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Hey, Harmy, thanks for hooking me to up with the last two pieces of wp1! Trying to go through it now in pieces as it's got some weird video stuttering. Not sure why this is as I'm playing it off the HDD of my Aios which handles BD ISOs fine.
Anyhoo, a couple of thoughts about the opening flyover shot on a properly calibrated 60". Having hand roto'd a fix for this shot it's always bugged me how poorly the HD transfer opens. While I'm trying to stay away from colour talk, it seems that the T4 reds/yellows as well as the planet matte painting reds/yellows are desturated significantly. The maroon markings on the ship are almost grey, the engines while brighter, lack some saturation as well. Same for the matte painting - warm tones seem a little desaturated. I know you don't want to hear about subjective colour opinions, but it sticks out to me compared to the terrific new lasers. If you still have the render passes for the lasers it might be worth it to try boosting the warm part of the palette for that shot.
Regarding the lasers and flashes, the first green laser looks fine until it vanishes and reappears a frame later about to contact the T4 (the missing frame is in the original, so that's not my concern). On that one frame where it reappears it's again dull and totally desaturated grey, just looks like that one frame got missed.
About the flashes, more a question than anything else. Again, having done a re-roto of my own I remember that Moth3rs PAL disc, which I was referencing, has more detailed edges of the animated flashes than what's on the new transfer and in DE2. What was the source for those? I also noticed it in the training scene stills you posted - the detail on the animated flashes have less precise edges than what's on the DVD and BD. Is that something you've seen a reference to?
Later on, the wipe from lifting 3P0 to Ben's house seems to have a weird grey-green artefact right around 3P0's tummy, and a bright green....something between Luke and 3P0 when the wipe is about halfway finished.
First shot flying into Mos Eisley, have you used an HD still for the background? It looks like there's static grain on the shot which is why I'm guessing that. Possibly tie it together with the FG stuff with a bit of film grain applied if so?
The gang being stopped by troops in Mos Eisley - the (presumably) GOUT replacement patch for the left side of the screen does a distracting little geometry wiggle early in the sequence. Not sure if there's anything that can be done with what exists at this point though.
Greedo shooting - no issue, just....wow, I literally cannot see a seam in this shot. It blends together flawlessly. Just...wow.
ANyways, off to bed!