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Last of the Jedi (Purist version of the Clean Cut)

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Time
 (Edited)

the-last-jedi-by-saraforlenza-dby7gspb.jpg

Ok, so I have a new edit called Last of the Jedi, which is basically the same as my “Clean Cut” but with a few changes tailored to the purist crowd, who prefer absolute saga continuity. The following changes*:

Change list:

*NEW - New Crawl for "Last of the Jedi" title and slightly altered text
*NEW - Starfield after credits goes into hyperspace and we see the Falcon en route to Ahch-to
*NEW - Luke's mountaintop scene reinstated
*NEW - Luke hands the saber back to Rey and walks away
*NEW - Transition to rebel cruisers escaping and new sfx
-Cut Rebel girl’s “oh no” in opening scene
-Cut Poe ‘prank call’ with Hux at the beginning
-Cut Snoke slamming and dragging Hux
-Trimmed ridiculous exaggerated amount of time it takes rebel bomber girl to catch the detonator
-Cut Finn/Rose side arc altogether
-Added Finn and Poe deleted scene
*NEW - Finn asks where Rey is and then we cut to Rey finding Luke in his hut
-Cut Poe/Holdo “fuel” arc
-Inserted Ryan Glossemeyer’s “Luke saves Leia” scene. I think this was really well done and a powerful scene. Great way to give us more Luke and show how the near0death of his sister showed him how important the Force is - adds depth to his inner conflict 
-Cut DJ and Phasma side stories completely - these characters aren’t in this version of the movie
-Added “Luke mourning Han” deleted scene
-Cut Snoke’s “tied on a string indeed” line… since the choke slam is no longer in this edit
-Added Holdo’s introduction speech but cut tension with Poe - this scene also adds a nice exposition about leia recovering from her space-walk
-Cut Ach-Too caretakers altogether
-Altered Luke and Rey’s dialogue inside the Force tree - no more awkward 'no one is from nowhere" exchange
-Cut Luke/Rey joke bout “reaching out” and slapping on the hand
-Added Luke’s 3rd lesson - Caretakes Village scene - this scene works great to fill is a few blanks for the viewers - mainly the inclusion of Luke’s 3rd lesson, but also adds tension between Rey and Luke right before she storms off and received Kylo’s “force skype” telling her his version of the story… and she kind of believes him because she’s already annoyed with Luke
-Cut Holdo/Leia awkward “may the force be with you” and just let Holdo say it.
-Cut Snoke’s “Tied on a string indeed” comment with Hux (since there is no reference to it prior to this scene)
-Cut Rey force-grabbing Kylo’s saber in the Snoke confrontation, only to have it taken away from her a second later.
-Snoke’s guards now have red lightsabers (courtesy of Immersion VFX)
-Cut Snoke laying on the floor
-Cut Kylo’s “Do you want to know the truth about your parents?” lines (i didn’t like the original dialogue at all)
-Cut Finn trying to crash into the battering ram and Rose saving him
-Cut Finn’s “they hate that ship” in the Crait battle
-Zoom/scale the explosion to crop Rose and Finn out when the battering ram blasts the giant door open
-Luke uses his ROTJ hilt and GREEN lightsaber in duel eith kylo. (courtesy of Immersion VFX)
-Removed broom boy and slave children ending
-Removed Finn/Rose at the end
-Removed Poe/Rey meeting
*NEW - Luke fades away reinstated - before fading away, we hear him tell Rey "This is your fight now"
-Altered Rey’s conversation with Leia to omit “Luke is gone”
-New iris transition to end movie with falcon scene
-Added credits for myself and vfx artist

 


 

Mod Edit: It has come to the moderators attention that ForceGhostRecon was a previously banned member on this site - to which FGR has himself admitted.

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i really loved the others but this sounds more amazing 😃 PM a link when you can bro 😃 ?

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I loved your Clean Cut edit and these additions look great…PM a link whenever you can so I can take a look,

Thanks heaps.

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 (Edited)

Just quickly played the start and end of this purist version so as to checkout the new additions from your clean cut. I like the new title and additions to the crawl but upon initial first viewing of the new edits I think a number of tweaks need to be made to improve the overall affect and effectiveness of a few scenes:

1 - I feel the sound of going into hyperspace starts too soon, such that it overrides the normal music shift you’re used to hearing in all SW movies as it nearly goes quiet before the camera begins panning down (with some flutes playing) to a planet / the start of the story. Maybe you could leave the crawl visible for another 2-3 seconds as it heads away from us before it fades away so that you’re not left staring at a blank star field for too long just waiting for the music to run it’s natural course before beginning the movie proper? I think it would also make the fade in to the music playing during the hyperspace intro much more seamless whereas currently it seems a bit sudden.

