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Info & Help Wanted: in identifying which version of Alien (1979) this is...

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 (Edited)

I recorded Alien off TV here in Italy because I knew this particular channel had a rare version with localized titles and obviously I’m hoping to make a preservation out of it before the Italian print disappears from existence… you know how that goes.

I expected it to be an old copy but the quality seemed better than what they usually put on TV (and possibily better than my 1999 DVD?), so I had the suspiction it might have been from Bluray or some other version that I’m not aware of.

I can’t recall all the differences between the many version that came out on home video (is there any visual comparison on internet like there is for Star Wars films?). What I remember is that 2003 remastered DVD edition had a stupid alien hanging from the chains before Brett dies while 1999 DVD version and 2012 Bluray version didn’t.

I’ve also heard that in the Bluray they added all the previously cut scenes like the cocoon scene, or the Alien hitting the cat box… these scenes are not in this TV version. So by exclusion I would say it’s neither the 2003 edition nor the Bluray. Could it be from 1999 DVD or any previous source?

Can anyone identify which version of Alien this is from these couple of screengrabs?

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looks like the HD restored Theatrical Cut that is on the BD in all honesty

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bigrob said:

looks like the HD restored Theatrical Cut that is on the BD in all honesty

 I didn't know BD also contained the theatrical cut. Is there any tell-tale scene or detail that could help identify it?

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You've already mentioned the biggest one; the director's cut has the cocoon sequence.

There are a few other moments, such as a different edit when Kane is in the egg chamber (in the director's cut the Space Jockey sequence and Kane's descent is cut differently, there is a shot where he puts his tether gun down),  the alien hitting Jones' box, but mostly the director's cut has a subplot about the tensions between Ripley and Lambert that wasn't part of the 1979 theatrical version — Lambert attacks Ripley outside of the medlab for attempting to quarantine the away team on Acheron (LV-426), and later Ripley calms Lambert after Dallas' death.

I think that the theatrical version is Ridley Scott's preferred cut of the film. Both versions are included on the Blu-ray (the Blu-rays have two versions for each of the four original Alien pictures).

“That’s impossible, even for a computer!”

“You don't do ‘Star Wars’ in Dobly.”

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I meant... Is there any way to distinguish the bluray theatrical edition from previous theatrical editions (namely the 1999 DVD)?

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The colors. For example, the new version has warmer golden hue in the landing leg room, which is much bluer in all previous versions I've seen (including the '99 DVD).

“That’s impossible, even for a computer!”

“You don't do ‘Star Wars’ in Dobly.”

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I should add that, in the TV trailer for this broadcast, there are also some 2.35:1 shots from Aliens...

Sadly my projects are lost due to an HDD crash… 😦 | [Fundamental Collection] thread | blog.spoRv.com | fan preservation forum: fanres.com

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The teal-ish balance of your landing leg room grabs suggest the 2010 master.

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Is the 2010 master the one used in the bluray?

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Yes, though it now occurs to me that the earlier 2003 scan (used for the director's cut and quadrilogy DVDs) may have had a life in HDTV too.

In either case, the colour adjustments done for the DC largely remain in the theatrical cut (something that will hopefully be addressed in a spoRv - or similar - project at some point).

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Jonno said:

In either case, the colour adjustments done for the DC largely remain in the theatrical cut (something that will hopefully be addressed in a spoRv - or similar - project at some point).

...it's always in my "project drawer"... (-^,)

semiOT: what's about Alien3 color grading of BD, DVD and LD?

Sadly my projects are lost due to an HDD crash… 😦 | [Fundamental Collection] thread | blog.spoRv.com | fan preservation forum: fanres.com

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Jonno said:

Yes, though it now occurs to me that the earlier 2003 scan (used for the director's cut and quadrilogy DVDs) may have had a life in HDTV too.

In either case, the colour adjustments done for the DC largely remain in the theatrical cut (something that will hopefully be addressed in a spoRv - or similar - project at some point).

There is already a DC project that has the original color timing preserved.  Creating menu's is not my strength and I have not been able to find anyone willing to help out so it sits as an "as is" release.

