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How much does Lucas owe to Jorodowky’s Dune? Would Star Wars even exist without Dune?

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I recently watched the documentary Jodorowky’s Dune and it had me rethink the entire Star Wars universe. I’m a long time fan of Star Wars since having seen A New Hope when it came out in theaters. Like most folks, I have mixed feelings about the prequels, feeling something was missing there. This documentary says that Jorodowsky was pushing a two thousand page story board around Hollywood starting around 1975, but was turned down by every studio because it amounted to a 12 hour film. Meanwhile, Jodorowsky had assembled the greatest team I can think of to make a film including Dan O’Bannon on special effects, Moebius and H.R. Giger as artists, Pink Floyd and Magma for soundtrack, and the actors Orson Wells, David Carradine, Mick Jagger, and even Salvador Dali to play Emperor Leto ll. But the project was too far ahead of its time and the studios rejected it, and by 1976 the production money ran out and the film project was canned, until of course the rights were bought by Dino De Laurentis which resulted in the inferior Dune movie of 1984. Hollywood went on to appropriate Jodorowsky’s team with Dan O’Bannon going to work special effects for Lucas on the first Star Wars, then O’Bannon and H.R. Giger worked on Alien, etc.

What I’m wondering is how much did George Lucas know about and then appropriate from Jodorowsky’s Dune? The fact that O’Bannon worked on Star Wars should prove that he knew much. There are so many similarities that I can’t even begin to list them here. Lucas has mentioned in passing the influence of Frank Herbert’s Dune book, but nothing I know of regarding Jodorowsky himself. Much lip service has been given to Kurosawa, Flash Gordan, et al. as influence’s but in comparison to a big project like Dune being pushed at the same time as Star Wars, these are obscure and artsy references at best. It has become like that saying, Jodorowsky is conspicuous due to his absence in the Star Wars dialogue.

My theory is this: Lucas owes a much greater debt to Jodorwksy’s vision of Dune than he is letting on and the key link to this is Han Solo himself. Han was a smuggler, originally, of spice, the same spice Melange from Dune. Lucas has been white washing the Solo character for years and cut him out of the prequels completely. Maybe it’s more than just about ‘Han shot first.’ Maybe it’s a link to the Dune universe.

Do you think this is a viable theory? How much does Lucas owe to Jorodowky’s Dune? Would Star Wars even exist without Dune?

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I think Jodorowsky’s Dune doesn’t get thrown around with Flash Gordon and The Hidden Fortress when people talk about Star Wars influences mostly because it doesn’t actually exist and any attempt to explain it to the uninitiated would completely derail whatever Star Wars-centric documentary/interview/article the conversation is meant to be a part of. Jodorowski’s Dune is most definitely a huge influence. I think equating Han’s spice with melange is a bit misleading, though. The idea of spice being a valuable drug definitely comes from Dune, but in the novel the spice is a huge part of the central conflict, whereas in Star Wars it’s just a throwaway reference that’s never mentioned again outside of the EU.

Man, I was just listening to that Grimes album with all the Dune references, and now this. I need to read Dune again.

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Thank you joefavs for your thoughts. Here’s the thing though, if you look at early drafts of A New Hope [Ver. 3 @ http://starwarz.com/starkiller/the-development-of-star-wars-a-new-hope/] you find that initially, the drug ‘spice’ was very much a central theme of Star Wars. For instance, in this early version, Princess Leia was not fleeing the Empire with the secret plans for the Death Star but rather, holding a cargo of the drug spice. And the two ‘bickering bureaucrats’ (C-3PO & R2 D2) crash land on a planet and find more spice. This version dates back to 1973, coincidentally the same year Jodorowsky’s producer acquired the rights to Dune.

Regarding the movie Dune by Jorodowsky, it in a way does exist, although in another form, that is, two dimensionally on paper. As the documentary explains, the story board contained over three thousand panels painstakingly written by Jodorowsky and drawn by the great artist Moebius. Everything is there including POV shots, long shots, close ups etc. The sword fighting scenes, as an example, mirror certain fight scenes in Star Wars, etc.

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Even the retcons are pinched from Herbert. Luke and Leia both being twins and their father being a prophetically awaited hero driven to tyranny after the death of his wife. That might not have been the plan in 1977 but it’s what happened later.
It’s a shame Vader didn’t have a sister to profit from a cult set up in his memory that could become possessed by the spirit of the Emperor.

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It is interesting to note that the hero Paul Atreides has a sister named Princess Alia (pronounced a-Leia) and though their father doesn’t turn out to be evil, it is their grandfather the Baron Vladimir Harkonnen who is the villain and kills their father.