2 - I think saber handing back scene feels a bit off. For instance, it feels odd to see Rey suddenly standing so far away after seeing her step backwards in the close up and to then walk those 3-4 meters back to Luke again to take it from him with no noticeable reason to do so. I think it’s a bit obvious that a number of shots have been reused in a reversed state, so I think in this case maybe less is more in achieving the effect you’re going for. For example, in Ivan Ortega’s fix for this scene (https://www.youtube.com/watch?v=2aIxYInj0uo) I think he goes straight to showing Luke already holding the saber and then he seems to hold it outwards for a bit, indicating to Rey to take it which she then steps up and takes it before he storms past. I haven’t rewatched the entire video but I think this is more or less what he does.

I’m not suggesting to just copy Ivan as I think it is important to see Luke taking and staring at the saber for some time while he holds it as this gives the audience time to think as well on what thoughts and emotions must be going through Luke’s mind. Whether you could just remove the section where we see Rey standing well back, instead only seeing her stepping back a bit and then watching Luke’s reaction where Rey isn’t visible at all and then showing him hold the saber out to which we then see Rey step back up to take it? I know this will affect the timing of the music a bit but I think we are also missing a scene where we see her take the saber out of her bag and maybe this could be added back in to pad it back out to help with the timing? It does also feel odd after watching her walk the whole way there only holding her staff that she’s just suddenly holding it.

3 - The transition afterwards to the Resistance is nice but I feel it would be good to transition to showing their capital ship in orbit first before the camera begins to dive down through the fleeing transport ships. It feels a bit too sudden currently and seeing their capital ship instantly identifies who we’re about to see and what is happening (ie. the Resistance evacuating).

4 - The ending I feel needs the slow zoom out wide shot of everyone standing in the Millenium Falcon cut, instead having the close up of Leia and Rey lead straight into the hyperspace shot and the end music. Everyone in the wide shot just looks far too calm and relaxed chatting away with some even appearing happy after everything that just happened, like they’re at some kid’s birthday party instead of nearly just losing everything. It just feels so tonally off, whereas up to that point it was feeling a little sombre as it should be (though it should really feel a lot darker again), with Leia inserting the necessary touch of light to not have it feel completely hopeless (though her line “we have every we need” is again a bit tonally off and positivity overkill for the situation).

I hope to give your clean cut and this version a proper viewing sometime soon so I can provide some overall feedback but for now I just wanted to get those first impressions in and see what you and others thought.

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 (Edited)

Valheru_84 said:

Just quickly played the start and end of this purist version so as to checkout the new additions from your clean cut. I like the new title and additions to the crawl but upon initial first viewing of the new edits I think a number of tweaks need to be made to improve the overall affect and effectiveness of a few scenes:

1 - I feel the sound of going into hyperspace starts too soon, such that it overrides the normal music shift you’re used to hearing in all SW movies as it nearly goes quiet before the camera begins panning down (with some flutes playing) to a planet / the start of the story. Maybe you could leave the crawl visible for another 2-3 seconds as it heads away from us before it fades away so that you’re not left staring at a blank star field for too long just waiting for the music to run it’s natural course before beginning the movie proper? I think it would also make the fade in to the music playing during the hyperspace intro much more seamless whereas currently it seems a bit sudden.

2 - I think saber handing back scene feels a bit off. For instance, it feels odd to see Rey suddenly standing so far away after seeing her step backwards in the close up and to then walk those 3-4 meters back to Luke again to take it from him with no noticeable reason to do so. I think it’s a bit obvious that a number of shots have been reused in a reversed state, so I think in this case maybe less is more in achieving the effect you’re going for. For example, in Ivan Ortega’s fix for this scene (https://www.youtube.com/watch?v=2aIxYInj0uo) I think he goes straight to showing Luke already holding the saber and then he seems to hold it outwards for a bit, indicating to Rey to take it which she then steps up and takes it before he storms past. I haven’t rewatched the entire video but I think this is more or less what he does.

