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I have seen The Goonies but as I did not grow up on it wasn't a fan.  I can't watch that movie without feeling ridiculously sorry for Chunk; he's basically stuck being their bitch because he can't find any other friends.

So, Solo, you're not so bad for disliking The Goonies.  But Ferris Bueller?  We need to have a talk...

A Goon in a Gaggle of 'em

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I'll agree that The Goonies is better viewed through the lens of nostalgia.  But Ferris is timeless...in an 80's sort of way, of course.

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No spoilers

As you guys know, I don't have hard & fast thoughts on remakes.  They can be much better than the original (True Grit) or they can be much worse (Planet Of The Apes - 2001). Before I post my thoughts on Arthur, I should preface them with a few points.

One; I enjoyed the original Arthur and saw it a few times in the theater.  Mostly because I really dug Liza Minnelli in it.  The film had its funny scenes alright, but in the early 80s you just about couldn't get away from Dudley Moore (10 and Arthur). After a while, I grew tired of him.  These days I've softened on that and find his films ok.

Two;  For absolutely no reason what so ever, I've always assumed I wouldn't like Russell Brand in anything.  I'd seen him in one interview - Conan or Leno? - and he seemed pleasant enough.  Why I've never sought out any work of his is a mystery.  I just wasn't interested.

Arthur has been on cable for a few weeks and when my wife asked me if I wanted to watch it with her, I politely declined. Again, no real reason.  I'm not enamored with the original and I wasn't familiar with Brand.  If anything, my thoughts were along the lines of - I haven't seen the original in about 25 years, nor I don't care to see a remake of it.

She loved it and watched it a few times the past couple of weeks.  I could hear it in the other room, but never went in to look.  This past Saturday night we decided to stay in.  I went to get take-out and my wife again mentioned Arthur since it would be starting just after I got back.

I decided to give it a watch.  I loved it!  Brand is as fine a drunken millionaire as Moore was and every bit as believable in the more serious scenes.  The film closely follows the original story, but with some tweaks here and there.  To be sure, neither film is a bastion of depth and believability, so when the film was a touch silly, I could think of equally silly scenes in the '81 version.

It has a few characters who are over the top characitures (Nick Nolte and Jennifer Garner), but since it's a silly comedy film, I'm fine with it. Plus neither is in the film too much.  Helen Mirren just about steals the film.  Well written, well played, needed depth, and she's still fantastic looking.  Gerwig's character (the Minelli role) is the biggest change.  She has a larger role, is more realistic, and has a more serious tone in general.

The film becomes more grounded as it goes on and deals with serious issues differently than the first.  Our culture is more sensitive to alcoholism these days and the film addresses that without losing it's comedic edge.  The original ignored the seriousness and went with straight comedy. I also caught a subtle nod or two to the original, and one to the original director.

The film is heavier near the end, but still humorous. Since that initial viewing last Saturday night, I've watched it three more times.  I have the DVD on order, as well as the soundtrack, which I think is really fantastic. No doubt, I'll be making an audio rip of the film for long trips.

This is one where I strongly disagree with the critical reception, which was poor.  I give it 5 out of 5 bowls of spaghetti circles.

 

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Really?  I saw it without having anything to compare it to and found it... all right.  Not horrid, certainly, but nowhere near a 5/5... maybe a 2.5/5 for me.  I just hate Russell Brand.  He strikes me as such a prick, mainly because - well - up until more recently he's kind of been Arthur.  Only I never caught the lovable naive side that Arthur has.

Then again, I dunno.  This could be pretty irrational.

A Goon in a Gaggle of 'em

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"COMA" (1978)

Another oldie I had seemed to miss.  The only thing that dates this Michael Crichton film are the hair and clothing styles. Sent chills up my spine... 

“First feel fear, then get angry. Then go with your life into the fight.” - Bill Mollison

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Bullet in the Head (1990)

John Woo took his idea for setting the prequel A Better Tomorrow 3 in the Vietnam war and further refined it into this film incorporating elements of his own youth.

Many have said that this is a Woo film crossed with The Deer Hunter. You wouldn't be that far off. However, this movie just keeps giving even in its current state where the edit is not what was originally desired. (3 hour original cut, chopped down to 2.)

