I set out to find a happy medium between Despecialized and Grindhouse.
Using ESB Despecialized 2.0 as my base, I liberally applied different variations and passes of the RE:Match filter to extract information from Grindhouse, along with some internal Premiere CC tools to reach what I found was a very happy medium. I use that term loosely, since Despecialized already has an amazing color grade and didn’t require too much retooling, so the grading leans a lot towards Despecialized. Thank you to everyone for their exquisite work that allowed me to proceed with this project.
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Original Post:
I’ve been working on an attempted color correction of the Team -1 grindhouse release, using Despecialized As a reference.
To begin with, i used the parameters set out in the Gout Sync thread to export a gout compatible lossless avi. This means that it also matches up almost frame for frame with despecialized.
I muxed despecialized to an m2ts, then imported grindhouse and despecialized into premiere.
Using the Re:Match Color plugin, I was able to then direct grindhouse to reference each frame of despecialized. For color, shadow, and depth information. (Multiple instances of the plugin were required to use a combination of the different modes)
Apply any other color corrector you’re interested in using. In one of these, i suggest upping the saturation to around 120%
Often after color correction correction, there are blotchy color artifacts. To remove these, I used the Neat Video plugin to filter them out. This works very well. sadly, it then leaves a slightly too smooth picture.
To fix this, i simply added another video track of grindhouse to overlay on the color corrected version with 25% opacity. This ads back fine details and also keeps film grain without being overwhelming.
My computer keeps outputting red flash frames and just isn’t powerful enough to handle this.
Hope to see someone else interested in applying some of these techniques in their own attempts. 😃