I’m not suggesting to just copy Ivan as I think it is important to see Luke taking and staring at the saber for some time while he holds it as this gives the audience time to think as well on what thoughts and emotions must be going through Luke’s mind. Whether you could just remove the section where we see Rey standing well back, instead only seeing her stepping back a bit and then watching Luke’s reaction where Rey isn’t visible at all and then showing him hold the saber out to which we then see Rey step back up to take it? I know this will affect the timing of the music a bit but I think we are also missing a scene where we see her take the saber out of her bag and maybe this could be added back in to pad it back out to help with the timing? It does also feel odd after watching her walk the whole way there only holding her staff that she’s just suddenly holding it.

3 - The transition afterwards to the Resistance is nice but I feel it would be good to transition to showing their capital ship in orbit first before the camera begins to dive down through the fleeing transport ships. It feels a bit too sudden currently and seeing their capital ship instantly identifies who we’re about to see and what is happening (ie. the Resistance evacuating).

4 - The ending I feel needs the slow zoom out wide shot of everyone standing in the Millenium Falcon cut, instead having the close up of Leia and Rey lead straight into the hyperspace shot and the end music. Everyone in the wide shot just looks far too calm and relaxed chatting away with some even appearing happy after everything that just happened, like they’re at some kid’s birthday party instead of nearly just losing everything. It just feels so tonally off, whereas up to that point it was feeling a little sombre as it should be (though it should really feel a lot darker again), with Leia inserting the necessary touch of light to not have it feel completely hopeless (though her line “we have every we need” is again a bit tonally off and positivity overkill for the situation).

I hope to give your clean cut and this version a proper viewing sometime soon so I can provide some overall feedback but for now I just wanted to get those first impressions in and see what you and others thought.

Thanks for the feedback! I actually tweaked the intro a bit for the next version to smooth the crawl-to-hyperspace transition and added another clip with a falcon hyperspace flyby. Let’s see how it’s received now that i’ve spent a little more time on it.

I cut the capital ship flyby because it makes the establishing shot too long - it doesn’t feel natural. The transports flying by was dynamic and flowed better as a transition. It was enough for me to show they are escaping quickly.

As for Luke and Rey on the mountaintop… this is a really tough one. I’ve played with all available footage in so many different ways and there’s only so much that can be done here. I like Ivan’s approach, but even so, there is a clip after the hand-off, where Rey should be holding the saber and she clearly isn’t. The step back and step forward on Rey’s part is just necessary because when Luke is first holding the saber staring at Rey, she isn’t within 4-5 feet of him, so there is no way to keep her near him… the whole mountaintop scene is a shitshow imo, which is why i cut the whole thing in the clean cut. For the purists, I really tried my best to polish this turd…

As for the ending, this is just how i prefer it - no plans on tweaking this further

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 (Edited)

ForceGhostRecon said:

Valheru_84 said:

Just quickly played the start and end of this purist version so as to checkout the new additions from your clean cut. I like the new title and additions to the crawl but upon initial first viewing of the new edits I think a number of tweaks need to be made to improve the overall affect and effectiveness of a few scenes:

1 - I feel the sound of going into hyperspace starts too soon, such that it overrides the normal music shift you’re used to hearing in all SW movies as it nearly goes quiet before the camera begins panning down (with some flutes playing) to a planet / the start of the story. Maybe you could leave the crawl visible for another 2-3 seconds as it heads away from us before it fades away so that you’re not left staring at a blank star field for too long just waiting for the music to run it’s natural course before beginning the movie proper? I think it would also make the fade in to the music playing during the hyperspace intro much more seamless whereas currently it seems a bit sudden.

2 - I think saber handing back scene feels a bit off. For instance, it feels odd to see Rey suddenly standing so far away after seeing her step backwards in the close up and to then walk those 3-4 meters back to Luke again to take it from him with no noticeable reason to do so. I think it’s a bit obvious that a number of shots have been reused in a reversed state, so I think in this case maybe less is more in achieving the effect you’re going for. For example, in Ivan Ortega’s fix for this scene (https://www.youtube.com/watch?v=2aIxYInj0uo) I think he goes straight to showing Luke already holding the saber and then he seems to hold it outwards for a bit, indicating to Rey to take it which she then steps up and takes it before he storms past. I haven’t rewatched the entire video but I think this is more or less what he does.

