bkev said:
^What Captainsolo said! I feel as if the Moore Bond movies struggled to remain relevant by picking up on recent trends in pop culture and trying to utilize them; while Moonraker is the most blatant example, you can see it a little in each. While Moore as Bond has a bit of a bumbling aspect to him (the first time I saw L&LD I asked myself why Bond kept ... losing,) his portrayal is certainly fun. He has a suaveness that I'm not even sure Connery ever pulled off. It always made sense why he got the girl. I love him for different reasons than other actors; in fact, the problem I have with picking a favorite is that in my opinion there never WAS a bad Bond actor. Just bad movies that went along with him.
Thanks! I agree with never being able to choose a favorite actor or film. All are individually different.
Trooperman said:
I actually really love Moonraker and I thought Roger Moore was a worthy follow-up to Sean Connery. The strong 70s feel of the Moore movies adds to the enjoyment for me because I love that period of filmmaking.
https://www.youtube.com/watch?v=oieAo5NiYjc
Listen to that melancholy, admittedly dated opening song. Beautiful...
https://www.youtube.com/watch?v=pg_SuMy812c
Beautiful travel montage
"Moonraker" is the most underrated of all the title themes. Brilliantly melancholic song.
Barry's score is quite wonderful and the recording in France gives it an otherworldly quality that perfectly fits the film. Sad that the master tapes were lost preventing a complete score release.
SilverWook said:
Always going to have a soft spot for Moonraker, as it was the first Bond I ever saw in a theater.
I still marvel at all the shuttle launch scenes. Derek Meddings and his crew nailed it two years before the real thing ever happened!
I wonder if anyone at NASA ever toyed with the idea of calling one of the real orbiters Moonraker? ;)
They should have! ;) The effects are quite good, especially for being done by hand on a limited sfx budget. I honestly maintain that Moonraker isn't a bad film, and does not deserve its reputation at all. Overall it's better than For Your Eyes Only for example, and is also the last of the over the top Bond films that went for pure spectacle. Also, it is the 70's version of Thunderball in terms of excess.
Trooperman said:
Skyfall (2012)
My initial reaction:
Holy shit. That was not an action movie. That was a movie warning its audience that they were going to go to hell.
I was there. ;)
Seriously, I am amazed this movie got made.
Same here.
Totally unlike any other Bond film.
Because it isn't!!
xhonzi said:
Skyfall- Maybe a 6.5/10. MINOR SPOILERS THROUGHOUT
I'm not very upset about this one, but it didn't really do much for me. I thought some of the scenes were done well, and others not so much.
This was my reaction to it: either James Bond is a fantasy character that hits every unnamed target he shoots at (boss fights last longer) and survives 300 ft falls into shallow pools, can drive/pilot anything, shrugs off bullets and never ages- all in a Tuxedo with perfect hair... or he's something more real, who gets old, gets shot by accident, only gets a gun from the quartermaster, and has the PM asking whether he's relevant in today's cyberworld. In other words- he's Jason Bourne.
In this movie, he seems to alternate betwixt these two and you're never quite sure which one you're seeing. Back to the sex-slave girl- in one scene, the gritty reality of the dark and nasty things that real bad guys do to real people in our real world, and in the next scene she's just a hot chick that's wanted Bond since the moment she saw him. (Just like every other chick.)
Do these movies take place in the real world, or not?
However (this is where I get positive) I did think that it was extremely clever and totally surprising that while I thought I was watching the continuation of a James Bond prequel, I was actually watching a stealth reboot of one of my childhood favourite series. When they showed Bond's parents' graves and they said Peter and Kate Mccallister, my mind was litteraly blown! So, they finally confirmed that Bond is, in fact, a code name given to each 007 they recruit and that this Bond was, in fact, once Kevin Mccallister! GENIUS!
Conclusion- too silly to be serious, too serious to be fun.
P.S. "Haha! Take that! He's ROBIN, FRINK'S MOTHER!!!" Didn't work for me here either. But the last 10 seconds were cool, if a bit headscratching when accounting the logical implications.
Interesting points. The current iteration does indeed flounder between the cinematic legacy, Fleming and the cinematic Bourne.
Loathed the unnecessary character reveal. Loved Fiennes role however.
georgec said:
005 said:
006/007
008?
MINOR SKYFALL SPOILERS AHEAD
I'm not sure what I think of Skyfall. I like what the movie tried to do, bringing the story a bit closer from all the "bad guy wants to blow up stuff" in other films. But the middle of the movie felt like going through the motions.
Oh, and was it necessary to include Wolf Blitzer in a news scene? That kind of garbage takes me out of a movie. I don't need to see Wolf Blitzer's face to realize that it's a news broadcast on the television in that scene. That's another lame Hollywood trend - "If we put an actual news figure in that scene, people will think it's more real!"
Gah.
Yes the bit with The Wolf was a bit too obvious. Hearing his wonderful monotone wasn't what i expected when in Bond-verse.
The film hit me sideways and I still am not sure whether I hated it it or didn't. As someone who actively studies all 007 aspects it's a very mixed bag, which confuses me even more. All I can say is
SPOILER!!
Judi Dench got the boot!!!! YAAAAAAAAAAAAAAAAAAAAAYYYYYYYYY!!!!
SPOILER end.
And NOT SO SPOILER: Purvis and Wade are out as screenwriters. YEEEEEEEEEEEAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I do hate plot summarizing and trying to avoid spoilers. I couldn't hardly talk about the film in my blog review, in order to avoid spoiling much of anything.