Sorry to interject this here.  It should have it's own thread.

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Jetrell Fo said:

Jonno said:

Yes, though it now occurs to me that the earlier 2003 scan (used for the director's cut and quadrilogy DVDs) may have had a life in HDTV too.

In either case, the colour adjustments done for the DC largely remain in the theatrical cut (something that will hopefully be addressed in a spoRv - or similar - project at some point).

There is already a DC project that has the original color timing preserved.  Creating menu's is not my strength and I have not been able to find anyone willing to help out so it sits as an "as is" release.

Sorry to interject this here.  It should have it's own thread.

 A good, quick way to tell which master/color timing was used is the exterior shots of the Nostromo. The Collector's Edition LD, the AC3/70mm LD, the '99 DVD and the early Japanese HDTV copy all have the Nostromo model as being gray. That's the way it is in the original 35mm (I've seen a print) and the way the model looks in real life.

When the film was re-release in '03 the Nostromo and much of the film was re-timed to have a blue tint. It looks this way in the DC's 35mm print (the most beautiful 35mm print I have ever seen) and  Dtheater DVHS. I don't think there is another HDTV copy of this color timing outside the DVHS.

When the film was prep'd for the BD there was a green tint added to the blue tint. This is what it looks like on the BD, all current HDTV masters, Itunes (USA) and I believe Vudu (USA).

Those pics have a blue-ish Nostromo so it is the same master as the BD

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_,,,^..^,,,_ said:

Jonno said:

In either case, the colour adjustments done for the DC largely remain in the theatrical cut (something that will hopefully be addressed in a spoRv - or similar - project at some point).

...it's always in my "project drawer"... (-^,)

semiOT: what's about Alien3 color grading of BD, DVD and LD?

 From what I've seen Alien 3 has been pretty consistent since the LD days, always having a brown color timing.

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http://originaltrilogy.com/forum/topic.cfm/Alien-DC-Project-Assistance-Appreciated/topic/16843/

New Thread for Alien DC.

When the film was re-release in '03 the Nostromo and much of the film was re-timed to have a blue tint. It looks this way in the DC's 35mm print (the most beautiful 35mm print I have ever seen) and  Dtheater DVHS. I don't think there is another HDTV copy of this color timing outside the DVHS.

We have the DTheater version.

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PDB said:

Jetrell Fo said:

Jonno said:

Yes, though it now occurs to me that the earlier 2003 scan (used for the director's cut and quadrilogy DVDs) may have had a life in HDTV too.

In either case, the colour adjustments done for the DC largely remain in the theatrical cut (something that will hopefully be addressed in a spoRv - or similar - project at some point).

There is already a DC project that has the original color timing preserved.  Creating menu's is not my strength and I have not been able to find anyone willing to help out so it sits as an "as is" release.

Sorry to interject this here.  It should have it's own thread.

 A good, quick way to tell which master/color timing was used is the exterior shots of the Nostromo. The Collector's Edition LD, the AC3/70mm LD, the '99 DVD and the early Japanese HDTV copy all have the Nostromo model as being gray. That's the way it is in the original 35mm (I've seen a print) and the way the model looks in real life.

When the film was re-release in '03 the Nostromo and much of the film was re-timed to have a blue tint. It looks this way in the DC's 35mm print (the most beautiful 35mm print I have ever seen) and  Dtheater DVHS. I don't think there is another HDTV copy of this color timing outside the DVHS.

When the film was prep'd for the BD there was a green tint added to the blue tint. This is what it looks like on the BD, all current HDTV masters, Itunes (USA) and I believe Vudu (USA).

Those pics have a blue-ish Nostromo so it is the same master as the BD

 I'll check it out!

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Sorry for the late answer, thxita. Somehow didn't notice your PM until now. Besides a new color timing I know they digitally recomposited some effect scenes back when they created the "Director's Cut."

An easy way to tell what version you got should be:

Original

DC

Save and switch between the screenshots for easier comparison.

We want you to be aware that we have no plans—now or in the future—to restore the earlier versions. 

Sincerely, Lynne Hale publicity@lucasfilm.com