I’m not suggesting to just copy Ivan as I think it is important to see Luke taking and staring at the saber for some time while he holds it as this gives the audience time to think as well on what thoughts and emotions must be going through Luke’s mind. Whether you could just remove the section where we see Rey standing well back, instead only seeing her stepping back a bit and then watching Luke’s reaction where Rey isn’t visible at all and then showing him hold the saber out to which we then see Rey step back up to take it? I know this will affect the timing of the music a bit but I think we are also missing a scene where we see her take the saber out of her bag and maybe this could be added back in to pad it back out to help with the timing? It does also feel odd after watching her walk the whole way there only holding her staff that she’s just suddenly holding it.

3 - The transition afterwards to the Resistance is nice but I feel it would be good to transition to showing their capital ship in orbit first before the camera begins to dive down through the fleeing transport ships. It feels a bit too sudden currently and seeing their capital ship instantly identifies who we’re about to see and what is happening (ie. the Resistance evacuating).

4 - The ending I feel needs the slow zoom out wide shot of everyone standing in the Millenium Falcon cut, instead having the close up of Leia and Rey lead straight into the hyperspace shot and the end music. Everyone in the wide shot just looks far too calm and relaxed chatting away with some even appearing happy after everything that just happened, like they’re at some kid’s birthday party instead of nearly just losing everything. It just feels so tonally off, whereas up to that point it was feeling a little sombre as it should be (though it should really feel a lot darker again), with Leia inserting the necessary touch of light to not have it feel completely hopeless (though her line “we have every we need” is again a bit tonally off and positivity overkill for the situation).

I hope to give your clean cut and this version a proper viewing sometime soon so I can provide some overall feedback but for now I just wanted to get those first impressions in and see what you and others thought.

Thanks for the feedback! I actually tweaked the intro a bit for the next version to smooth the crawl-to-hyperspace transition and added another clip with a falcon hyperspace flyby. Let’s see how it’s received now that i’ve spent a little more time on it.

I cut the capital ship flyby because it makes the establishing shot too long - it doesn’t feel natural. The transports flying by was dynamic and flowed better as a transition. It was enough for me to show they are escaping quickly.

As for Luke and Rey on the mountaintop… this is a really tough one. I’ve played with all available footage in so many different ways and there’s only so much that can be done here. I like Ivan’s approach, but even so, there is a clip after the hand-off, where Rey should be holding the saber and she clearly isn’t. The step back and step forward on Rey’s part is just necessary because when Luke is first holding the saber staring at Rey, she isn’t within 4-5 feet of him, so there is no way to keep her near him… the whole mountaintop scene is a shitshow imo, which is why i cut the whole thing in the clean cut. For the purists, I really tried my best to polish this turd…

As for the ending, this is just how i prefer it - no plans on tweaking this further

Yeah nice, will have to checkout the new intro once you’ve released it.

That makes sense regarding the original shot of the capital ship, though what if you transition to it literally as the camera is already starting to dive down so you still get the dynamic motion as well as a quick glimpse of the resistance capital ship before zooming down through the transports to the planet surface?

I agree and appreciate your efforts to improve the saber tossing scene and I think you could actually still improve on it if you were to simply cut from timestamps 4:19 to 4:26 as I don’t feel the footage between these times is needed to convey the same scene and also solves the standing distance issue. With that cut, we get to see Rey’s hand drop after handing Luke the saber and it’s natural to think that she’s stepped back a little (without needing to see it) in reverence and respect to Luke as he beholds his father’s long lost saber and so the next shot where it’s a semi-close up of Luke staring at his saber without Rey in the shot works perfectly fine. Then I think the reversed shot of him handing the saber back just needs to be duplicated with the part of her taking it trimmed off and then placed just before we see her step back up to then seeing her take it from his hands. This makes it evident that she steps up to take it because he’s been holding it out to her for a few seconds now from the additional shot and in between the cuts.

In my head at least this works a lot better and I think makes the scene play out more naturally. It’d be great if you could do a quick and dirty cobbled together edit for yourself just to see if these ideas work better as I feel that seeing now how you’ve now done it, I can actually see how it could work better and if I had the time and know how I’d try to cut together a rough example myself.

This is of course your edit so you’ve got to be happy with it in the end and so in saying that, fair enough on your ending 😃. I’m just hoping to pass on some feedback that I feel could improve your already great edits.

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I appreciate the feedback! I actually swapped two clips on the mountaintop and the saber hand-off works much better now imo

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I PM’d you, very interested to see this!

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 (Edited)

I’m in the process of tweaking the saber hand off a bit more (i really want to get this as perfect as possible and i know i can get it even closer) and the next version will be released soon with just this change. (the perfected hand-off will be v5)

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If you’re reinserting Luke’s death, then you should probably reinsert Rey’s “Luke is gone” dialogue to match.

