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Info: 1997 SE DV Broadcast Info & Discussion — Page 3

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I just tested both, and they both suck, at least the 5 Star did a better job at the upmix.

I am really stuck at trying to figure out what to sync this LD audio to, at least with the GOUT I had audio to sync to.

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satanika said:

Would it not make sense to cut/edit the video first, if you're using multiple sources, along with a temp audio track, and sync the 5.1 cap to it when that's done?

LOL the video has been done first, it is finished, next idea?

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satanika said:

...for anh for example, are you taking the flunk version and replacing the bad parts?

Yes, he has done that already, and it's also converted to NTSC. I know this cause I'm doing the subs for him.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com

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satanika said:

Maybe I don't understand what you're doing then exactly, for anh for example, are you taking the flunk version and replacing the bad parts?

Yes that is what I have done, what I need help with is sync'ing the LD DD 5.1 audio to this new video file, with the GOUT project all I was using was LD 2.0 stereo mix audio and sync'ing to the GOUT audio which was also 2.0, so I had something to look at and line it up to in Vegas, now with this LD 5.1 audio I have nothing to sync to, or if there are gaps, what do I use for a filler.

Like I have said in the past, video is so much easier working with than audio, especially 5.1, so this is where I need help so I can get this project done.

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 (Edited)

If you are using the Flunk version fo ANH for the basis of the edit then use the audio from that as a sync track. If you are editing video then you should really use the original audio track locked to the video track so any splices you make the tracks will still be locked and synced together which will make it easier in the long run to sync your new audio track.

Put the original audio track as your first track, which will be muted when rendering the 5.1. For your second track place the centre channel of the laserdisc 5.1. This way you can compare your sync track with this one. Don't adjust the centre channel to sync just yet though. Import the other 5 tracks of your 5.1 mix (1 disc at a time). Line all the beginning of your 5.1 tracks of disc 1 up and highlight each one. Right click on any one of the highlighted tracks and select "group>create new" (or you can just press "G" but this way you know its grouped them.) now these tracks are locked together. Do the same for discs 2 then 3. Now in the Options menu make sure that both "quantize to frames" & "enable snapping" are deselected. this will enable you to get a more accurate line up when syncing to the sync track. Now all you need to do is line up the centre channel of the 5.1 with the sync track. Just zoom in on the tracks so you can see just a few frames in view and then pick a section close to the beginning (the main theme is a good start) and line up the waveforms to match. Now you will either have to make some cuts or slightly change the length of each section to get this synced up. Someone posted a list of the reel changes somewhere in the forums so these would be good places to make the first cuts. Where you need to replace gaps at the end of each disc then use the 2004 mix. You will only need to use a few frames from this mix to patch it up so any differences in the mix will not be noticeable especially if you blend together each tracks by a few frames at least.

 

Hope this helps

ANH:REVISITED
ESB:REVISITED

DONATIONS TOWARDS MATERIALS FOR THE REVISITED SAGA

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Thanks again Ady, but the Flunk track is 2.0, is that OK, and I actually just started ripping the 2004 audio LOL.

So you can sync a 5.1 track to a 2.0?

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 (Edited)

dark_jedi said:

Thanks again Ady, but the Flunk track is 2.0, is that OK, and I actually just started ripping the 2004 audio LOL.

So you can sync a 5.1 track to a 2.0?

yes you can. Just compare the wavforms where dialogue and effects are and you will see very similar peaks etc. It doesn't matter what the original audio is and this is why you line up the centre channel to match. If you've got the centre channel synced up with the original track then you will likely hear a very slight phase shift when your sync and 5.1 tracks are played together but you should hear no echoing in the dialogue at all. It's best to use headphones for syncing the tracks because you can hear the echoing a lot clearer this way and it may not be apparent when listening through speakers. I've got some true 5.1 headphones which i always use and  are invaluable for doing my audio mixes & syncing tracks.

ANH:REVISITED
ESB:REVISITED

DONATIONS TOWARDS MATERIALS FOR THE REVISITED SAGA

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Thanks again Ady, I will give that a shot, but what a pain in the ARSE the Flunk audio was, I just could NOT get it to sync to the NTSC video, then I realized it was not a simple convert to 23.976 fix, this was the first time ever that I have come across a time pitched file, so once I corrected that, ALL fell into place, I am assuming that the Gkar and TB releases are the same, so now I have a 2.0 file to sync to.

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OK I got it I am pretty sure, side 1 is sync'd, but I am confused about something, I have the center in track 2 so I can line it up with Flunk track 1, and have the other 5 audio files grouped with the center and made sure the 2 options you mentioned were un ticked(which they were from all the other sync'ing I have been doing LOL) but when I try to mute track 1 now to listen to the 5.1 only they all mute, how can I set it so only track 1 mutes or vice versa?

also on the little diagram to the left in the track with the speaker placement, where is the LFE? I can tick on FR,FL,Center,SL,SR, but no LFE.

Thanks again for taking the time, you have been VERY helpful!

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adywan said:

Yeh, i think the flunk release was PAL so you would need to convert it from 25fps to 23.976 first

I tried that and it did not work, I actually had to go in and change the pitch\time, when I used BeSweet and changed the fps, it still sounded like chipmunks, this was the first audio file I have ever seen like this, but once I slowed it down, it all fell into sync beautifully.

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 (Edited)

Right click on the surround diagram and select "LFE only" for the LFE track. Make sure that in each surround channel, when you have dragged the small diamond shape to the desired speaker (in the small diagram) that you click on the other speakers in each diagram to mute these channels for each track or you will get channel bleed though in your mix.

Youdon't have all the tracks, including the sync track, highlighted when you try to mute the track do you? And you're not trying to mute the tracks in the mixer section are you? You only need to click the mute icon next to the track you want to mute.

If the track sounded like chipmunks when you changed the fps in Besweet then you had sped it up and not slowed it down. Did you use besweets built in 25 >23.976fps conversion preset?

ANH:REVISITED
ESB:REVISITED

DONATIONS TOWARDS MATERIALS FOR THE REVISITED SAGA

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yes I used that preset, this file was sped up through pitch\time, no matter what I did it would NOT sync, but as I said, when I slowed it down, all fit nicely, didn't have to delay or change fps, first time I ever had to do it this way.

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Does anyone have some hirez pics of the '97 SE Trilogy posters, or any image for that matter.

Thanks

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Thanks, do you have the other 2 by any chance?

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 (Edited)

Post updated, they were further in the hi-res poster art thread.  Also, why is it so impossible to unquote in the advanced text editor? @_@

A Goon in a Gaggle of 'em

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Does anyone have a list or a website of the actual differences between the '97 & '04 versions of the SE Trilogy?

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For info, the 97 SE screenshots for Episodes 4, 5 and 6 of that DVD Active guide were taken from the TB Release. (Come to think of it, so were as the Episode 1 Theatrical version screenshots)

4 - 5 - 3 - 1 - 6 - 2

Discuss…

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Thanks for that Russ, I have ANH and ESB almost done, waiting on the subs for ANH from msycamore now.