Oooo… Can’t wait, you Godsend!
HARRY POTTER REVISITED: POA, HBP AND DH
Hello, my dear friends. The Revisited Franchise sees the continuation of the same work and premise as all of my other entries; which is to produce a strict, engaging and tonally consistant film entry with a lot of focus on musical franchise continuity.
You can see the added color in this clip, as well as some subtle old and welcome musical scores.
The first part in the forest, for some reason, has rendered out wrong. Too dark. The rest is as intended. Here you can watch the original color grade.
A musical preview from DH Revisited. Also showcases a tad of more color added to the picture.
When I started out with my Harry Potter Revisited franchise it was all about acknowledging that Harry Potter 1 & 2 were respectively out of date and non-consistent with the rest of the series. When Alfonso Quaron took over the helmet in the Prisoner of Azkaban he gave the series what they so desperately needed: a gritty, realistic atmosphere in an elsewhere magical fantasyworld. He grounded the series, much like the Lord of the Rings Trilogy grounded Tolkien’s fantasy books for the big screen; in what could have been an ancient, forgotten world. I took Alfonson’s approach to Philosopher’s Stone and Chamber of Secrets, as well as touching upon the two movies with new sfx, music, effects and colors, and alteration of the two movie’s pacing. Then, after a break, I started to commence work on a much more dreaded task - editing the Goblet of Fire (which I undoubtedbly think is the weakest link in the entire franchise) - and put Prisoner of Azkaban on hold (finding it to be a less complicated task at the time, therefore awaiting that project for another time).
Now, having finished Sorcerer’s Stone, Chamber of Secrets, Goblet of Fire and Order of the Phoenix, I think it is time to complete the franchise once and for all. Work has commenced on Prisoner of Azkaban, Half-Blood Prince and Hallows - all siminoutanesly.
Prisoner of Azkaban Revisited, Half-Blood Prince and Deathly Hallows are my last entries in this longstanding series of edits, and so I hope and wish for you guys to participate in what is to be the three final outings in said project.
The thread will be updated with more, including preview clips, so bare with me. What I want from you guys is to tell me whatever you think can improve any of the three entries to the better and any other ideas in general.
PRISONER OF AZKABAN REVISITED
has more color added to it during its first 20 minutes (everything up til train sequence) to better resemble the warmth and comfort of every HP opening thus far. Faces are no longer silvery blue and have a warm glow instead. The rest of the movie (from Dementor attack and onwards) has its original color grade true to the original.
Prisoner of Azkaban Revisited has undone the ill-favored move of erasing all previous Harry Potter scores (from SS/PS and CoS) and put some in where they fit and should belong. This includes “Feels Like Home”, Hogwarts Theme (“Entering the Castle”), iterations of Hedwig’s Theme, Voldemort’s Theme and others, including two upcoming GoF scores (for continuity with the next and upcoming entry).
I have also included two short flashbacks (as brief as half a second) and erased all fade outs and fade ins to keep continuity with the previous and upcoming saga entries, in where fades are hardly ever used.
I also removed 10 seconds from the Snowball Fight; removing Harry dragging Malfoy by his boots. This seems implausible as Harry and his hands are all underneath the Invisibility Cloak.
HALF-BLOOD PRINCE REVISITED
has completely removed and altered the cloudy and desaturated color grade of the original film, and almost all - if not all - scenes have been manually and personally touched upon due to the insane saturation and gamma differences between all the different scenes and angles. What a nightmare I tell you, and certainly one that isn’t completely finished as of yet.
Half-Blood Prince Revisited also sees the removal of some of the very obnoxious romance subplot, as well as two re-arrangements of scenes (Quidditch Trials occur after the Great Hall speech/Dumbledore’s Speech to lighten the mood and make the movie feel more Harry Potter-y before it all becomes dark and somber, and a re-arrangement of Tom Riddle flashbacks and when it occurs).
HBP Revisited keeps the continuing continuity (say that six times fast) of the Harry Potter OST, almost now more than ever. HBP has a very silent and dark and - dare I say - non-magical soundtrack, and although many of the new scores for HBP are extremely good or brilliant, they have more of a dark thriller-y feel than anything Harry Potter. Therefore, whenever fitting to the story or the emotions of the scene or the character(s) - with the exception of the good HBP scores that certainly do fit (and there are quite a few), a lot has been replaced to keep the HP flame, feel and tone going and flowing.
DEATHLY HALLOWS REVISITED
has been completed for almost four months, and has a final running time of about 3 hours and 18 minutes (before credits). I’ve showed it to my entire family three days ago for our third Harry Potter night and I feel confident it is what I always wanted DH to be. Part I and II are of course interegrated into one single piece, and one single final. I can’t wait to show some clips.
WHAT HAVE I DONE?
The Ancient Lore
Kenobi: A Star Wars Story
Harry Potter Revisited
Game of Thrones Film Edits
… and more.