Myself, the boy, two droids, and no questions asked.

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StarkillerAG said:

If you’re reinserting Luke’s death, then you should probably reinsert Rey’s “Luke is gone” dialogue to match.

I thought about it, but have you watched it yet? In this version, Luke tells her ‘it’s your fight now’ through the force before he fades away… so she actually didn’t FEEL it in this version, he actually TOLD her… so I kept the line out. Check it out - i think it works well.

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 (Edited)

Speaking of that, the link to this edit on the website is broken. Can you please fix it?

Myself, the boy, two droids, and no questions asked.

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ForceGhostRecon said:

the-last-jedi-by-saraforlenza-dby7gspb.jpg

Ok, so I have a new edit called Last of the Jedi, which is basically the same as my “Clean Cut” but with a few changes tailored to the purist crowd, who prefer absolute saga continuity. The following changes*:

Change list:

*NEW - New Crawl for "Last of the Jedi" title and slightly altered text
*NEW - Starfield after credits goes into hyperspace and we see the Falcon en route to Ahch-to
*NEW - Luke's mountaintop scene reinstated
*NEW - Luke hands the saber back to Rey and walks away
*NEW - Transition to rebel cruisers escaping and new sfx
-Cut Rebel girl’s “oh no” in opening scene
-Cut Poe ‘prank call’ with Hux at the beginning
-Cut Snoke slamming and dragging Hux
-Trimmed ridiculous exaggerated amount of time it takes rebel bomber girl to catch the detonator
-Cut Finn/Rose side arc altogether
-Added Finn and Poe deleted scene
*NEW - Finn asks where Rey is and then we cut to Rey finding Luke in his hut
-Cut Poe/Holdo “fuel” arc
-Inserted Ryan Glossemeyer’s “Luke saves Leia” scene. I think this was really well done and a powerful scene. Great way to give us more Luke and show how the near0death of his sister showed him how important the Force is - adds depth to his inner conflict 
-Cut DJ and Phasma side stories completely - these characters aren’t in this version of the movie
-Added “Luke mourning Han” deleted scene
-Cut Snoke’s “tied on a string indeed” line… since the choke slam is no longer in this edit
-Added Holdo’s introduction speech but cut tension with Poe - this scene also adds a nice exposition about leia recovering from her space-walk
-Cut Ach-Too caretakers altogether
-Altered Luke and Rey’s dialogue inside the Force tree - no more awkward 'no one is from nowhere" exchange
-Cut Luke/Rey joke bout “reaching out” and slapping on the hand
-Added Luke’s 3rd lesson - Caretakes Village scene - this scene works great to fill is a few blanks for the viewers - mainly the inclusion of Luke’s 3rd lesson, but also adds tension between Rey and Luke right before she storms off and received Kylo’s “force skype” telling her his version of the story… and she kind of believes him because she’s already annoyed with Luke
-Cut Holdo/Leia awkward “may the force be with you” and just let Holdo say it.
-Cut Snoke’s “Tied on a string indeed” comment with Hux (since there is no reference to it prior to this scene)
-Cut Rey force-grabbing Kylo’s saber in the Snoke confrontation, only to have it taken away from her a second later.
-Snoke’s guards now have red lightsabers (courtesy of Immersion VFX)
-Cut Snoke laying on the floor
-Cut Kylo’s “Do you want to know the truth about your parents?” lines (i didn’t like the original dialogue at all)
-Cut Finn trying to crash into the battering ram and Rose saving him
-Cut Finn’s “they hate that ship” in the Crait battle
-Zoom/scale the explosion to crop Rose and Finn out when the battering ram blasts the giant door open
-Luke uses his ROTJ hilt and GREEN lightsaber in duel eith kylo. (courtesy of Immersion VFX)
-Removed broom boy and slave children ending
-Removed Finn/Rose at the end
-Removed Poe/Rey meeting
*NEW - Luke fades away reinstated - before fading away, we hear him tell Rey "This is your fight now"
-Altered Rey’s conversation with Leia to omit “Luke is gone”
-New iris transition to end movie with falcon scene
-Added credits for myself and vfx artist

Is the line “This is your fight now” taken from the Rise of Skywalker trailer?