Also interesting to note that Paul is trained by the Bene Gesserit in Prana Bindu (read: Jedi Bendu) which gives the practitioner supernatural powers in combat. This indicates the underlying spiritual theme that is mirrored in both universes.

Another coincidence is that Jabba physically resembles Leto II God Emperor of Dune who is a large worm like creature with human face and limbs and sits upon a dais.

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Jodorowky’s ego was nauseating. He didn’t even bother reading the book and his planned ending shows it. It’s just as bad as Lynch’s, and misses the point completely.

Hint: Paul isn’t really a messiah, he’s just playing the part.

Trying to get Dali and Orson on board was a farce.

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Yeah, and the Boris Karloff Frankenstein movies suck, too. I mean, for Christ’s sake, the monster in the novel was intelligent and eloquent, not a lumbering mute imbecile!

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To be certain, Jodorowsky’s proposed ending to his version of Dune is a radical departure from the novel, in which he has the prophet Paul dying and subsequently the entire desert planet of Arrakis is transformed into a lush green world. From my understanding, Frank Herbert didn’t have a problem with this plot twist, and Herbert and Jodorowsky remained ‘amicable.’ If anything, Herbert was taken aback by the length of the story board, which Herbert described as being the size of a “phone book.” The film, if made, could have been great, or a disaster.

What I’m wondering about is wether or not George Lucas was privy to that storyboard back in 1975, and if so, how that would have shaped what we’ve come to know as Star Wars?

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Verboten said:

Jodorowky’s ego was nauseating. He didn’t even bother reading the book and his planned ending shows it. It’s just as bad as Lynch’s, and misses the point completely.

Hint: Paul isn’t really a messiah, he’s just playing the part.

Trying to get Dali and Orson on board was a farce.

He read the book well and Frank liked both Jodorowky’s ideas and Lynch’s assembly cut (wierding modules and all).

Remember this wasn’t that long before Marlon Brando would get paid a tonne of cash for a cameo in two Superman films (one of which would remain unseen until after his death).
I’m all for adaptations doing things differently. The sadness is that the book (like Dracula which has never been filmed properly) is so filmable as it is.

When I read the book I see practical sets that could be built. I see special effects that could be done convincingly especially now.

Maybe when Game of Thrones finishes we will get a proper adaptation on television (Sci-Fi did the first three books sort of okay sadly they didn’t get to do the God Emperor).

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"Before getting in bed with the Jedi, Han Solo smuggled a fictional drug known as “spice” (the sci-fi classic Dune definitely had an influence on George Lucas) while in the employ of Tatooine’s notorious crime lord, Jabba the Hutt . . . In early drafts of Star Wars, spice was central to the plot. Instead of transporting the all-important plans for the Death Star, Princess Leia was sneaking “two hundred pounds of the greatly treasured aura spice.” from the article @ http://www.konbini.com/us/entertainment/han-solo-drug-smuggler-star-wars/ .

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Frank Herbert always thought Star Wars was a Dune ripoff - article at Polygon:
 

'Much like the mystical religions spread by its Bene Gesserit, the influences of Dune spread to every corner of the universe of science fiction. In some stories, the inspirations are woven so tightly into the fabric of the story they’re nearly impossible to pick up, maybe even for the author themself. In others, the homages to Dune are unmissable, occasionally to the point of being distracting. And then there’s Star Wars, the most blatant ripoff of all — at least, according to Frank Herbert.

The Dune author didn’t talk much about George Lucas’ landmark science fiction film before his death in 1986, but he answered a few questions about it over the years, and he always seemed at least a little annoyed at the similarities between the two stories.

The first public comments he seems to have made about the movie come from an interview with the Associated Press from 1977, the year A New Hope was released. The article is pretty straightforward shit-stirring, but it’s clear that while Herbert hadn’t yet seen the movie, he did have some thoughts about its similarities to his seminal series, which was already three books in.

Herbert starts by saying an editor for the Village Voice had called him and asked if he had seen Star Wars, and whether or not he was going to sue. It’s a strong lead-in, but apparently that’s what was top of mind of Herbert.

“I will try hard not to sue,” Herbert told the Associated Press. “I have no idea what book of mine it fits, but I suspect it may be Dune since in that I had a Princess Alia and the movie has a Princess Leia. And I hear there is a sandworm carcass and hood dwellers in the desert, just like in Dune.”

Herbert goes on to brag, rightfully, about the ubiquity of Dune, both in popular culture and even as a college textbook on subjects like “architecture, psychology, writing, English, human living, space analysis, and some I’ve forgotten.” Herbert doesn’t get too specific in this early article, but it’s clear the movie’s reported similarities to his own work didn’t sit quite right with him. And later it would be even clearer that they stuck in his craw, one way or another.