A film with deep meanings and distinct long character arcs that is just damn good. Not that it isn't without flaws, but it is a great example of the forgotten art of storytelling.

For my money, Woo's third best film behind The Killer and Hard Boiled. And like those, you won't forget it easily.

3.5 balls out of 4.

VADER!? WHERE THE HELL IS MY MOCHA LATTE? -Palpy on a very bad day.
“George didn’t think there was any future in dead Han toys.”-Harrison Ford
YT channel:
https://www.youtube.com/c/DamnFoolIdealisticCrusader

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Prompted by Frink's use of the soundtrack, reading the basic premise, taking stock of the combination of Alan Arkin and Christopher Lee and noticing Richard O'Brien wrote some of the songs I got my hands on The Return Of Captain Invincible (1983).

The premise is promising.

It has a Superman/Captain America style superhero becoming an alcoholic reclusive bum after being turned on by McCarthyism.

This is three years before Watchmen was published and 25 years before Hancock hit the screen. It's also eight years before The Rocketeer made a good job of putting out an enjoyable romp with this sort of superhero.

The film wastes all that potential, it isn't even so bad it's good.

Only Christopher Lee comes out of the thing with his dignity intact.The only thing it's good for is for pulling his lines out for fan edits (some of which resemble his performances in the PT). 

To give it a ball for that is too generous.

Just watch the clips on Youtube it's all the entertainment you can gain from this turkey.

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captainsolo said:

Is it bad that I didn't care for The Goonies or Ferris Bueller?

The Goonies? No; it sucks.

Ferris Bueller? Yes; go get yer head checked. ;)

Every 27th customer will get a ball-peen hammer, free!

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FanFiltration said:

 

...hair and clothing styles. Sent chills up my spine... 

I know! Those late 70's hair and clothing styles are intense! They totally give me the willies.

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Once a Thief. John Woo tries his hand at a comedy/caper film but still has his trademark style infused. Charming, but goes nuts in the last five minutes.

3 Chows out of 4.

Full Contact. Flashy, stylized but lacking in substance. It is merely an okay HK action film with Chow Yun-fat. Enough said. Although someone should have rethought the whole biker image and the awful haircut.

3 fingers out of 4.

 

VADER!? WHERE THE HELL IS MY MOCHA LATTE? -Palpy on a very bad day.
“George didn’t think there was any future in dead Han toys.”-Harrison Ford
YT channel:
https://www.youtube.com/c/DamnFoolIdealisticCrusader

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Crimes and Misdemeanors 9/10

Dances with Wolves 9/10

Manhattan Murder Mystery 9/10

Bad Day at Black Rock 9/10

The Bicycle Thief 10/10 (This might be the saddest film I have ever seen)

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"Drive"

This movie is gooooooooood. I love how 80s it is.

9/10 balls

<span style=“font-weight: bold;”>The Most Handsomest Guy on OT.com</span>

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Having a wee break from Ken Russell for a while I decided to have a Mario Bava double bill.

Planet Of The Vampires (1965).

Famously an inspiration for Alien and going by the trailer it delivers a few visual and thematic cues that lead to Prometheus too.

It serves as a bridge between the bright colours and electronic sound of 50's films like Forbidden Planet (1956) and the more sterile nihilism of 2001 and Solaris.

The low budget is virtually invisible.

Sure some of the model shots would have more panache in a big budget picture but the atmosphere and lighting make what little is seen go a long long way.

The script is a bit of a mess in the dubbed version, it has more florid technobabble than a dozen TNG or Pertwee era Doctor Who stories but if you cut it a bit of slack it's a marvelous piece of work with a snappy final act that Chubby Checker would love.

4 as yet unexplained tuning fork things.

Next up, Lisa And The Devil (1972).

Have you ever had a crazy nightmare that looks like a cross between a 1970's hairspray commercial and The Rocky Horror Picture Show, with brutal bludgeonings, a Spanish Bruce Lee playing a lovesick psycho, a touch of tasteful necrophilia, lots of gateau with chocolate sprinkles and Kojak playing a satanic butler?

No?

Go on... you know you want to.

Be aware of the awful US re-edit House Of Exorcism it cuts out a lot of the charm and replaces it with SMUT.

If that's your bag there is much better smut to be found elsewhere.

The real thing I give five lollipops to. 