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FreezingTNT said:

ForceGhostRecon said:

the-last-jedi-by-saraforlenza-dby7gspb.jpg

Ok, so I have a new edit called Last of the Jedi, which is basically the same as my “Clean Cut” but with a few changes tailored to the purist crowd, who prefer absolute saga continuity. The following changes*:

Change list:

*NEW - New Crawl for "Last of the Jedi" title and slightly altered text
*NEW - Starfield after credits goes into hyperspace and we see the Falcon en route to Ahch-to
*NEW - Luke's mountaintop scene reinstated
*NEW - Luke hands the saber back to Rey and walks away
*NEW - Transition to rebel cruisers escaping and new sfx
-Cut Rebel girl’s “oh no” in opening scene
-Cut Poe ‘prank call’ with Hux at the beginning
-Cut Snoke slamming and dragging Hux
-Trimmed ridiculous exaggerated amount of time it takes rebel bomber girl to catch the detonator
-Cut Finn/Rose side arc altogether
-Added Finn and Poe deleted scene
*NEW - Finn asks where Rey is and then we cut to Rey finding Luke in his hut
-Cut Poe/Holdo “fuel” arc
-Inserted Ryan Glossemeyer’s “Luke saves Leia” scene. I think this was really well done and a powerful scene. Great way to give us more Luke and show how the near0death of his sister showed him how important the Force is - adds depth to his inner conflict 
-Cut DJ and Phasma side stories completely - these characters aren’t in this version of the movie
-Added “Luke mourning Han” deleted scene
-Cut Snoke’s “tied on a string indeed” line… since the choke slam is no longer in this edit
-Added Holdo’s introduction speech but cut tension with Poe - this scene also adds a nice exposition about leia recovering from her space-walk
-Cut Ach-Too caretakers altogether
-Altered Luke and Rey’s dialogue inside the Force tree - no more awkward 'no one is from nowhere" exchange
-Cut Luke/Rey joke bout “reaching out” and slapping on the hand
-Added Luke’s 3rd lesson - Caretakes Village scene - this scene works great to fill is a few blanks for the viewers - mainly the inclusion of Luke’s 3rd lesson, but also adds tension between Rey and Luke right before she storms off and received Kylo’s “force skype” telling her his version of the story… and she kind of believes him because she’s already annoyed with Luke
-Cut Holdo/Leia awkward “may the force be with you” and just let Holdo say it.
-Cut Snoke’s “Tied on a string indeed” comment with Hux (since there is no reference to it prior to this scene)
-Cut Rey force-grabbing Kylo’s saber in the Snoke confrontation, only to have it taken away from her a second later.
-Snoke’s guards now have red lightsabers (courtesy of Immersion VFX)
-Cut Snoke laying on the floor
-Cut Kylo’s “Do you want to know the truth about your parents?” lines (i didn’t like the original dialogue at all)
-Cut Finn trying to crash into the battering ram and Rose saving him
-Cut Finn’s “they hate that ship” in the Crait battle
-Zoom/scale the explosion to crop Rose and Finn out when the battering ram blasts the giant door open
-Luke uses his ROTJ hilt and GREEN lightsaber in duel eith kylo. (courtesy of Immersion VFX)
-Removed broom boy and slave children ending
-Removed Finn/Rose at the end
-Removed Poe/Rey meeting
*NEW - Luke fades away reinstated - before fading away, we hear him tell Rey "This is your fight now"
-Altered Rey’s conversation with Leia to omit “Luke is gone”
-New iris transition to end movie with falcon scene
-Added credits for myself and vfx artist

Is the line “This is your fight now” taken from the Rise of Skywalker trailer?

The line is created using elements of 2 different lines in the trailer “a thousand generations live in you NOW… but THIS IS YOUR FIGHT”

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So I’ve watched this now a couple more times and I gotta say, it’s really growing on me! As a matter of fact, I think it might even now replace the Fallen Knight fan edit as my new favorite version of the movie!

Great job again, man! 😃

https://www.youtube.com/watch?v=Budu1ux09Rs

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rocknroll41 said:

So I’ve watched this now a couple more times and I gotta say, it’s really growing on me! As a matter of fact, I think it might even now replace the Fallen Knight fan edit as my new favorite version of the movie!

Great job again, man! 😃

Awesome! thanks man, that’s great to hear! I’m glad you enjoyed it

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Cool posters! Could you PM me a link please?

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Vast improvement to the theatrical cut with seamless editing. Great work!

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OMM 0000 said:

Vast improvement to the theatrical cut with seamless editing. Great work!

Thanks so much! I’m glad you enjoyed it! My goal was to make something enjoyable from the original…so thanks again!