Now, with decades of hindsight and years of interviews, it’s easy to see that Star Wars, particularly the first film, is an amalgamation of many genres and stories, including (but not limited to) science fiction, mythical fantasy, and the samurai movies of Akira Kurosawa. There’s also an entire expanded universe of history in the Star Wars galaxy that borrows from all over the sci-fi canon, and has helped inspire just as many future writers.

But if you consider the time when Star Wars was just one tremendously successful summer blockbuster, it’s easy to understand why Herbert might have had a bone to pick. And as the years went by, it’s clear that he thought quite a bit about the subject, enough to count the similarities between the titles.

“Lucas has never admitted that they copied a lot of Dune, and I’m not saying they did,” Herbert said in 1985, during a speaking engagement at UCLA. “I’m just saying there are 16 points of identity between the book Dune and Star Wars. Now you’ve had stat — what is it? It’s 16 times 16 times 16 times… over 1, the odds against that being coincidence? There aren’t that many stars in the universe.”

Herbert’s frustrated quote stemmed from a question about whether or not Lucas ever bought Herbert dinner — a reference to a long-standing joke of Herbert’s that even if Lucas didn’t blatantly steal his ideas to make Star Wars, he at least owes Herbert dinner for the coincidence.

But Frank Herbert was one to lose out on a war of pettiness. A year before that UCLA interview, he published Heretics of Dune, the fifth book in the series and the second to last written by him. Late in the book, which is mostly about the future of humanity after the death of The God Emperor, Herbert has a small, inconspicuous passage that certainly feels like a reference to Star Wars. He doesn’t seem to have ever said that officially, so we’ll let you judge:

In the time of the Old Empire and even under the reign of Maud’Dib, the region around the Gammu Keep had been a forest reserve, high ground rising well above the oily residue that tended to cover Harkonnen land. On this ground, the Harkonnens had grown some of the finest pilingitam, a wood of steady currency, always valued by the supremely rich. From the most ancient times, the knowledgeable had preferred to surround themselves with fine woods rather than with the mass-produced artificial materials known then as polestine, polaz, and pormabat (latterly: tine, laz, and bat). As far back as the Old Empire there had been a pejorative label for the small rich and Families Minor arising from the knowledge of the rare wood’s value.

“He’s a three P-O,” they said, meaning that such a person surrounded himself with cheap copies made from déclassé substances.

 
I knew Star Wars had borrowed a number of elements from Dune. Although I never knew Frank Herbert was annoyed or frustrated by it.

It does appear a bit rich from Lucas to have sued Battlestar Galactica back in 79/80? for plagiarism, given he had borrowed so many ideas from Dune (and many other sci-fi works) himself.

“Don’t tell anyone… but when ‘Star Wars’ first came out, I didn’t know where it was going either. The trick is to pretend you’ve planned the whole thing out in advance. Throw in some father issues and references to other stories - let’s call them homages - and you’ve got a series.” - George Lucas

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^ Lucas may have borrowed some superficial scenery elements or aesthetics from Dune, but really I always thought the whole Star Wars/Dune connection was overstated. The main thing is the desert planet, and offhand mentions of “spice”. These are very superficial similarities. However, earlier drafts of Star Wars featured the spice trade much more prominently - which indicates Lucas at least had some familiarity with Dune. There’s also the Jedi and the Bene Gesserit, both religious figures with super-human abilities (especially the Jedi mind trick).

But holistically, Star Wars is dramatically different. It’s a different genre (space opera versus sci-fi/political thriller), it has heavy use of robots and aliens (both absent from Dune), and it’s a straightforward action-oriented hero’s journey influenced by Flash Gordon and 1930s serials, as opposed to Frank Hebert’s heavy socio-political themes and false Messiah religio-social commentary.

Also some of the stuff Herbert complains about in the above-quoted paragraph is a huge stretch. “Hooded dwellers” in the desert? That’s a universal motif influenced by real life Bedouin tribes - not something unique to Dune. And the “sand worm” skeleton appears for like 3 seconds and looks more like a dinosaur skeleton. It’s more likely an expression of the general motif of “dead things” in the desert to visually emphasize the lifeless, hostile environment. This is similar to Westerns where we see a cattle skeleton or circling vultures to emphasize the hostile environment. Also, Tatooine is supposed to visually represent “the middle of nowhere”, whereas Arrakis is the center of the whole spice industry and a highly important world.

I mean, you may as well say Star Wars ripped off Lawrence of Arabia because it takes place in a desert and features Sir Alec Guinness wearing a robe.