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Akwat Kbrana said:



captainsolo said:

Is it bad that I didn't care for The Goonies or Ferris Bueller?


The Goonies? No; it sucks.

Ferris Bueller? Yes; go get yer head checked. ;)


But Ferris Bueller is an unlikable, smarmy little fuck =(

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"The Good Shepard"

Seemed a bit bloated and over stylized, yet had a very interesting and tragic story.  

 

“First feel fear, then get angry. Then go with your life into the fight.” - Bill Mollison

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I really dug that movie. It's especially interesting if you know the history of the CIA as it covers it pretty well.

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Tobar said:

I really dug that movie. It's especially interesting if you know the history of the CIA as it covers it pretty well.

The story was top notch, and I truly enjoy spy films (real or not). Some very potent yet discreetly delivered information scattered about.  

 

"Use your tradecraft well,

particularly in the

use of black propaganda.

and the ingredient known as playback.

Understanding how effectively

your own disinformation

is actually working on the enemy."



"The very qualities that make

a good intelligence officer

a suspicions mind

a love of complexity and detail,

are the very qualities of

someone you've been observing.

The mental facility to detect

conspiracies and betrayal

are the same qualities most likely

to corrode natural judgment.

Everything that seems clear is bent

and everything that seems bent is clear.

Trapped in reflections

you must learn to recognize

when a lie masquerades as the truth.

And then deal with it efficiently,

dispassionately.

Don't give anyone time to think.

You set the tone of the discussion.

And quickly come to the point."



“First feel fear, then get angry. Then go with your life into the fight.” - Bill Mollison

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Yes, nice one. Kind of film where it seems nothing happens, while it actually is the base of so much things happening ;) .

 

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DuracellEnergizer said:

 

Akwat Kbrana said:



captainsolo said:

Is it bad that I didn't care for The Goonies or Ferris Bueller?


The Goonies? No; it sucks.

Ferris Bueller? Yes; go get yer head checked. ;)


But Ferris Bueller is an unlikable, smarmy little fuck =(

 

Obviously, that's a minority opinion. Within the film, he's the most likable guy in the Chicagoland area, and if audiences found Ferris an "unlikable, smarmy little fuck," it wouldn't have become the timeless classic that it is.

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 (Edited)

While rummaging through the VHS vaults for another Ken Russell film, out of the cupboard flopped Static (1985).

The better half was sufficiently interested in my description of this largely forgotten piece of American whimsy to forego Ken for a while and if you are lucky enough to track down a copy (still no DVD let alone Blu-Ray) it's well worth the time.

Quintessential eighties actor Keith Gordon plays Ernie Blick.

He has spent the time since the death of his parents working in a plastic crucifix factory to fund his invention.

Over a hot Arizona Christmas most of the town are speculating on what it does.

He is sure it works and will make everyone happy.

Like a lot of films of the period it's a bit self consciously quirky but it certainly deals with the concept of faith a lot better than most of the church sermons I remember and more than more loftier religious films I've seen.

I give it three Jesus misshapes. 

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asterisk8 said:

if audiences found Ferris an "unlikable, smarmy little fuck," it wouldn't have become the timeless classic that it is.


These people were obviously USLFs themselves ;-)

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DuracellEnergizer said:

 

asterisk8 said:

if audiences found Ferris an "unlikable, smarmy little fuck," it wouldn't have become the timeless classic that it is.


These people were obviously USLFs themselves ;-)

 

There are quite a lot of us. :-D

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Harry Potter And The Deathly Hallows Part 2.

I finally got the dvd and like two before it the literally dark scenes were practically black.

At times this film became a noisy audio adventure.

Why spend a fortune making films of this kind the bulk of which can not be seen?

Even the lighter scenes were covered in an awful turquoise wash.

The film itself felt like a bizarrely rushed affair.

There is this big battle which even when you can see it takes place mostly off screen anyway.

There are some interesting and arresting visual moments and some good performances but I actually found myself missing Christopher Columbus' bright sharp obviousness.

I would willingly have seen more of a certain princely character's backstory than avoid all those rewinds to the previous films.

There was very little tension in the big confrontation and very little sense of actual peril despite the number of people lying around on the floor apparently dead.

It almost became the Harry Potter clip show.

Two and a half hocruxes.