not much of an education even if Ben's ghost did chatter in Luke's ear every now and then.
I have tried it before, and I had an idea as gift for waiting so long. I was thinking of uploading a high quality sort of "trailer"/experiment. I was going to upload the first about 10 minutes or so of the film with yoda's death switched in that way, because I hadn't thought about it as bingowings worded it before. Just to see how it looks. That is a good idea. I'm still don't think I'm going to switch Han and Chewie with the droids, but I'll consider moving yoda to tust after vaders scene on the death star.
To shift Yoda's death to before Jabba's palace would require a bit of tinkering.
For one thing Luke is wearing one black glove (after having his mechanical hand damaged) so you could get around that either by trying to replace it with a nude hand or by putting gloves on both hands (presumably the one he puts on in the X-Wing is part of a pair).
Actually I was thinking I would cut out the shot of him being shot (cuz it seems like his arm is just in the air for no reason) and just let it be assumed that he has to wear a glove over his mechanical hand for some reason. It's not perfect, but I really don't have the time to even think about trying to rotoscope something like that. Or anything at all. If a glove appearing on one hand is enough to make you not enjoy a film, then I'm sorry but my edit is not for you.
I wonder if the whole glove thing was to remind the audience about Luke's robotic hand - which becomes important at the end of the film. The movie does the kinds of introductions (Leia takes off the bounty hunter helmet and Han says "Leia") and exposition (3PO explaining about how Han was frozen in carbonite) that you might expect for a first-time viewer.
You know of the rebellion against the Empire?
I really like your thoughts on the glove, Possessed.
I think the trick is to have a good establishing introduction to Degobah. It can't just wipe to Luke's x-wing on the ground after Vader on DS2. But I wouldn't want to see Luke flying there either.
Some images from ESB would be good-- ones of just the swamp environment, maybe reversed to be unrecognizable.
Another important issue would be music-- the cues in the Luke - Yoda scene after it has been moved up front need to be "...And here is our HERO!" "This is DRAMATIC and TENSE! because being here is not a vacation! It's a dangerous RISK..." The subtle quiet cues that are in that Luke - Yoda scene now probably won't fit the bill (but I'm not guaranteeing that-- music can be a funny thing that way.) I do believe the first time we see Luke needs a bit of picture/music massaging since it's now an introduction.
Don't mind me. Just pointing out the obvious. I am excited about this.
The two problems I have with putting the Dagobah at the start:
1) When Luke was training on Dagobah during Empire he left when he found out Leia and Han were in danger - now he knows that Han is in even graver danger, so for me it's a blatant character contradiction for him to go back to Dagobah now instead of help rescue his friend
2) Presumably if Luke doesn't go to Dagobah after Tatooine he goes with the rest to the rebel briefing, so must have been there for the whole of that scene - but there isn't a single shot of Luke you could use to show that he's there listening to Ackbar and the rest
Han is stuck in Carbonite he isn't going anywhere and he knows that he is still there because Lando is keeping an eye on things.
Luke wants to rescue Han but he wants to do it right.
Leia wants it done yesterday (she is in love with Han and like her Father in the PT and Luke in ESB her emotional attachment has blinded her to her larger responsibilities), when she get's captured she, Han and Chewie are in immediate danger, that's when Luke turns up.